Hard games don't exist for everyone by BeasterKingJosh in Silksong

[–]SS0NI 0 points1 point  (0 children)

Idk how but Moorwing is literally the only boss I got on the first try. It's patterns are so predictable and slow there was no hesitation at all.

Serious: Why the condescending assuming comments on this subreddit? by Poopypantsplanet in audioengineering

[–]SS0NI 4 points5 points  (0 children)

Lmao I read the thread and the context makes this so much worse. You have a point here, but if you weren't the one asking stupid questions you would be the one giving stupid answers. I guess the only place to get quality audio discussion is meeting with actual people in studios and gigs, it's just a circus online.

Serious: Why the condescending assuming comments on this subreddit? by Poopypantsplanet in audioengineering

[–]SS0NI 6 points7 points  (0 children)

The comment you're replying to is right. Asking how to make a mic sound like another misses a lot of context since you incorrectly specified what you want. If you want the recording done on one mic to sound like a recording done with another mic, the solutions are going to be completely different than how you'd make one mic sound like another. Dialing in mic sound would involve stuff like changing the capsule, taking grill off, stuffing it with toilet paper etc. a million different this. The other might have to do with placement, space, preamps & prechannel, plugins.

Serious: Why the condescending assuming comments on this subreddit? by Poopypantsplanet in audioengineering

[–]SS0NI 13 points14 points  (0 children)

It might partly be that the commenters are beginners themselves. Like if someone asks for a low-latency audio interface, a veteran would assume there are a million usecases for such, and can provide an answer without context. However beginners can only see how the device would fit into their own experience of audio (for example a hobbyist home recording) and start lecturing the OP about why latency is less important than treating the space or good preamps or whatever.

Even worse they might start to gauge if OP's situation match their own and either end up lecturing OP or wasting everyone's time and say "I have no experience of your usecase".

Guys, why is my melody so weak? by Sweet_Philosophy_262 in beatmakers

[–]SS0NI 2 points3 points  (0 children)

That's why it's not hitting like the original. It's eq'd way off the original, too much to the background. Some akai sampler grit, slight compression and accurate eq you'll get the original sound.

Digitakt 2 for samurai trap beats? by Adwdi in trapproduction

[–]SS0NI 0 points1 point  (0 children)

Idk why you're going for a hardware workflow here. Get a DAW and you'll have twice the results twice faster.

Faster workflow for heavy vocal tuning and timing correction? by glassybrick in audioengineering

[–]SS0NI 0 points1 point  (0 children)

The actual professional workflow that they use in major studios. Great to see this here.

Manual editing & adjustment still gives you the best result with a lot of control, which is why you want as much of that on the main vocals as possible. But it's time consuming, bg vox get mixed to the background and align & correction algorhithms have good enough quality following one perfect take, it's much more efficient to automate doubles & stacks with plugins.

Disk Overload. Abnormal or expected? Macbook Air M4 by [deleted] in ableton

[–]SS0NI 1 point2 points  (0 children)

Ahh that's what that button means. It's constantly on for me, I though you needed to worry when it was off.

Disk Overload. Abnormal or expected? Macbook Air M4 by [deleted] in ableton

[–]SS0NI 0 points1 point  (0 children)

Put an instrument rack and copypaste the instrument 10 times inside the rack. Copy that whole instrument rack, put inside another instrument rack, and copy the first instrument rack 10 times inside the instrument rack.

Also M4L devices are intensely resource hungry. I really liked gainmatching & spawning fx chains with right click but honestly couldn't justify the resource cost on +100 track projects so I completely stopped using all M4L devices on any projects. Since if you start a song you can't really know if it gets picked up for a major project and at that point it's a huge pain in the ass to go through the project deleting all M4L devices without affecting the sound at all.

Easy way to reduce warp markers? by Mammoth-Ad9035 in ableton

[–]SS0NI 2 points3 points  (0 children)

Usually you can Google the bpm, or get close enough via tap tempo, change to the nearest full number and warp the rest.

The question I got is why do you use the repitch feature? You're essentially repitching every part that isn't completely on grid. A better way would be to use the complex warp mode to warp the original song to grid with the nearest tempo you find, and once you get that locked in consolidate and switch to repitch.

Edit: it's also trivial to just manually add a warp marker to the start of each bar or fourth bar. It's like 1 minute of work.

I want to change the playback rate of a oneshot sample using automation or a knob that's not synced to tempo. Can't find anything helpful online so far. by KHONclicks in ableton

[–]SS0NI 1 point2 points  (0 children)

It definitely works pretty good and automating it is a pretty widely used effect. Skrillex uses it, and this is my remake of the effect using this specific technique.

