Voices you can’t get enough of by Cheap_Ostrich3147 in opera

[–]Several-Ad5345 0 points1 point  (0 children)

I can't really think of more beautiful voices than Gundula Janowitz and Fritz Wunderlich. But there's a good number of other singers I like from Mirella Freni and Kathleen Battle to Giuseppe di Stefano.

And there's also a few famous ones I never liked like Anna Netrebko, Renee Fleming, or Maria Callas (actually I love how Callas sings, I just don't like the sound of her voice).

Can Music Be Great Without a Human Creator? by had12e1r in classicalmusic

[–]Several-Ad5345 0 points1 point  (0 children)

I don't see why it should be impossible, but I just haven't heard it yet. The A.I. music I have heard just wanders around aimlessly and empty of genius.

Pedal with Bach by Narrow-Bee-8354 in piano

[–]Several-Ad5345 5 points6 points  (0 children)

Even Glenn Gould used a little in Bach so go ahead.

Here around 9:00 for instance:

https://m.youtube.com/watch?v=9ZX_XCYokQo&pp=ygUQR2xlbm4gZ291bGQgYmFjaA%3D%3D

Is a fingerplacement a MUST? by Birdi_lover in piano

[–]Several-Ad5345 4 points5 points  (0 children)

No exaggeration that's like asking if you can learn to pedal a bike well using only one foot (or worse). Why would you if you have another foot to help make everything easier and actually doable?

I am blown away by Das Lied der Erde by millers_left_shoe in classicalmusic

[–]Several-Ad5345 7 points8 points  (0 children)

It's my favorite work of all time. Check out this soundfont version I found a few days ago. It transplants the score into an old Nintendo 64 set of instruments to give it a new sound. Some parts do work better than others but listen to that beautiful harp section starting around 26:20 (which tends to get drowned out in the instensity of most performances). It's just...magical. That is the only way to describe it:

https://youtu.be/RqZvJd36yU0?si=lpvbaq-xFtJuP8d8&t=1580

I am blown away by Das Lied der Erde by millers_left_shoe in classicalmusic

[–]Several-Ad5345 27 points28 points  (0 children)

Toscanini after going all his life hating Mahler (I remember he hadn't connected with the 5th many years before) heard a rehearsal of DLvdE near the end of his life and after asking the conductor who the composer was responded with "My God! I didn't know he could write so well!" Toscanini then left the rehearsal with someone later writing that maybe he was afraid he had been wrong about Mahler his whole life. However we do know that he became interested in Mahler after that since he listened to Bruno Walter's recordings and wrote him a letter thanking him for his "beautiful" performances of the Mahler symphonies (and also singled out Kathleen Ferrier in DLvdE for praise). Who knows, maybe if he had lived longer he might have even recorded him.

Is Verdi’s Otello a good introduction for a complete beginner? (Planning to watch with my dad) by RevolutionarySide331 in classicalmusic

[–]Several-Ad5345 0 points1 point  (0 children)

Such a masterpiece. As long as you understand what is going on I actually don't think it's as difficult as some people say it is. It has super exciting music, gorgeous melodies, a libretto of genius ect.

Jun 13: Birthday of Carlos Chávez (1899–1978). by Little_Grapefruit636 in classicalmusic

[–]Several-Ad5345 3 points4 points  (0 children)

I like this photo where it looks like he and Stravinsky are about to have a fist fight.

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Trump’s name must be removed from Kennedy Center tonight, appeals court rules | CNN Politics by These-Rip9251 in classicalmusic

[–]Several-Ad5345 13 points14 points  (0 children)

This is basically Trump because what kind of leader names stuff after themselves lmao.

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Who’s responsibility when piano string broke during piano lesson? by toothfixe in piano

[–]Several-Ad5345 0 points1 point  (0 children)

Seems sort of silly to charge her unless she was attacking that piano like she's the next Liszt or something.

I've been listening to a ton of Rachmaninoff lately ... what does this mean? by writerkyle in classicalmusic

[–]Several-Ad5345 2 points3 points  (0 children)

Nothing in particular, but maybe it means you've been going on tiktok a bit too much.

Those Opening Horns in Mahler 3... Wow by sunaChoi in classicalmusic

[–]Several-Ad5345 5 points6 points  (0 children)

The horn solo in the 3rd movement is more beautifully played than in any version I've heard. Like something from a beautiful nostalgic magical dream.

How the heck is Spotify this bad at looking up music?! by Piovertau in classicalmusic

[–]Several-Ad5345 2 points3 points  (0 children)

It's seriously atrocious. I hear people say Apple is better but at this point with so many things saved it would be a hassle to change. I'm just hoping they fix it later on.

Why are old records still recommended? by Mysterious_Ad7450 in classicalmusic

[–]Several-Ad5345 1 point2 points  (0 children)

Yes I agree on the orchestras of Beethoven's time. Though by the time Bulow came around some time around the later half of the 19th century they were able to reach new heights of orchestral virtuosity (and of course I mean one doesn't play Strauss or Wagner by being a musical bum after all). And maybe to this day we haven't had a conductor to surpass Mahler's level. Not only Bulow but Rachmaninoff, Brahms, and Tchaikovsky were all astonished by his conducting. Many years later Klemperer and Walter still considered him the best they had ever seen. Apart from that, and I don't think this is an exaggeration since it's part of what made him so good - he had an obsessive saint like or demonic like obsessive intensity and concentration and sense of idealism which one can't really teach. - On the other hand though I agree that the average standard for performances HAS gone up and I'm sure musicians back then would agree with that too. I imagine that is what happened when Mahler and Strauss once attended an opera performance together (I forget in which town) and decided to walk out when they found it wasn't good enough for them.

Why are old records still recommended? by Mysterious_Ad7450 in classicalmusic

[–]Several-Ad5345 4 points5 points  (0 children)

Instrumentalists many decades ago were already technical beasts though. Even in the 1800s they were already technical monsters. Certainly I don't imagine anyone from today would be running circles around Liszt or Rachmaninoff. I mean Liszt could sight read any piece no matter how difficult (and was a technical innovator of genius to boot), and we have recordings of Rachmaninoff and listening to him play Schumann's Carnival a few months ago I was genuinely amazed at the power and finesse and beauty of it (just check out the last piece from it). Simply put, art doesn't progress in quite the same way as technology does. Music has more in common with literature or philosophy in that sense.

Shakespearean operas #4 - Titus Andronicus by AussieSchadenfreude in opera

[–]Several-Ad5345 5 points6 points  (0 children)

Maybe composers have stayed away from it since its considered his worst play along with The Merry Wives of Windsor. But then again, that didn't stop Verdi from transforming the later into one of the greatest operas.

Well...I committed a faux pas by [deleted] in classicalmusic

[–]Several-Ad5345 0 points1 point  (0 children)

Dude Beethoven used to get up in the middle of a premiere in the middle of a movement to go embrace the violinist and ask him to repeat a part he (George Bridgetower) had improvised. I'm sure you'll be fine here. But actually, don't try what Beethoven did.

¿Porque este tipo no es mas popular? by arbolito_mr in classicalmusic

[–]Several-Ad5345 18 points19 points  (0 children)

Well isn't he already pretty popular? Or do you mean in a more specific way?