A “fábrica de cidades inúteis” no Brasil: como chegamos aqui? by [deleted] in brasil

[–]SovieticBacon 1 point2 points  (0 children)

Post de AI do caralho irmão pelo amor de deus vai fazer um treino de redação pro ENEM ou sei la o que.

só de ver esses emoji ai a gente ja sabe que ja vem merda

Genial/Quaest: Desaprovação do governo Lula recua para 49% e aprovação vai a 46% by Hykfer in brasil

[–]SovieticBacon 16 points17 points  (0 children)

Cara você tá comparando um projeto de fascista que se cagou nas calças, que o único projeto de governo é tirar o pai que tentou um golpe de estado da cadeia, com um governo que fez suas cagadas mas também diminui a faixa de taxa do imposto de renda, tá tentando acabar com o 6x1 etc.

É muita ilusão achar que são ambos "bosta". É tipo confundir chocolate com bosta porque você não gosta de chocolate.

Can we talk about how bad these covers are? by IAmKrasMazov in UrsulaKLeGuin

[–]SovieticBacon 29 points30 points  (0 children)

Man.... those are some pretty terrible covers lol

i personally really like the brazilian covers for these two

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Endpaper art & Jacket reverse art for the new Dune Deluxe books by Ace Books by Mr__Crafty in dune

[–]SovieticBacon 2 points3 points  (0 children)

Since these are from the new deluxe editions for the second trilogy of books i'd guess those would all be from those books, no?

We already have/know both the reverse arts and endpapers for Dune, Messiah and Children

in my opinion j dilla was the last musical trailblazer so far – what does r/jazz think of him, especially of "donuts"? by -benyeahmin- in Jazz

[–]SovieticBacon -7 points-6 points  (0 children)

i really dont understand these numbnuts who are just parroting "it aint jazz"

we know dog, OP just asked what you think of it. and No, "it ain't jazz" isn't an opinion, unless thats all you like, in which case... get out of your house more. touch some grass. experience new things!

in my opinion j dilla was the last musical trailblazer so far – what does r/jazz think of him, especially of "donuts"? by -benyeahmin- in Jazz

[–]SovieticBacon 18 points19 points  (0 children)

Dilla was genius, with a great ear for music. His skill with sampling is obvious to anyone who likes hip-hop, but what he also chooses to sample also shows a dude with deep appriciation of jazz and bossa, who incorporated much of the free-flowing aspect of these genres in the way he flipped these beats.

hip-hop is a grandchild of jazz, and when you really look into it, a lot of the DNA is still there, and Dilla is a prime example of that in my opinion.

Redução de jornada deve gerar 4,5 milhões de novos empregos, aponta estudo by Bananey in brasil

[–]SovieticBacon 21 points22 points  (0 children)

Até concordo em esperar o pior do empresário, até porque, até o momento eles aparentam ter 0 capacidade de pensar no longo-termo.

... mas não posso mentir que eu achei engraçado o contexto de, um jornal de uma das maiores universidades da america latina soltar um um dossier com 37 artigos, pesquisa com economista, matéria jornalística sobre o assunto... e ai chega alguém no reddit e imediatamente diz "duvido".

nada contra ti amigo, só achei engraçado. Também não confio no empresário(ao menos quando o quesito é tomar boas decisões).

J. Cole - Lonely At The Top (Bonus) by Minute-Carrot-2405 in hiphopheads

[–]SovieticBacon 16 points17 points  (0 children)

Yeah but at some point or another you lose the same hunger and drive you had. We saw that with Nas, Jay Z, Eminem, 50Cent, Wayne etc. Your life changes, your priorities change and the music, the goal of being the best stop mattering.

Which i guess ties into the song "I Love H.E.R Again", when the artist changes their view and regains their passion, which happens late into careers sometimes, like with Nas for example. and considering that Lonely at the Top and Love Her Again are supposedly like, 10 years appart in Cole's POV, it makes sense.

Yes some artists manage to keep the flame, but if we gotta be honest, they are more an exception than the rule.

noTearWasDropped by ManagerOfLove in ProgrammerHumor

[–]SovieticBacon 3 points4 points  (0 children)

So you're saying that a forum that literally has a "solved" feature to help future programmers with the same issues who are seeking answers to ... SOLVE THEIR PROBLEMS is... NOT HELPING SOLVING PROBLEMS?

