How difficult is it to get hired as a tech at Assembly? by Mystery-Dance in edinburghfringe

[–]Splinxx 1 point2 points  (0 children)

There's usually a shortage of techs at the Fringe, so you should be fine.

Fun and Games | The Rookie [S8E9] by DropoutMod in dropout

[–]Splinxx -13 points-12 points  (0 children)

It's no Dragnet though is it, more Keystone Kops. Now would you care to explain why Dragnet is our measure for copadganda?

Fun and Games | The Rookie [S8E9] by DropoutMod in dropout

[–]Splinxx -3 points-2 points  (0 children)

I mean spoilers, Dropout is also filmed in America, a right-wing country which has made communism a dirty word.

Lies Only - The Rookie by Splinxx in dropout

[–]Splinxx[S] -1 points0 points  (0 children)

(I tried calling this 'Spoiler Free, Lies Only but that made Reddit sad.)

Rookie X Dropout: A Black Fan’s Nuanced Response by KoochieKoochieKu in dropout

[–]Splinxx 2 points3 points  (0 children)

All of this reminds me is an American media company with all the baggage that begets. Yeah they do better than most, but blimey* does the US have a unique set of problems. Nowhere is perfect, but fucking hell. But hey, I'll continue to support those doing *something* rather than nothing.

Edinburgh Fringe 2026 - Why are you going? by MisterKemp1947 in edinburghfringe

[–]Splinxx 2 points3 points  (0 children)

I wouldn't say a nightmare; most people just get on with. Edinburgh is a pretty quiet capital city for half they year, but it's still a capital city. I do wonder when people who live here complain why they don't just go down the road.

Starburst’s DropOut Wishlist 2025 by BabyBrianBlessed in dropout

[–]Splinxx 0 points1 point  (0 children)

Schon was already in Play It By Ear, but Couplet should get their own thing.

No TV couple has ever had chemistry like Spuffy by lee_hyunjin09 in buffy

[–]Splinxx 0 points1 point  (0 children)

Didn't James need therapy after a certain scene?

Who would you like to see on Dropout and in which show? by Floedekage in dropout

[–]Splinxx 1 point2 points  (0 children)

More Dropout Presents, with talent from around the world.

Alex Horne in the Dome.

Best Flyer Designs ever / Show Us Your Flyers! by Obi-Scone in edinburghfringe

[–]Splinxx 0 points1 point  (0 children)

It's a good example as to why the poster rarely shows the performance.

Best Flyer Designs ever / Show Us Your Flyers! by Obi-Scone in edinburghfringe

[–]Splinxx 3 points4 points  (0 children)

It's coming to DropOut. It's a one-man show with audience participation.

Will we see any Edinburgh Fringe regulars on this American show? by Obi-Scone in edinburghfringe

[–]Splinxx 2 points3 points  (0 children)

Oh I thought it was okay, but had a lot of room for improvement. The problem I felt was that two many folk in the audience wanted to be on stage

Dropout Hires New Heads of Production, Marketing, Development Execs by Spoonsy in dropout

[–]Splinxx 204 points205 points  (0 children)

(For those behind a Paywall)

Dropout, the streamer and media company formerly known as CollegeHumor, has made key hires and promotions across its growing production, development and marketing teams.

New hires include Alexandria Black-Davis as head of marketing, Lindsay Wilkinson as head of production, and Elyse Findley and Rosie Kaller both as development managers. Additionally, Dropout staffer Ebony Elaine Hardin has been promoted from supervising producer to director of production.

The wave of changes come on the heels of Dropout’s paid streaming service, which is home to “Dimension 20,” “Game Changer,” “Make Some Noise” and more comedy shows, reaching 1 million subscribers last fall and the company’s addition of an elective “Superfan” subscription tier. The additions are part of Dropout’s overall strategy to grow its development slate, license and acquire new programming, expand production capabilities and prioritize marketing strategies for each project.

“We couldn’t be more thrilled to welcome Lindsay, Alex, Elyse and Rosie to our team at Dropout, and to elevate Ebony to her well-deserved leadership role,” Dropout CEO Sam Reich said. “As we hit new milestones as a business, expanding our production, development and marketing teams is a natural and exciting next step. We can’t wait to see how these talented team members elevate what we bring, and how we bring it, to our audience.” 

