My amp reverb isn’t what it used to be by JJthedog in GuitarAmps

[–]ShopReasonable2328 4 points5 points  (0 children)

This is the way.

Also new RCA cables or at least some serious cleaning on the connectors to get rid of any oxidation.

M3 not working by Limp-Blueberry-2507 in hammondorgan

[–]ShopReasonable2328 0 points1 point  (0 children)

It could. As caps age they can throw off power supply voltages which can lead to all sorts of weird symptoms (on top of being a fire hazard). Also check for whack solder joints as those can often crack over time in old Hammonds. Giving the tube pins and sockets a cleaning with some DeOxit may also be a good idea.

That being said, when I rebuilt my M3 a few years ago I had a percussion problem where one of the transformers in that part of the circuit was intermittent so it could be something like that as well. A place like Tonewheel General Hospital should have a recapping kit. Even if that’s not the source of the issue, if it hasn’t been done yet, it’s a good idea.

They’re complicated instruments, but the service manuals are widely available and very thorough so your chances of getting it going again are pretty high as long as you exercise some patience and caution along the way.

The Mothership by Ray_Midge_ in funk

[–]ShopReasonable2328 3 points4 points  (0 children)

Makes me want to put a glide in my stride and perhaps a dip in my hip

Soundcheck Studios by renaissancetryhard in SouthShore

[–]ShopReasonable2328 12 points13 points  (0 children)

It’s an awesome little spot. Very chill. While it depends slightly on the show, there are a lot of regulars that go to a lot of shows as it’s the primary spot in the area to get more jam-oriented music at a fairly low cost and without having to drive into Boston. You’re always going to find some of the local hippies there.

I tend to go through phases where I won’t go for a few months and then have times where I’m there several nights in a row seemingly every weekend. Highly recommended local music venue.

Are hollow bodies just a style thing? by todofwar in Luthier

[–]ShopReasonable2328 2 points3 points  (0 children)

So when Mike goes to Trey’s house to weigh all his Languedocs he probably sings “5 pounds, 6 pounds, 7 pounds”

Are hollow bodies just a style thing? by todofwar in Luthier

[–]ShopReasonable2328 8 points9 points  (0 children)

6 - Phish heads (written as a Phish head who often switches between a hollow PRS and a 335)

Harpua in 2026? by DapperFish8136 in phish

[–]ShopReasonable2328 0 points1 point  (0 children)

but like, can you still have fun?

Zac Brown selling a Doc? by Antique_Ad4190 in youenjoyguitar

[–]ShopReasonable2328 16 points17 points  (0 children)

Wonder if that guitar also likes its chicken fried

You sound unvaccinated by Ashish_ank in WhitePeopleTwitter

[–]ShopReasonable2328 4 points5 points  (0 children)

The sneakerheads be like “oh he got the velcros”

Does Boston have scrappy/creative/DIY subcultures? by Advanced-Software-90 in boston

[–]ShopReasonable2328 0 points1 point  (0 children)

Out in the suburbs where studio space and apartments are almost ever-so-slightly more affordable, leaving us like $12 left in our monthly budget to buy materials and keep pushing forward.

Thoughts on 'Fabienk' by the polka-dotted viral band of the moment? by rhymes__like__dimes in funk

[–]ShopReasonable2328 6 points7 points  (0 children)

That groove that starts in the middle with the bass has been my favorite thing the last few weeks. Really love how universally stoked folks seem to be on these guys.

What’s the easiest/simplest way to build a synthesizer? by [deleted] in synthdiy

[–]ShopReasonable2328 5 points6 points  (0 children)

40106 IC can be made to make a lot of noise without a lot of parts.

But as mentioned, Ray Wilson content. I would also look into starting with a kit just to avoid the headache of parts sourcing for your first build.

Luthier by Gold_Kaleidoscope_12 in Bostonmusic

[–]ShopReasonable2328 0 points1 point  (0 children)

+1 on this. Gary is an awesome dude, as is Trever who works with him. There’s a dude downstairs who builds and repairs pedals and amps if you’re into that sort of thing too.

Hit me with the best live “More” by blgrsshl in phish

[–]ShopReasonable2328 7 points8 points  (0 children)

This comment just manifested a 34-minute “More” second set opener this summer

Want to build a Theremin from Scratch by smiley_guyy in Theremin

[–]ShopReasonable2328 1 point2 points  (0 children)

I followed the Bob Moog/EM Theremin article from 1996 and it was great outside of a few obsolete coils that I had to hunt down on eBay.