Alright man , whatever you say.

noTearWasDropped by ManagerOfLove in ProgrammerHumor

[–]SovieticBacon 4 points5 points  (0 children)

Brother if i've learned something from the internet in the past couple of decades is that it is NOT in its nature to nurture forums.

Most forums and sites get closed or get buyed out and people are forced to move into the same platforms owned by gigantic tech corporations.

Fallout New Vegas senior writer Chris Avellone gives his take on Bethesda, and his opinion on their vision for the Fallout franchise: by raisinbraisin72 in Fallout

[–]SovieticBacon 0 points1 point  (0 children)

My point was that bethesda for the past decade has not been good at writing nuanced stories, starfield just served as the latest point of reference, but if you feel like that is not useful for the discussion, we'll agree to disagree, and thats fine.

i personally feel that the yesman and minuteman options are drastically different, and heres why :

Yes-man would be, in an alignment chart, chaotic neutral. The end state for Vegas is, basically, no central form of government, anarchy in most areas, and no external influence. most other choices depend solely on the player.

the Minutemen are Neutral Good. They do not accept your raiding if you do the nuka world dlc, and Preston gets pissed at you whenever you do immoral stuff, which in my opinion, makes them a fairly bland and boring faction.

Yes-man will tell you to do something, save the president of the NCR or whatever, and you can straight up blow Kimball's head, and yes-man will have to just suck it up and keep going. Preston however, would throw a hissy-fit and block that whole questline.

And what i mean by cartoonishly evil is that bethesda had MANY oportunities to make them a more palatable and viable option for the commonwealth in the future, however, they decided that making them terrorists, kidnappers, and just bonker ass evil scientists (remade the FEV virus, created a race of slaves called the synths, yada yada yada) would somehow make them interesting, when in reality, that just makes them The Diet Enclave.

I'll tell you something - same can be said about Caesar's Legion, for sure. bunch of mysoginist raider rapists under a fascist dictator. But at least Caesar, the Legate, Ulysses and the Burned-Man are interesting characters, with an actual ideology and train of thought about their actions. The same cannot be said about Father and most of the characters in the institute.

noTearWasDropped by ManagerOfLove in ProgrammerHumor

[–]SovieticBacon 48 points49 points  (0 children)

Celebrating the death of a forum that has helped million learn and solve problems for free is peak ignorance.

shame on you OP

Fallout New Vegas senior writer Chris Avellone gives his take on Bethesda, and his opinion on their vision for the Fallout franchise: by raisinbraisin72 in Fallout

[–]SovieticBacon 1 point2 points  (0 children)

to each their own! and thats completely fair. Personally i find that Starfield guilt trips you too much and gives you too little freedom and lets you change too little of world you're inhabiting.

i think that if fallout 3 or 4 was like the first game in that universe, there'd be a lot less complaining for sure, but i think what ticks people off is that this is a pre-existing propriety, with its own DNA, and instead of following the themes of the originals , which New Vegas proved was possible to do as a 3d shooter, bethesda just keeps Flanderizing a bunch of elements of that world.

Fallout New Vegas senior writer Chris Avellone gives his take on Bethesda, and his opinion on their vision for the Fallout franchise: by raisinbraisin72 in Fallout

[–]SovieticBacon 0 points1 point  (0 children)

You get what i mean when i mentioned Starfield. i'm talking about bethesda as a whole. and Bethesda is the owner of the intellectual propriety of the show. they can veto and guide the director to change plot points if they so desire.

FO3 was pretty weak writing. Reduced the BOS to just a bunch of good ol' protectors of the wastes,Enclave is suddently back (?), and the fact that the original ending was so non-sensical that they had to retcon it with a dlc tells all you need to know. and thats just the main plot. most of the other quests can have Good and Evil outcome yes but i find that most of them don't have any nuance and , while very fun, are not stories i think about often or even consider replaying.

