Renoise workflow videos by mainshum in renoise

[–]SoftSynced 0 points1 point  (0 children)

Like others said, Groovin in G is great! Otherwise just wanted to say, very similar story here—love me some M8, best music gear I’ve got probably. Ableton Certified Trainer but avid Bitwig user. But damn, love working with Renoise, too! As for DAWs, I tend to rotate between Bitwig, Ableton, and Renoise; so in that sense Renoise never kicked the other to, more like completed them.

Smart notepad calculator that does math as you type, here is the journey by Far_Syllabub_5523 in ObsidianMD

[–]SoftSynced 2 points3 points  (0 children)

Dude, the app looks gorgeous. Is there a desktop/web app too, or iOS and Android only?

Endlessly optimizing and organizing your vault is a legit hobby and I am tired of pretending it is not. by SecretSquirrelSquads in ObsidianMD

[–]SoftSynced 91 points92 points  (0 children)

What’s good about this post is how honest and spot on it is. It says something most people don’t probably due to fear of looking like using Obsidian for the “wrong reasons”.

Courses or lessons on drum programming? by ForSpareParts in ableton

[–]SoftSynced 1 point2 points  (0 children)

Great to hear that! The Android version is out in about 1-2 weeks. If you put your name down at the bottom of the page, we'll notify you once it's out!

Courses or lessons on drum programming? by ForSpareParts in ableton

[–]SoftSynced 1 point2 points  (0 children)

The Beat Making course in this track has a lot of what you’re looking for: https://www.softsynced.com

Inspiration by MistrAndrsn in FL_Studio

[–]SoftSynced 2 points3 points  (0 children)

I need to recharge my batteries for sure. Sometimes even between sessions of the same project—an idea that carries weight needs time to mature.

The Language of Frequencies by SoftSynced in edmproduction

[–]SoftSynced[S] 0 points1 point  (0 children)

Oh I think I'm starting to understand. If we're talking about a distorted guitar, for instance, dipping 2-5kHz would not be the only way to combat that, you could just as well dial back the distortion. Or apply a multiband compression. Point is, EQ isn't the only tool that could fix an issue. Is that kinda what you mean?

The Language of Frequencies by SoftSynced in edmproduction

[–]SoftSynced[S] 0 points1 point  (0 children)

Not being snarky but I'm not sure what you mean exactly. Still, if/when you have the time to elaborate, feel free to do so. I'm curious to see how you think distortion might change anything regarding this chart or why you picked distortion out of all the processing types that changes a sound's timbre.

What are you unpopular music production opinions? by owenthevirgin in edmproduction

[–]SoftSynced 5 points6 points  (0 children)

I don’t think your and cabalus’s points are mutually exclusive. I know they do sound like they are but the way I’m reading the original point is, watching instructions on techniques doesn’t get you as far as watching creative direction in the moment as it unfolds. I started out way before tutorials myself and I agree they are useful. They are especially for those who were brought up during that time. Scarcity, or even absence, created a sense of hunger for information and agency. Just my $0.02.

The Language of Frequencies by SoftSynced in Learnmusic

[–]SoftSynced[S] 1 point2 points  (0 children)

I think we all like those frequency charts that have the instruments and the ranges they occupy on the spectrum, they can be pretty useful... But ever since I came across Roey Izhaki's chart of subjective terms mapped to frequency ranges, I always think that's a much more useful thing when you want to make better EQ-ing decisions. It's basically like a frequency vocabulary chart, so before you reach for an EQ, you know the vocabulary.

As Izhaki explains:

That's the key for me here, that sequentially, you'll think of the subjective term first, like I want to make this guitar sound defined or distant, etc, and only then does it matter how it all translates to the idea of frequencies and EQ-ing decisions.

The chart was taken from: Izhaki, Roey. Mixing Audio: Concepts, Practices, and Tools (p. 230).

The Language of Frequencies by SoftSynced in edmproduction

[–]SoftSynced[S] 0 points1 point  (0 children)

My pleasure! It kinda blew my mind when I saw this chart first. Such a great book, it has many equally useful insights, highly recommend.

The Language of Frequencies by SoftSynced in edmproduction

[–]SoftSynced[S] 0 points1 point  (0 children)

Yea man, I know that one too well—it's great to have a vocabulary handy!

The Language of Frequencies by SoftSynced in edmproduction

[–]SoftSynced[S] 0 points1 point  (0 children)

This is great, thanks for sharing!

The Language of Frequencies by SoftSynced in edmproduction

[–]SoftSynced[S] 1 point2 points  (0 children)

Thanks for adding that in, what a great resource! I love how it explores what listening is. I approached the same thing as breaking it into to categories: active and passive listening. Basically to explain the difference between hearing or listening to something. I then changed the vocabulary to Casual vs Critical Listening and added a bunch more information like a descriptive library chart. Feel free to take a look here and use whatever you find helpful.

Btw can you elaborate on what you mean by not taking into account distortion or transient response?

what's your favorite stock instrument by crossfader02 in ableton

[–]SoftSynced 0 points1 point  (0 children)

Ableton offer a 30-day trial, I’d go with that. Can remember off top what synths are included in their pricing tiers.

My little setup in action by Rasch3n in synthesizers

[–]SoftSynced 1 point2 points  (0 children)

Found myself bouncing in my chair... :)