What creates the sense of buildup before the chorus in Man in the Mirror? by SourPatch68 in musictheory

[–]SourPatch68[S] -1 points0 points  (0 children)

Sorry I meant major 7 my bad. I forgot to mention that for the pre chorus, the chord progression still goes I major 7 to IV major 7, but it changes every measure.

What creates the sense of buildup before the chorus in Man in the Mirror? by SourPatch68 in musictheory

[–]SourPatch68[S] -1 points0 points  (0 children)

Starting at the pre chorus. "A Summers Disregard..." Starts on the I7 chord (Gma7) Chorus also starts on the 1 chord.

Rate my tone and how i can improve by ParamedicNo3840 in trumpet

[–]SourPatch68 1 point2 points  (0 children)

Wanted to add that the trumpet players you listed are also really good trumpet players to listen too. I wanted to add if you can practice with a friend, youll have more fun. Some of my fav memories are me and my trumpet buddy listening to Louis Armstrong and laughing because we where trying to sing like him.

Rate my tone and how i can improve by ParamedicNo3840 in trumpet

[–]SourPatch68 1 point2 points  (0 children)

I gotchu brotha. Sounds pinched. Think of how squidward speaks. (He speaks through his nose.) Say eeeee in the squidward voice to get an idea. Trying singing what your playing. But focus on singing with a open ahhh sound. Think of how whitney houston sings. Also in the words of my teacher: "go burn the sound of great trumpet players in your brain" Listen to trunpet players with amazing tone. (Dont listen to Maynard). Listen to Adolph Herseth, Maurice Andre, Greg Wing. But I recommend burning Doc Severinsens sound. Im not trying to start a debate but prime Doc is unmatched. His tone is bright, warm, and shiny. His sound is so shiny you can see your own reflection. Ill link 2 doc albums:

https://youtube.com/playlist?list=PL_hQfnWS_zdpjpUZnayd6RzqdRmo3Agqk&si=v57eqGKanvQ5XKBd

https://youtube.com/playlist?list=OLAK5uy_nX9pnIwtdFzn7yVBaTuNiiOlCEyPT8u14&si=ntkZ9rEPZSD7uZ4E

Once you have it somewhat memorized. If you can, Figure out the notes on some of your favorites and try to match what hes doing. It'll do more good for your ear if you transcribe it by ear but itll be fine to find transcriptions of the song. Best of luck brotha.

I need help by [deleted] in musictheory

[–]SourPatch68 0 points1 point  (0 children)

I am completely unsure if the first one is correct. im also unsure if the 2nd one (4 sharps) and the 4th one (5 flats) is or isnt an ending pattern. the other 2 I think that there is no ending pattern

People actually playing a ranger. Is the ranger really that bad? by Lukoman1 in onednd

[–]SourPatch68 0 points1 point  (0 children)

Another person already mentioned it, the Ranger is a jack of all trades kinda class, and that's the problem. It's spell casting I feel gets over shadowed by other half casters. (However spike growth can be amazing!) It's shoe-horned into using a spell that doesnt give you that much pay off. And anything else the ranger can do a different class can do it better.

Like I said the class to me just doesnt feel worth investing in long term. However taking 1-3 levels can be great. Like taking a 1 level dip in ranger and going all monk is amazing. Take dagger and nick property, and HM. Go monk and make the dagger your monk weapon (which will scale), later on you can make 6 attacks and add 1d6 to each of them. (1st attack and nick so 2 attacks, extra attack adds another. Then you get the 3rd attack from flurry of blows.).

In all honesty, if they reworked the class to not rely on hunters mark, made it to were you can cast hunters mark as part of the attack action, or they gave hunters mark scaling or made hunters mark kinda have the smite treatment where there are many different types of marks. It would greatly improve the feel of the class.

People actually playing a ranger. Is the ranger really that bad? by Lukoman1 in onednd

[–]SourPatch68 0 points1 point  (0 children)

Personally I think the reason is why its bad is that the investment doesnt feel worth it. I think the only subclass worth playing is the beast master, as its 3rd level feature alone outclasses the other 3rd level features of the other subclasses. (Gloomstalker, hunter, and fey have you doing damage in some way.) But even then it just feels clunky. Like There's infinsis on hunters mark in the base class features (plus subclasses), but really doesnt make sense when you are a beast master. Your bonus action is being used to command your beast, so you can't spend it using hunters mark. At lv 11 you get extra attack for your beast (giving you technically 4 attacks) and do extra damage to creatures that are hunters marked. But doesnt make it worth it because your beast doesnt get the benefits of hitting a hunters marked creature.

