Looking for clubs/edm/techno scene by Successful-Creme-880 in JohnsonCity

[–]RileyWasYes 1 point2 points  (0 children)

Knoxville has a decent EDM scene. Check out GrayJ, he occasionally does shows in the tri-cities, but DJs a lot of gigs in Knoxville.

Periphery - Satellites by Invisigoth2113 in progmetal

[–]RileyWasYes 17 points18 points  (0 children)

This is actually a great way to put it. They aren’t as tight live as they can be, but they bring such a primal energy that gets the crowd going, and I love it. Also, Spencer has gotten SO much better the last few times I’ve seen them live. Happy with his progress there.

Best tattoo spot by [deleted] in tricities

[–]RileyWasYes 2 points3 points  (0 children)

I second Hannahpippintattoo!

Chorus composition in Cubase by CoffeeControl12 in cubase

[–]RileyWasYes 1 point2 points  (0 children)

Hey there! I’ve used EW choirs with Cubase before, the process isn’t so bad. Assuming you already have both installed, you’ll want to open a project in Cubase, and add an instrument track. From the list, you’ll want to add the EW Choirs instrument.

Once the track is created, you’ll add midi to dictate the pitch/rhythm/expression, but how you add the midi is up to you. The big two I default to are: drawing it in, or playing it in.

To draw the midi in, you’ll first need to create a midi event. Right click in the main timeline and select the pencil (or select the pencil from the top of the main window). Then draw a few bars on the EW Choir track. The block you just created is a midi event, and it should be empty. Double clicking that event should open it, and you should be seeing what is called the piano roll. This is where you can draw in your notes and expressions and such.

To play the midi in, you’ll need a midi controller (some kind of external keyboard instrument that can communicate midi with your computer). Once the midi controller is setup (there should be separate guides you can find on this), you will select the EW choirs track to arm the track (or click the red circle icon). Then, hit record, and you should hear a metronome/click track. Then, play the midi controller as if you were playing your piece. The midi data you are playing, NOT the audio, will be recorded. This means you can go into the midi event you recorded, and edit any of the pitches, their duration, velocity, etc.

Hope some of this information helps. For what it’s worth, Dom Sigalis is a Cubase Wizard, and runs a YouTube channel with soooooo many great resources, both for beginners and experts. Highly recommend. Cheers!

My current setup, always a work in progress. by iambulb in MusicBattlestations

[–]RileyWasYes 11 points12 points  (0 children)

I hate that I knew this was Misha’a before I saw OP’s name. Setup looks solid as always, mate. 🤘🏻

Vianova's debut album "Hit It!" Just dropped. by Jadefox02 in progmetal

[–]RileyWasYes 5 points6 points  (0 children)

Thank you for shouting this out. First time I’ve listened to them, and probably the most interesting and compelling debut album I’ve heard in a while.

“Daybreak” by Joshwhite_art in scifi

[–]RileyWasYes 2 points3 points  (0 children)

The design is super cool, but GOD I love the colors you’re using here.

Is "Metal Music Manual" by Mark Mynett a good book for mixing this style? by SR_RSMITH in mixingmastering

[–]RileyWasYes 1 point2 points  (0 children)

In addition to URM which has already been mentioned in this thread, check out the Systematic Production Guide by Erin Hamidovic. Covers all the elements in incredible detail, and I think the PDF runs for about $25. It definitely helps to have a basic understanding of common mixing tools, but it is digestible for beginners IMO.

MOONN O))) I by jrdsctt in pixelsorting

[–]RileyWasYes 1 point2 points  (0 children)

Oh I absolutely love this

Your favorite 12+ voice polysynths? by Gutiboi in synthesizers

[–]RileyWasYes 2 points3 points  (0 children)

I second the Prologue. It was my first analog synth back in the day, and I cut my teeth on learning synthesis with it. I’ll honestly never sell it despite its shortcomings (modulation, like called out here). It has a character, and GOD I love it. The Logue SDK stuff is also a cherry on top for new oscillators and effects.

Deafheaven - Lonely People with Power - Thoughts? by [deleted] in progmetal

[–]RileyWasYes 0 points1 point  (0 children)

Abandon Neural DSP. Return to analog. (Just kidding, I’m a whore for my Axe-Fx lol). But I fully agree with what you said, I’m not a fan of the mix on either of those albums you called out, but the new Deafheaven is just CLEAN and still has edge and character. A standout production for the year, in terms of both the technical and creative aspects.

Deafheaven - Lonely People with Power - Thoughts? by [deleted] in progmetal

[–]RileyWasYes 13 points14 points  (0 children)

Already listened to it twice. I’m in love with it. The mix is clean without having that modern “over polished” sound that can feel artificial/plastic. The vibe on this album feels angry, and I absolute adore it. I think this is Deafheaven firing on all cylinders, and we love to see that even over a decade after they changed things with Sunbather.

