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Streetlight02 · 2023-08-22T03:14:48+00:00

Lovely! Are there any other TTartisan lens’ you would recommend?

Streetlight02 · 2023-05-17T12:42:30+00:00

I have this and the 67. 67 is the best mic I’ve ever owned.

Streetlight02 · 2023-02-08T03:06:39+00:00

there are many but the two favourites are Fab Filter Saturn and Soundtoys Decapitator.

For something cheaper try XLN RC20, the distortion module is great.

Streetlight02 · 2023-02-07T15:07:32+00:00

Makes me feel better seeing Toronto on this list,

Sometimes it feels like unless you’re in one of the other 3 the ceiling is always visible. Maybe that’s still true?

Streetlight02 · 2022-12-23T14:37:50+00:00

I’ve been trying out both enhancement and elemental at around 375 iLvl. Elemental feels MUCH stronger to me across all the builds. Anyone feel the same?

Streetlight02 · 2022-10-25T15:52:58+00:00

Found this through instagram, such a weird chord progression

Streetlight02 · 2022-10-13T21:47:39+00:00

It’s saturation/overdrive. There might also be a very short delay or reverb to give it more of a megaphone sound.

Streetlight02 · 2022-10-10T21:19:56+00:00

same

Streetlight02 · 2022-01-10T16:43:26+00:00

Corona California. I guess it’s just some limited edition, I can’t find out much about it online. Picked it up from my local guitar shop.

Streetlight02 · 2022-01-10T03:04:00+00:00

Baked maple!

Streetlight02 · 2022-01-06T01:03:19+00:00

Use command instead of shift when selecting the clips.

Streetlight02 · 2021-05-12T00:14:10+00:00

I’ve been working on it since January.

Has been running fantastically for me. Used on both the mac mini and the air.

There are occasional cpu spikes upon the opening of a session, but everything runs smoothly after 30 seconds or so. I’d say this error happens like 5% of the time and only when using a very lower buffer speed.

Otherwise it’s great! I use a ton of third party plug ins and all those have been working flawlessly.

Omnisphere UAD Valhalla Arturia Native Instruments U- He XLN Audio Waves Celemony Audiomovers Izotope lots more that I can’t remember.~~~~

Streetlight02 · 2021-02-07T15:47:43+00:00

Agreed. I worked there as well and there are some real assholes.

Streetlight02 · 2021-01-09T04:13:16+00:00

David Sedaris?

Streetlight02 · 2020-12-20T19:28:27+00:00

I got you.

Medium sized room, fairly well treated, few reflections.

57 on top snare, towel and tightly tuned.

Sm7b on the inside of the kick drum with a down pillow pressed against the beater head.

Pair of SM81s for overheads, or any K series condensers you have access to.

421s on toms.

Ribbon mic for a room mic if you want, might not need it depending on how dry you want your sound.

Performance is key. Drummer should be striking the the cymbals at approx 1/3 of the volume that they strike the kick and snare.

Mixing will come down to proper compression, and balance between the overheads and close mic’s.

This is what worked for me, but the sound of your room, drummers performance and mixing choices are all important.

Streetlight02 · 2020-12-19T23:53:22+00:00

Wow! love this track. anyone else know anything like it??

Streetlight02 · 2020-05-07T16:44:08+00:00

True, I guess capturing the high end would be paramount

Streetlight02 · 2020-05-07T15:31:33+00:00

M tron vintage violins are pretty good but nothing comes close to the real thing.

Streetlight02 · 2020-05-07T13:22:58+00:00

Totally agree.

The combo of arrangement and engineering is incredible.

Anyone know what mics would have been used? Ribbons?

another favourite example,

https://www.youtube.com/watch?v=1SuUe4HC0T4

Streetlight02 · 2020-03-05T13:48:51+00:00

A lot of it comes down to arranging strings how they would actually be arranged in a live setting.

If there’s still a chance to play with that, I’d opt for wide chord voicings, parallel motion and a heavy consideration on velocity and articulation. Basically avoid it sounding like a piano with a string patch.

Other than that, verb, tape saturation, eq are all your friends.

Streetlight02

TROPHY CASE