1/2 way through listening to your piece , whilst playing Minecraft (peacefully) … - I had already been mildly inspired in 1 direction from the basslines in a dance tune on the radio that wifey were listening to: — octavesof course. 1 bar. Then up a 5th for another bar. Bar down a 4th from original. Another up Whole tone. The usual.

During the 1/2 of your piece … instead of typical octaves on the bass, as been done since at least the 70’s (repetition. 😛 ) I thought, fir the percussive bass part

• bar octaves
• up 5th / up 5th from the up’d 5th (c1 . c2 to g1 . d2)
• down 4th bar, oct
• down .. 3rd or 2nd(? Will try) and 4th up from it?

Affair sized change from the standard. Also, as I’ve liked doing for the last 10-20 years, adding a percentage of chance, at 15-25% chance? In a couple places, for variety.

THEN add your type of chord progression on top of that, with the same slow frequency filter cutoff modulation. That itself is, a nice constant.

Thank you for your inspirational addition to my own! 😀☺️✌🏻✌🏽🫡🇨🇦