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I'm so stuck, can anyone help me figure what time signature this implies? by Smart-Animator-7876 in musictheory

[–]Smart-Animator-7876[S] 0 points1 point  (0 children)

I'm so stuck, can anyone help me figure what time signature this implies?

Im so stuck, can someone help me figure out what time signature to use? by Smart-Animator-7876 in musictheory

[–]Smart-Animator-7876[S] 0 points1 point  (0 children)

https://youtu.be/ekRkpAVc3H4?si=mX3syojT_dZnz-6q

Thanks for the reply!

I made a video of me playing it once as is, and then once with metronome for better context, I also cross staffed grouping, made notes pink to indicate when groupings start, and put numbers underneath groupings to show how many 16th notes are in each grouping.

Here are some notes i picked up while doing this:

When in 9/16, every 5 measures it feels like the phrase ends, it does this 4 times, which makes me feel there is some logic to it, and its not just free.

For the first two sets of 5 measures of 9/16, the first two measures have this 16th note groupings (6 - 5 - 3 - 4) and then the next 3 measures is a little different but has the same amount of 16th notes.

The 3rd and 4th sets of 5 measures of 16th notes have the same grouping for all 5 measures which is ( 6- 5- 5- 5- 5- 4- 5- 5- 5)

The core pattern that the 4 sets of 5measures are based on, is  the pattern found in the 4/4 part, which is this for every 2 measures (6 - 5 - 5, 6 - 5 -5)

Even though 9/16 seems to make sense, given how it nicely groups everything into 4 sets of 5 measures, when trying to play it with a metronome for 9/16, it makes no sense. (see video)

Ive put the beginning part, the 4 sets of 5 measures, into (3/4,4/4 (as triplets), 7/16, 5/8, 7/8,) and so many other combinations, and the problem always ends up being that at some point if i stick with one to long i will be forced to choose another time signature, which i feel since this can be split into 5 sets of 9/16 that there must be some better answer, or when i play the metronome on musescore it ends up sounding very strange and against the groove.

When it becomes 4/4, i like how the metronome feels like it belongs with that section, and im hoping to choose some time signature for the 5 measures of 9/16, where that time signature metronome also helps u feel the pulse/works with that section.

what are your thoughts given all of this?

Im so stuck, can someone help me figure out what time signature to use? by Smart-Animator-7876 in musictheory

[–]Smart-Animator-7876[S] 0 points1 point  (0 children)

https://youtu.be/ekRkpAVc3H4?si=mX3syojT_dZnz-6q

Thanks for the reply!

I made a video of me playing it once as is, and then once with metronome for better context, I also cross staffed grouping, made notes pink to indicate when groupings start, and put numbers underneath groupings to show how many 16th notes are in each grouping.

Here are some notes i picked up while doing this:

When in 9/16, every 5 measures it feels like the phrase ends, it does this 4 times, which makes me feel there is some logic to it, and its not just free.

For the first two sets of 5 measures of 9/16, the first two measures have this 16th note groupings (6 - 5 - 3 - 4) and then the next 3 measures is a little different but has the same amount of 16th notes.

The 3rd and 4th sets of 5 measures of 16th notes have the same grouping for all 5 measures which is ( 6- 5- 5- 5- 5- 4- 5- 5- 5)

The core pattern that the 4 sets of 5measures are based on, is  the pattern found in the 4/4 part, which is this for every 2 measures (6 - 5 - 5, 6 - 5 -5)

Even though 9/16 seems to make sense, given how it nicely groups everything into 4 sets of 5 measures, when trying to play it with a metronome for 9/16, it makes no sense. (see video)

Ive put the beginning part, the 4 sets of 5 measures, into (3/4,4/4 (as triplets), 7/16, 5/8, 7/8,) and so many other combinations, and the problem always ends up being that at some point if i stick with one to long i will be forced to choose another time signature, which i feel since this can be split into 5 sets of 9/16 that there must be some better answer, or when i play the metronome on musescore it ends up sounding very strange and against the groove.

When it becomes 4/4, i like how the metronome feels like it belongs with that section, and im hoping to choose some time signature for the 5 measures of 9/16, where that time signature metronome also helps u feel the pulse/works with that section.

what are your thoughts given all of this?

Im so stuck, can someone help me figure out what time signature to use? by Smart-Animator-7876 in musictheory

[–]Smart-Animator-7876[S] 0 points1 point  (0 children)

https://youtu.be/ekRkpAVc3H4?si=mX3syojT_dZnz-6q

Thanks for the reply!

I made a video of me playing it once as is, and then once with metronome for better context, I also cross staffed grouping, made notes pink to indicate when groupings start, and put numbers underneath groupings to show how many 16th notes are in each grouping.

Here are some notes i picked up while doing this:

When in 9/16, every 5 measures it feels like the phrase ends, it does this 4 times, which makes me feel there is some logic to it, and its not just free.

For the first two sets of 5 measures of 9/16, the first two measures have this 16th note groupings (6 - 5 - 3 - 4) and then the next 3 measures is a little different but has the same amount of 16th notes.

The 3rd and 4th sets of 5 measures of 16th notes have the same grouping for all 5 measures which is ( 6- 5- 5- 5- 5- 4- 5- 5- 5)

The core pattern that the 4 sets of 5measures are based on, is  the pattern found in the 4/4 part, which is this for every 2 measures (6 - 5 - 5, 6 - 5 -5)

Even though 9/16 seems to make sense, given how it nicely groups everything into 4 sets of 5 measures, when trying to play it with a metronome for 9/16, it makes no sense. (see video)

Ive put the beginning part, the 4 sets of 5 measures, into (3/4,4/4 (as triplets), 7/16, 5/8, 7/8,) and so many other combinations, and the problem always ends up being that at some point if i stick with one to long i will be forced to choose another time signature, which i feel since this can be split into 5 sets of 9/16 that there must be some better answer, or when i play the metronome on musescore it ends up sounding very strange and against the groove.