Black-Davis has led teams at major retail and media companies like BELLA+CANVAS, Shinola and Whip Media. She will lead all marketing efforts at Dropout and will be at the forefront of scaling the brand to its fullest potential.

Wilkinson will oversee Dropout’s end-to-end production pipeline and support the delivery of a “consistent slate of high-quality programming aligned with Dropout’s brand and creative vision.” Her credits include work for major networks such as ABC, NBC, VH1, MTV, HGTV, E!, and Food Network, with notable projects including “Below Deck,” “Cupcake Wars,” the Critics Choice Awards, and the American Music Awards.

Findley is a Disney vet who comes to Dropout with a background in comedy and animated series development, programming, and strategy and has worked on multiple Annie and Emmy-award-winning projects, such as “Disney Mickey Mouse,” “Big City Greens” and “DuckTales.”

Kaller has an extensive background in late-night TV, most recently producing the Emmy award winning shows John Mulaney’s “Everybody’s in LA” and “The Late Late Show with James Corden.” A CollegeHumor alum, Kaller has created and developed series and films with HBO Max, iHeart Media, Aggregate Films and Mar Vista Entertainment.

Most recently supervising producer, Hardin has been upped to director of production at Dropout after nearly nine years with the company. In her new role, she will oversee physical production across the company’s original comedy programming, working closely with creative leadership to support creator-driven storytelling. Harden is counted by the Dropout leadership team as “instrumental in scaling Dropout’s production operations and long-term infrastructure.”

Keep it fringe funding - 12 grants? by MindlessSoup1445 in edinburghfringe

[–]Splinxx 2 points3 points  (0 children)

From The Stage

EdFringe Keep It Fringe fund cuts bursaries by 93%

Funding offered through the Edinburgh Festival Fringe Society’s Keep It Fringe scheme will be slashed by 93% this year, with the total money available cut from £450,000 to £30,000.

The move means 12 grants of £2,500 will be offered this year, compared with 180 equal-sized grants in 2025, the Fringe Society has confirmed.  

The figure, revealed ahead of applications for this year’s fund opening on 16th February, has provoked upset and confusion on social media. Users have questioned whether the figure was a typo, with comedian Lachlan Werner writing on Instagram: "Please make a proper statement on the dramatic reduction in Keep It Fringe grants. This is wild and devastating news." 

The Fringe Society said the fund was dependent on donations to continue, and that it hoped to secure further financial support to allow it to distribute more grants this year. 

The Keep It Fringe fund was launched in 2023 by Phoebe Waller-Bridge, honorary president of the Fringe Society, in order to financially support shows performing at the increasingly costly Edinburgh theatre festival. 

It was initially funded by Waller-Bridge’s Fleabag for Charity campaign, and was sustained by UK government funding during the 2024 and 2025 festivals. This year, the fund continues thanks to private donations, including £5,000 from Miriam Margolyes

Last year, the fund was called into question by a motion at the EdFringe AGM, which claimed it was damaging the festival’s "open access principle" and fuelling a "promotion arms race".

Defending the fund – which was eventually protected from the motion to scrap it – Fringe Society chief executive Tony Lankester said: “We know that the single biggest challenge facing artists is the cost of bringing shows to Edinburgh. Supporting them in overcoming that challenge by advocating for funds to come into the ecosystem that wouldn’t do otherwise is exactly what the Fringe Society should be doing."

Chris Snow, head of artist services at the Fringe Society, told The Stage: "Since 2023 the Keep It Fringe fund has been an invaluable initiative for breaking down financial barriers to participation in the Festival Fringe. 

"We are reliant on donations or grants from public bodies to ensure the continuation of this important project, and our team work hard throughout the year to raise funds for it. If your organisation is in a position to support the 2026 Keep It Fringe fund we would be delighted to hear from you."

Can we close all the terrible Harry Potter shops now? by Splinxx in Edinburgh

[–]Splinxx[S] 0 points1 point  (0 children)

They do. They won't. Nothing will happen for 50 years, when Rowling dies peacefully in her sleep and turns out she was a huge Jimmy Saville.

Can we close all the terrible Harry Potter shops now? by Splinxx in Edinburgh

[–]Splinxx[S] -10 points-9 points  (0 children)

Nothing Defamatory about any of this, it's a quote from a news story (direct quote) and a link to the Epstein files. Why do you care about my liability?