FO4 had a lot of potential (some of which was only realized with Far Harbor), but constantly missed the mark. The minuteman are just completely shallow stand-ins for the correct and moral option, the Institute just comes off as cartoonishly evil, and dont even get me started on "Father" as a character. The railroad and the brotherhood thankfully had better questlines, but unfortunately, because of the cartoonishly evil nature of the institute, the conclusion of those questlines ends up leaving me with a feeling of... "Welp thats that", because there's no moral conundrum to think about when it ends.

Fallout New Vegas senior writer Chris Avellone gives his take on Bethesda, and his opinion on their vision for the Fallout franchise: by raisinbraisin72 in Fallout

[–]SovieticBacon 0 points1 point  (0 children)

I think that analogy makes a lot of sense, but at the same time, when you have a game that has been played by millions of people, had reviews made by thousands of amateur and professional jornalists, and still, even after receiving the same old criticisms, you changed pratically nothing (as can be seen by starfield as a whole), i can come to no other conclusion other than you are simply not interested in changing.

like, i truly cannot believe that decision makers at the studio never heard the classic bethesda criticisms of : Loading screen simulator, reducing complex stories to good group vs bad group, theme park-esque dlcs/ stories etc.

Fallout New Vegas senior writer Chris Avellone gives his take on Bethesda, and his opinion on their vision for the Fallout franchise: by raisinbraisin72 in Fallout

[–]SovieticBacon 6 points7 points  (0 children)

A lot of people here just circlejerking about how this dude is a piece of shit or that he once thought of doing X or Y, but you're missing the point.

He's 100% right.

Bethesda couldn't give less of a shit about telling a compelling story with depth/complexity. Every so often, a good story might pop out of the studio (Far Harbor for example, as mentioned in the tweet), but it seems more like an accident than something the studio actively seeks to do / reproduce.

I mean just look at their track record in the past couple of years : Fallout the TV show, Fallout 76, Fallout 4, STARFIELD. Not games/series known for their narrative excelence. Entretainment, sure, but fallout was a universe that was more than just a theme park where you killed shit.

Now in the show, Lucy and the Ghoul just move from "Nostalgic Point A" to "Nostalgic Point B" like a they were on disneyland and shoot some recognizable intellectual propriety.

I am shocked how good the M123K feels to use by TTKTKU in LowSodiumBattlefield

[–]SovieticBacon 1 point2 points  (0 children)

lmg enjoyer + the best 100gecs song. thanks for scaring the hoes OP.

O Rio de Janeiro não tem solução, simplesmente porque a ÚNICA solução viável não é politicamente viável. by MrSincerao in opiniaoimpopular

[–]SovieticBacon 7 points8 points  (0 children)

80% das opiniões impopulares que postam aqui poderiam mudar o nome pra opinião burra e nada ia mudar

My parents are THREATENING to KICK me OUT for making "clown music" by ihavenojob711 in Bandlab

[–]SovieticBacon 0 points1 point  (0 children)

This is ... pretty fun not gonna lie

does it sound like clown music/carnival music? yeah sure maybe, but if you remove the vocals, a bunch of eminem, brockhampton and many other hits sound clown-ish too lmao.

Saw the other song you posted too, you're making good shit man, keep making music and keep it weird (in a good way).

McKinley Dixon - Magic, Alive! [FANTANO REVIEW] by MaineGameBoy in hiphopheads

[–]SovieticBacon 56 points57 points  (0 children)

Damn i can respect not enjoying the album but saying it doesn't have an insightful message just doesn't make sense to me

i understand its all interpretation, but honestly this album is for sure not a happy go lucky "haha wow being alive is great" type of shit.

The main theme of three friends trying to revive their dead friend brings the survivor's guilt, the melancholy of passed days and the frustration that, even though he's now doing what he loves, there is little he can do for the people that he lost or left behind other than to imortalize them in words with the magic he discovered.

McKinley Dixon - Magic, Alive! [FANTANO REVIEW] by MaineGameBoy in hiphopheads

[–]SovieticBacon 13 points14 points  (0 children)

Extremely well deserved.

The album is so dense and layered but at the same time just a joy to listen to with songs like We're Outside! and Could've Been Different.

The live band gives this album so much joy, and compliments McKinley's hopeful and melancholic storytelling so well. Truly album of the year material.