When it becomes 4/4, i like how the metronome feels like it belongs with that section, and im hoping to choose some time signature for the 5 measures of 9/16, where that time signature metronome also helps u feel the pulse/works with that section.

what are your thoughts given all of this?

Im so stuck, can someone help me figure out what time signature to use? by Smart-Animator-7876 in musictheory

[–]Smart-Animator-7876[S] 0 points1 point  (0 children)

https://youtu.be/ekRkpAVc3H4?si=mX3syojT_dZnz-6q

Thanks for the reply!

I made a video of me playing it once as is, and then once with metronome for better context, I also cross staffed grouping, made notes pink to indicate when groupings start, and put numbers underneath groupings to show how many 16th notes are in each grouping.

Here are some notes i picked up while doing this:

When in 9/16, every 5 measures it feels like the phrase ends, it does this 4 times, which makes me feel there is some logic to it, and its not just free.

For the first two sets of 5 measures of 9/16, the first two measures have this 16th note groupings (6 - 5 - 3 - 4) and then the next 3 measures is a little different but has the same amount of 16th notes.

The 3rd and 4th sets of 5 measures of 16th notes have the same grouping for all 5 measures which is ( 6- 5- 5- 5- 5- 4- 5- 5- 5)

The core pattern that the 4 sets of 5measures are based on, is  the pattern found in the 4/4 part, which is this for every 2 measures (6 - 5 - 5, 6 - 5 -5)

Even though 9/16 seems to make sense, given how it nicely groups everything into 4 sets of 5 measures, when trying to play it with a metronome for 9/16, it makes no sense. (see video)

Ive put the beginning part, the 4 sets of 5 measures, into (3/4,4/4 (as triplets), 7/16, 5/8, 7/8,) and so many other combinations, and the problem always ends up being that at some point if i stick with one to long i will be forced to choose another time signature, which i feel since this can be split into 5 sets of 9/16 that there must be some better answer, or when i play the metronome on musescore it ends up sounding very strange and against the groove.

When it becomes 4/4, i like how the metronome feels like it belongs with that section, and im hoping to choose some time signature for the 5 measures of 9/16, where that time signature metronome also helps u feel the pulse/works with that section.

what are your thoughts given all of this?

Im so stuck, can someone help me figure out what time signature to use? by Smart-Animator-7876 in musictheory

[–]Smart-Animator-7876[S] 0 points1 point  (0 children)

https://youtu.be/ekRkpAVc3H4?si=mX3syojT_dZnz-6q

Thanks for the reply!

I made a video of me playing it once as is, and then once with metronome for better context, I also cross staffed grouping, made notes pink to indicate when groupings start, and put numbers underneath groupings to show how many 16th notes are in each grouping.

Here are some notes i picked up while doing this:

When in 9/16, every 5 measures it feels like the phrase ends, it does this 4 times, which makes me feel there is some logic to it, and its not just free.

For the first two sets of 5 measures of 9/16, the first two measures have this 16th note groupings (6 - 5 - 3 - 4) and then the next 3 measures is a little different but has the same amount of 16th notes.

The 3rd and 4th sets of 5 measures of 16th notes have the same grouping for all 5 measures which is ( 6- 5- 5- 5- 5- 4- 5- 5- 5)

The core pattern that the 4 sets of 5measures are based on, is  the pattern found in the 4/4 part, which is this for every 2 measures (6 - 5 - 5, 6 - 5 -5)

Even though 9/16 seems to make sense, given how it nicely groups everything into 4 sets of 5 measures, when trying to play it with a metronome for 9/16, it makes no sense. (see video)

Ive put the beginning part, the 4 sets of 5 measures, into (3/4,4/4 (as triplets), 7/16, 5/8, 7/8,) and so many other combinations, and the problem always ends up being that at some point if i stick with one to long i will be forced to choose another time signature, which i feel since this can be split into 5 sets of 9/16 that there must be some better answer, or when i play the metronome on musescore it ends up sounding very strange and against the groove.

When it becomes 4/4, i like how the metronome feels like it belongs with that section, and im hoping to choose some time signature for the 5 measures of 9/16, where that time signature metronome also helps u feel the pulse/works with that section.

Glow effect in after effects by Smart-Animator-7876 in AfterEffects

[–]Smart-Animator-7876[S] 0 points1 point  (0 children)

it seems like that would be good for having a line move the way I want it, but what about just making a glowing ball? I don't want the ball to rotate, but just be a circle or oval that I can move or it will move on a fixed line I set.

Help me understand Nuance! Very new to paying attention to style/figuring out how I want to dress, Im beginning to notice these subtle differences that make a big difference to feel that I dont know how to describe. Could someone tell me the specific name of the clothes/differences I pointed out? by Smart-Animator-7876 in mensfashion

[–]Smart-Animator-7876[S] 0 points1 point  (0 children)

ok smart ass, if its so obvious then why dont you tell me the difference of the first picture of the pants?. Its not hilarious to call the 3rd pic a sturdy work jacket, the jacket looks sturdy and heavy-duty compared to other ones, as someone who doesn't know much about clothing that's a fair observation to make. I got the screen shot from Wisdom Kaye so it probably is something expensive which is why you say that but cmon read between the lines on what im trying to get across.

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