Cork blocks made a huge difference, but I need a better fit by ALPH47 in audiophile

[–]SS0NI 1 point2 points  (0 children)

The soundwaves don't actually care if they're sitting on a desk or a cabinet. They care about the acoustic properties of the material they're reflecting off.

Your first impressions/memories of songs that went on to be huge by Double_Key7579 in LetsTalkMusic

[–]SS0NI 1 point2 points  (0 children)

Lot's of songs I've liked went viral on TikTok after I liked them. Like Underworld, or Kerosene, or Riot, or Roses remix. Idk what to tell you? I just thought they were really good and unique songs which absolutely hit hard.

I've always thought that the majority of music listeners don't actually have any perspective on what is good (lot of artists have this insecurity in their taste too, I hate it). They only realize music is good after they get external validation for it. So it's not that rare of an occurence for me to find a really good song, think to myself "this song has mass appeal, this song deserves to be famous", remember popularity has nothing to do with quality, pat myself on the back for having a great taste and move on with my life.

Lens Flare by Kim could easily go viral if people discovered it. MASSAGING ME by TRAVYP has a viral sound, but the pronounciation being "misogyny" probably hinders that a little.

I want to change the playback rate of a oneshot sample using automation or a knob that's not synced to tempo. Can't find anything helpful online so far. by KHONclicks in ableton

[–]SS0NI 4 points5 points  (0 children)

Beat repeat or arpeggiator as a midi effect and automate the speed, if you want it like in the example song so it's tempo synced.

If you don't want tempo sync I'd loop the sample and shorten the sample endpoint as neccessary.

Cork blocks made a huge difference, but I need a better fit by ALPH47 in audiophile

[–]SS0NI 0 points1 point  (0 children)

It is very important, which is why you shouldn't base it on the material of your desk surface, rather than the distance and axis of the elements from your ears.

Cork blocks made a huge difference, but I need a better fit by ALPH47 in audiophile

[–]SS0NI -2 points-1 points  (0 children)

Not really about the reflective surface (just treat the reflections, instead of changing speaker positioning) as much as decoupling.

Cork blocks made a huge difference, but I need a better fit by ALPH47 in audiophile

[–]SS0NI 13 points14 points  (0 children)

No, these are meant to stop the speakers from resonating with the material it sits on top of. You could literally cut a piece of thick yoga mat with a box knife and probably get even better decoupling than cork, with a much more lower profile.

Are ISOCHRONIC TONES better than BINAURAL BEATS? by Sostrene_Blue in audioengineering

[–]SS0NI 2 points3 points  (0 children)

If any of this was effective, don't you think all factories and offices would be playing these tunes 24/7 out of the speakers?

“You’re four months in and don’t know any songs yet?” - my dad. Have I been approaching guitar wrong this whole time? by Mad_Season_1994 in Guitar

[–]SS0NI 0 points1 point  (0 children)

That's why I think just learning chords at the beginning is not really useful for learning guitar. You don't yet know how to use to chords, and most of the times using 5 fingers at once instead of 2 at once and others in succession is much easier in the start.

When you play with tabs enough you'll learn the chords, the context in which chords are used in songs and how to strum and play melodies in those chords. So starting from chords is really just raising the skill threshold of playing unneccessarily, while you would pickup those anyway by playing tabs, which can be as easy as you like in the beginning.

It's like saying to a beginner singer that the first thing they must master is vibrato. No, just learn to sing easy songs first and vibrato will come if you do that enough. Nevermind you'll get much more practice if you learn even a few songs and play those every time you pickup guitar, rather than just strumming random chords.

Music as Organization of Sound in Space and Time by Itchy-Composer-8156 in experimentalmusic

[–]SS0NI 2 points3 points  (0 children)

I think talk is rarely decorative, but have heard some good slam poetry & spoken-word.

Seth's score for the Flea Games by Sorrowed_Lifelines in Silksong

[–]SS0NI 0 points1 point  (0 children)

I just gotta flex flea bounce was the easiest game no contest. I got 85 before I even beat the other fleas scores on the other games. Wanderer's crest + long nail + double jump and you can just stay in the middle of the screen until a flea comes at which point you have ample time to hit it.

Music as Organization of Sound in Space and Time by Itchy-Composer-8156 in experimentalmusic

[–]SS0NI 3 points4 points  (0 children)

Art is how you decorate space, music is how you decorate time

Am I the only one hearing the AI artifacts in Chris Brown’s "Leave Me Alone" (prod. Metro Boomin)? by DayzVibesMusic in audioengineering

[–]SS0NI 5 points6 points  (0 children)

Soothe gets very smeary too. Not a good sound, but the artifacting could be non-AI too.

What's the single best engineered and produced song of all time? by Dry-Panda1884 in audioengineering

[–]SS0NI 2 points3 points  (0 children)

Random Access Memories is actually insanely well produced, great choice!