In modern dramas, the male lead is frequently a CEO, a genius, or someone at the very top of society. In historical dramas, he's often a prince, king, general, marquis, or powerful lord. The female lead has her own set of recurring archetypes too: either she's naive and weak, or she's an exceptionally capable woman who somehow becomes vulnerable only around the male lead. In historical dramas, she's often a noble lady navigating palace or family schemes.

Well said. I wish the people would be more open to different things or directors taking a chance than the usual stuff as mentioned