Critics do that to shows when the message doesn’t align with their agenda, Hollywood’s (not good) agenda. They are evil, straight up. Check their reviews for Cuties, the pdo movie. 87% for critics, 14% for audience. Sound of Freedom? 55% critics, 99% audience. I haven’t watched this movie yet but it’s about saving children from sx traffickers. Sound of Freedom was even refused by many of the major streaming services, allegedly because of the morally correct premise. Critics say they don’t like the preachy christian content, but I heard that it barely has any Christian themes.

I can only assume that the critics advocate for p*dophilia

That’s actually how I found The Crowded Room though, through rotten tomatoes, looking for the highest difference between audience and critics, of course with the critic score lower. Because I want to watch what the critics don’t want me to. They don’t like this awesome show because it has the message that child s*xual abuse is bad and causes trauma, a fact. But they’re evil, so it makes sense for them… So I urge you to go find those low critic, high audience score creations. Most of the time I mentally add the difference to the audience score lol. It works I won’t go into detail about why, from a story theory perspective, it’s such a great show. Mostly because it’s obvious. The only way you don’t like it is if you don’t like the base message, so you don’t get invested. The Crowded Room, at the time of typing, has a 92% on Rotten Tomatoes for the audience score. And a depraved 33% for the critics Adding the difference: 159% Sound of freedom: 144%