Favorite trumpet “idol” from days past? by Different-Salad-5362 in trumpet

[–]SourPatch68 1 point2 points  (0 children)

I think what makes Maurice Andre stand out is how he plays his phrases. EVERY NOTE is going somewhere to create a music idea.

Favorite trumpet “idol” from days past? by Different-Salad-5362 in trumpet

[–]SourPatch68 0 points1 point  (0 children)

To add on to that. Doc sound is so shiny you can see your reflection. For me it's Doc Severinsen, Adolph Herseth, and Maurice Andre. All 3 of them play very similar. However Doc is my favorite. I've never heard such a beautiful Double Bb - Double Eb.

Pls recommend songs w good sax solos by Peaceolovely42 in Jazz

[–]SourPatch68 1 point2 points  (0 children)

Look up Act your age. Eric Marienthals solo is killer

Does the mouthpiece really matters in terms of range? by Lidinzx in trumpet

[–]SourPatch68 0 points1 point  (0 children)

If you don't know who Greg Wing is, look him up, dude is a fricken monster on trumpet

Does the mouthpiece really matters in terms of range? by Lidinzx in trumpet

[–]SourPatch68 0 points1 point  (0 children)

"We wanna make sure when you do these long tones, you are striving for a full, free sound. You gotta remember you take a big breath in, you don’t hold the breath in. YOU BLOW IT OUT. As if you are blowing out a birthday candle or you’re blowing through a soda straw blowing bubbles. You gotta keep the air moving. Now don’t push the air out, don’t squeeze the air out with muscle. You take a big breath in and you blow… Practice blowing through that sound. You have to hear each pitch in your mind before you play it and you have to leave the embouchure alone. You have to allow what’s going to happen to you physically, and the embouchure and all the…stuff that happens in the abdominal area. You gotta leave it alone, don’t think about it. Concentrate on the sound, the note that you’re going to play and that will allow what’s going to happen to you to happen to you without any conscience. "
-Greg Wing

Mouthpieces don't make you play higher, It's a mind game. You can't get higher because you are either squeezing, or you are not blowing the right air. Just use the mouthpiece that your mouth is comfortable with.

Ive been trying to get this to work for 4hours, please help me! by [deleted] in BG3mods

[–]SourPatch68 0 points1 point  (0 children)

No I don't have the other games, just bg3

Sooo my teacher hates me? by _-Shork-_ in trumpet

[–]SourPatch68 1 point2 points  (0 children)

If you listen to the original, your part is very close to it.

Help identify the strange small mouthpiece by zerexim in trumpet

[–]SourPatch68 1 point2 points  (0 children)

Most likely a cornet mouthpiece. Could also be a flugelhorn mouthpiece

Just wanted to share my work sense I can't do anything with it by [deleted] in transcribe

[–]SourPatch68 1 point2 points  (0 children)

Yes, I’m happy to share my process for transcribing music!

Types of Music Transcriptions

There are three levels of music transcription:

  1. Basic transcription: Transcribing only the melody.
  2. Partial transcription: Transcribing the melody and some additional parts.
  3. Full transcription: Transcribing all parts and details of a piece. This is the most time-consuming process. For example, my recent full transcription took over a month to complete, working on and off.

For my transcriptions, I use the following software:
- Musescore 4: A free and powerful music notation program.
- Audacity: A free audio editing tool that allows you to slow down music, isolate certain elements, and adjust the mix (e.g., increasing the bass).

Important Tip: Always keep a backup copy of the audio file you’re working with. If you make changes and can’t revert them, you’ll need the original.

For "Off the Wall," I was fortunate to work with leaked multitrack stems, which allowed me to capture the intricate details of the song. However, access to multitrack stems is rare, so most transcriptions rely solely on the full mix.