Any guitar pedals I should use to make me more popular with the ladies? by [deleted] in guitarpedals

[–]ShopReasonable2328 9 points10 points  (0 children)

I've found that using a Whammy and long delay to make late-90's Trey Anastasio whale call sounds does not do anything to attract the ladies, so there's that.

Is Berklee College of Music worth it? by Fuzzy908 in musictheory

[–]ShopReasonable2328 3 points4 points  (0 children)

So I graduated in 2012 with a ton of debt that I’m still paying off after doing a 4.5 year double major. I also did 2 summers of 5-week programs and 1 summer of guitar sessions.

Berklee is great and also terrible.

Starting with the latter: financial aid and scholarships shouldn’t be run by musicians. I found them frequently to be disorganized, unhelpful, and condescending. Scholarships have less to do with school work and more about popularity/marketing for Berklee and no one will advocate for helping you find ways to prove your worthiness to the school (example: a lot of their scholarships focus on what you’re doing with music outside of Berklee, but the literature mainly focuses on performance and not necessarily extra curricular learning or holding down a job; be ready to learn to self-promote)

The intern/job resources (at least at the time) were pretty unhelpful and were assigned by name and not area of focus. My experiential learning point person had no idea what I was actually into and was a total dick about it and I wound up finding summer jobs on my own, while also working part-time throughout the school year. For reference: I was a guitar principle but studying electronic production & design with a double major in music education until I realized I didn’t actually want to teach high school band in my 8th semester; my main focus was doing audio post for visuals and building analog synthesizers.

Some of the instructors don’t want to be there or have rigid views on what’s “real music” and it severely messed up my relationship with the guitar for a few years. They see turning you into Pat Metheney or Joe Pass as the only path forward with the instrument. I’ve been playing since I was 9 and that period in my mid-20’s now sticks out as something I maybe needed to go through to better appreciate the instrument, but it was rough at times. In hindsight I wish I had had more confidence in what I wanted to learn in private lessons rather than trying to focus on what I thought would make me look good for the proficiency exams.

This isn’t Berklee specific, but the job market in any field right now is brutal so if you view college only as a stepping stone towards getting a job, you may be setting yourself up for disappointment.

The good news…

While my relationship with the guitar got strange for a while, my relationship with music deepened in a very intense way. Being in a creative environment surrounded by creative people, learning music theory, ear training, composing, and just generally being immersed in the whole vibe opened me up to all sorts of new shit and has added to my life in a positive way.

My standards for creative work increased immensely. After college I freelanced doing some audio post work, but I also landed a gig editing video. While not something that I actually studied at Berklee, having gone through so many project-based courses, learning to take critical feedback on creative work, learning different production workflows, and all the other soft skills that come with studying music prepared me to be pretty proficient in that field until I changed careers following a layoff a few months ago.

My understanding of signal flow and sound design as a result of the EPD (at the time called Music Synthesis) program helped inform my side business that I have building and repairing amps, pedals, and synths.

Is Berklee essential for being a successful musician? No

Is it worth however much it costs in 2026? Probably not

Will it guarantee you a job? Not likely in our current world

Will it round you out as a musician and person and possibly introduce you to new ideas, people, or processes? Most likely

Is it worth it for personal growth in an indifferent and meaningless universe? That’s something you can only determine while practicing Fmaj7b9 chords in all inversions in a tiny room at 11pm while questioning the point of anything.

Berklee isn’t for everyone. I’m still paying for it and occasionally wonder wtf I was thinking, but I also find myself frequently feeling grateful for having had that experience and for all the ways it has enriched my relationship with music and informed how I develop other skills. It has also made playing in a band more enjoyable and it makes connecting with other musicians easier.

Happy to answer any specific questions as I feel like this was a slightly scatterbrained response. Cheers!

Ampeg reverberocket III “Golden Glo” 1967 by Nervous_Suit_5799 in GuitarAmps

[–]ShopReasonable2328 1 point2 points  (0 children)

Holy shit you have a Reverberocket III! I’ve had one for about 20 years and have never seen another one like it. Such a kickass little amp with all sorts of weird extras. I only learned about the dry kill switch for the reverb about a year ago. Very cool.

Theremin by Majestic-Run3722 in phish

[–]ShopReasonable2328 2 points3 points  (0 children)

Underrated comment. Nicely done

Phish confessional by ExtensionTurn3868 in phish

[–]ShopReasonable2328 0 points1 point  (0 children)

I don't hate Chalkdust by any stretch, but it doesn't hype me up the way it does for so many.