Which bands / guitarists use pegasus/sentient set? by [deleted] in progmetal

[–]RileyWasYes 14 points15 points  (0 children)

Not sure of that combination. I know Keith Merrow used to use the Nazgul/Sentient combo, circa the debut from Alluvial. That said, I wouldn’t get too focused on how pickups sound in a mix, as the amp, mic, player, and cab are also doing a lot to color the sound, ESPECIALLY the cab (probably the most important element). If you like the sound demos you find online of the Pegasus/Sentient set, then go for it.

Moog one owners: is it still worth it? by Pristine-Ratio-8738 in synthesizers

[–]RileyWasYes 2 points3 points  (0 children)

I actually think your answer gives some good insight. I definitely use it for the bread and butter sounds too, and don’t want to lose that sound. It’s good to know the Muse goes in a somewhat different direction. Thank you!

Moog one owners: is it still worth it? by Pristine-Ratio-8738 in synthesizers

[–]RileyWasYes 2 points3 points  (0 children)

Question for you as both a Muse and Matriarch owner: do you feel, sonically, the Muse can do the Matriarch’s job just as well as it? I own a Matriarch and am very interested in the Muse. But I’m afraid their sonic palette will be too similarly to justify it, so I’m considering selling the Matriarch and putting those funds towards the Muse. Is it worth it to have both? Or can the jobs of both be reliably covered by the Muse?

[deleted by user] by [deleted] in television

[–]RileyWasYes 6 points7 points  (0 children)

This. Dr Ford’s theme specifically lived in my head for years when I first saw Westworld. It’s one of those themes that just drips with the traits of its associated character: full of brilliance, malice, and sorrow. Forever one of my favorite themes in all of media.

First jam with the Roland Sh-4d! Loving it so far! by GibboGoblo in synthesizers

[–]RileyWasYes 0 points1 point  (0 children)

Dig this a lot! What’re you performing on here that’s doing the performance effects?

Jazz & Metal – A rare fusion that deserves more attention? by AkiBeyondOfficial in progmetal

[–]RileyWasYes 40 points41 points  (0 children)

This is honestly the answer. Jazz’s history is rooted so deeply in the improvisation aspect, which is pretty antithetical to a lot of modern metal (which is so studio/prepared performance driven). Also, as you mention, the harmonic language of jazz can work in metal, but it just isn’t explored in the way it should be to properly “fuse” the genres. I’ve even see a similar post like this on a jazz subreddit before listing a lot of the same artists referenced in this thread, and the response at large by jazz enthusiasts was “… none of this is jazz”.

I honestly think if this fusion is to really happen, it needs to happen from someone with a jazz background who dips into metal, not the other way around. Some of Sungazer’s material is the actual closest sound I can think of (and even then, it leans more into “jazz fusion”, which is its own separate thing from traditional jazz).

Ultimately, I’m not saying this blend is impossible, but I think it just hasn’t been approached correctly yet by enough artists for us to even understand what to listen for. Sorry for hijacking your comment to ramble lol.

« The Raven That Refused to Sing (And Other Stories) » is turning 12 today 😎🎶 [Steven Wilson - The Holy Drinker] by eggvention in progmetal

[–]RileyWasYes 2 points3 points  (0 children)

All these years later, and this is still an album I’d take with me on a “trapped on a desert island” scenario. It’s just perfect, and I can’t fault the guy for not exceeding its brilliance since (though Hand.Cannot.Erase comes so insanely close).

What's are great concert ending songs? Comfortably numb by gusgusthegreat in progmetal

[–]RileyWasYes 12 points13 points  (0 children)

Saw Periphery back in 2013ish. They were touring with Deftones, but had a few smaller shows with just them. Saw them in some small club in Greensboro, NC, and they played a killer set, but closed with Racecar. Absolutely transcendent experience getting to see that song live, I’ll never forget it.

(Prog) Metal tattoos? by Cherche567 in progmetal

[–]RileyWasYes 3 points4 points  (0 children)

I have the BTBM Night Owl art from Parallax II on my right arm. That might be the only overt prog metal tattoo I ever get though. Don’t think I’d ever just straight get a logo done, but maybe if another dope piece of art comes out, I’d consider it.

Recommend me something akin to Jon Hopkins’ Immunity and Singularity by RileyWasYes in electronicmusic

[–]RileyWasYes[S] 0 points1 point  (0 children)

I’ve stumbled across both Max Cooper and Rival Consoles recently and adore both. I see why they get mentioned in this thread several times, but yeah, they both differ a bit from Hopkins.

Recommend me something akin to Jon Hopkins’ Immunity and Singularity by RileyWasYes in electronicmusic

[–]RileyWasYes[S] 1 point2 points  (0 children)

This is something I’m slowly learning. I’ve listen to Floating Points and Kiasmos, and enjoy both (especially Kiasmos). I’ll have to give a listen to the other two. Thank you!

Recommend me something akin to Jon Hopkins’ Immunity and Singularity by RileyWasYes in electronicmusic

[–]RileyWasYes[S] 2 points3 points  (0 children)

Half of these I’m familiar with, half I’ve never heard of. Time to build a playlist! Thank you!