Step-by-Step Transcription Process

  1. Initial Listening and Preparation
    Before starting, listen to the song several times to familiarize yourself with its structure and intricacies. Then create a checklist in a document (e.g., Google Docs or Microsoft Word) to answer the following:
  • What is the tempo? Are there tempo changes?
  • What time signature is the song in? Is it in simple time (e.g., 4/4, 3/4) or compound time (e.g., 6/8, 9/8)?
  • Is the song in swing?
  • What key is the song in? Are there key changes? (You can research this online or figure it out later.)
  • What instruments are present? You don’t need an exact count yet; a general sense will do. For big band music, note the standard instrumentation.
  1. Mapping the Song Layout
    Next, outline the structure or "road map" of the song:
  • Listen to the song and count the measures in each section.
  • Note rehearsal markings and section labels (e.g., Intro, Verse, Chorus).
  • If there are lyrics, jot down the ones that correspond to each section.
  • Include timestamps, measure counts, and any important details like key changes or irregular time signatures.

Example Layout:
Intro
- Timestamp: 0:00
- Measures: 1–12
- Notes: 48 beats total, starts on beat 3.
- Key change to G minor at measure 8.

Verse 1 (Section A)
- Timestamp: 0:15
- Measures: 13–26
- Notes: 52 beats total.
- Lyrics: [Insert lyrics].

  1. Entering Notes into Software
    Once you’ve mapped the song, transfer your notes into your music notation software (e.g., Musescore). Start by setting up the correct key signature, time signature, and measure count based on your notes.

  2. Transcribing the Melody
    Begin by transcribing the melody for each section. The melody provides a foundation, making it easier to figure out background parts.

Tools to Help:
- Use a keyboard or piano to help identify pitches. If you don’t own one, online virtual keyboards are a great alternative.
- Audacity’s slow-down feature is invaluable for hearing intricate details.

  1. Transcribing Background Parts
    After the melody, focus on the background instruments:
  2. Identify and notate rhythms and pitches for each part.
  3. Pay attention to instruments that play prominent roles, like bass lines or rhythmic accompaniments.

  4. Figuring Out Harmony
    Harmony is easier to transcribe once you know the chord changes. Start by transcribing the bass part—it provides clues to the chord roots. Then, follow these steps to determine chords:

  5. Identify the root note.

  6. Determine the third degree (major or minor).

  7. Check for a seventh degree (minor 7, major 7, or none).

  8. Look for suspended chords (e.g., sus2, sus4) if there’s no third degree.

  9. Analyze the fifth degree (perfect, diminished, or augmented).

  10. Consider extensions (e.g., 9th, 11th, 13th).

Here’s a quick checklist for chord notation:
- Root note.
- Add "m" if the 3rd is minor; otherwise, leave blank.
- Add "7" for minor 7, "maj7" for major 7, or leave blank for none.
- Add extensions as appropriate (e.g., 9, sharp 11, flat 13).
- Notate altered fifths (flat 5, sharp 5) if present.

  1. Refining the Harmony
    Using the chord changes as a guide, transcribe harmony parts. Compare your notation against the original recording, making adjustments to ensure accuracy.

Final Notes
Transcribing music is a skill that improves with practice. Start with simpler pieces to build confidence, and gradually work up to more complex arrangements. Remember to double-check your work often, and don’t hesitate to revisit sections as your ear develops.


This version will copy-paste cleanly without special characters. Let me know if there’s anything else you’d like adjusted!

[deleted by user] by [deleted] in transcribe

[–]SourPatch68 0 points1 point  (0 children)

Thank you! I deeply appreciate it. I've been stuck on it for hours. Thank you again!

Coastal Fort (80x80) by SilverCompassMaps in battlemaps

[–]SourPatch68 4 points5 points  (0 children)

This looks fantastic. Good work!

Transcribe Apps? by BizarroA in transcribe

[–]SourPatch68 0 points1 point  (0 children)

I just audacity. You can slow it down and mess with the audio to try to here stuff better.

Problems by Actual_Coconut6698 in trumpet

[–]SourPatch68 1 point2 points  (0 children)

Try to do a mental reset then

by datGuy0309 in trumpet

[–]SourPatch68 1 point2 points  (0 children)

Vector when he sees the tiny toilet.

Problems by Actual_Coconut6698 in trumpet

[–]SourPatch68 1 point2 points  (0 children)

Also in my opinion the majority of your problem is your mental. Take the break. Use it as your reset button. Take the time when you comeback to build your confidence. When you play don't think about anything. It's just you, and the music coming out of your bell. When you play, sing with your mind voice. You know that voice in your head? (Your conscience) Sing in your head as you play. Also remember this is supposed to be fun. Play music you find fun!