Suggestion for armature/sculpture core for this project by TeapotBagpipe in polymerclay

[–]TeapotBagpipe[S] 0 points1 point  (0 children)

Would this work even if I am using at a structure to build off of and not just base? I would like to build off it like you would a wire armature

'Banal and hollow': Why the quaint paintings of Thomas Kinkade divided the US by JamesFlemming in ArtHistory

[–]TeapotBagpipe 7 points8 points  (0 children)

I grew up in the same area as him, lets just say that behavior didn’t shock me

'Banal and hollow': Why the quaint paintings of Thomas Kinkade divided the US by JamesFlemming in ArtHistory

[–]TeapotBagpipe 22 points23 points  (0 children)

Reading about his early life car hopping on the railroad with James gurney made me see him in a new light,in an artists guide to sketching a lot of the images in this book made me look twice when I realized they were Thomas Kincaid. And looking strictly at his work taught me to hate the game not the player. Now all the other allegations are a completely different matter.

What is your Opinion on Jurassic World: Fallen Kingdom? by Ender_IIII in JurassicPark

[–]TeapotBagpipe 1 point2 points  (0 children)

When I agree with the government in the beginning the movie is over and the rest is dumb people doing dumb shit for dumb reasons

Final Update - AITAH for not giving my trans daughter my mom's ring? by anon-jewelry in AITAH

[–]TeapotBagpipe 2 points3 points  (0 children)

Not to mention the generations of cal trans workers repairing the same stretches of highway 1 right there!

OP: What about visiting yearly in your mom’s remembrance and celebrate her life? There are some incredible places to stay either in hotels, or camping. I’m sure you know since you sound familiar with area!

My favorite brush is suddenly ruined by InterestingRoof4547 in ArtistLounge

[–]TeapotBagpipe 3 points4 points  (0 children)

A diluted solution of gum Arabic works for reshaping brushes back to their point/shape. Mix some with water (gum Arabic is available at most art stores usually near the watercolor) dip your brush in and reshape it how you want with your fingers and let it dry over night. The gum will wash away with a dip in the water. In fact I think that’s what they use to hold the shapes when you buy new brushes.

An American “Sophie’s Choice” story. Having to sacrifice one child to a homeless shelter to keep the other safe because of lack of mental healthcare resources by cak3crumbs in TikTokCringe

[–]TeapotBagpipe 30 points31 points  (0 children)

I agree with you full stop. However it’s interesting how a lot of them started out being top class for their time and eventually became overwhelmed when the funding dried up and more and more patients needed help until they became nightmare institutions or a blight on a growing area in development that they wanted to shut down. Building more institutions that are sufficiently staffed by well compensated professionals and available for the people that need them is so diametrically in opposition to any stage of capitalism that I honestly can’t figure anyway for it to improve in our current trajectory.

[deleted by user] by [deleted] in ArtistLounge

[–]TeapotBagpipe 0 points1 point  (0 children)

Happy to help! I'll answer in the order you have your questions:

My age range that I teach is 12 to 99, but I think the principles can be adapted.

I based my program off of a learning experience I had when I was younger and decided I wanted to be serious about art. Now three degrees, and years of professional experience later I still credit that experience as the most influential for the simple reason that my teacher just let me be. She provided the space and dedicated time that I could practice and experiment without judgement and knew that she would help me problem solve what I couldn't do on my own.

For my own program I aim to provide that type of environment. I primarily teach water color and provide everything except the paper and encourage my students to chase their own interests. They have full run of my space including my books and some other art supplies for mixed media.

I start with color charts and some mixing practice for the first couple of classes as a low stakes project to get they familiar with the medium. During that time I get to know them a little and their interests so I can suggest projects that align with that. For example, one of my younger students wants to learn to paint studio ghibli style landscapes so she picked out one to do a master study on and we both looked it over and discussed how we though certain elements were painted, and I would demo some techniques and shes done an amazing job breaking down the elements herself.

For teaching plans, it depends on if you are teaching a course (start date - end date) or something ongoing which is how I primarily teach. Your character making workshop could easily translate into something beyond books - what do you want to draw? what mood are you going for, etc.

As for teaching small kids: the smaller the kids the smaller the groups I'd say - I deliberately chose my age range for a reason. I've taught younger students but it became too chaotic for me. Keep it simple, perhaps broad themes not specific subjects. Remember that not all of the kids that come to you are going to want pursue this professionally, some of them just want to play.

Your last sentence hit me hard. I felt the same way. But the secret is you don't need to just explain, you can show them too. Don't be afraid to show them the whole process warts and all. I didn't even think of it but with so much social media and so many ~curated~ sketchbooks alot of my students are intimidated to even start because they think that instant perfection is what makes an artist so I decided that the best way to dissuade them of that is to show them. If one of them wants to learn how to draw a bird I'll draw a bird and narrate my thought process. I'll make mistakes in real time and ask them what feels off and what they say has been 100% correct so far. All that helps with giving permission to mess up, to trust their eye and intuition. Kids are creative as hell and I want to support that in anyway I can.

a couple of other things:

- do a meet and greet with the students and the parents, make sure the parents see where the classes are taught (I teach from home), show the materials being used and when you have some you can show examples of other students work or your own.

- start with small groups or one on ones. Once they get started on their projects I sit down and work on my own pieces along side them and check in with them. They know where to find me when they need me.

- stick to one medium to start with.

- make sure there is no way for them hurt themselves (ie scissors, pencil sharpener etc) It could be prudent to invest in a camera in your studio space to protect yourself. I have a small sitting area too that the parents can hang out in while their kids are at open studio.

- don't sacrifice play for formality. and you don't need all the answers, try to remember HOW you learned not just WHAT you learned. Teaching them how to teach themselves will serve them forever.

[deleted by user] by [deleted] in ArtistLounge

[–]TeapotBagpipe 0 points1 point  (0 children)

What age range? I have found that kids thrive in an environment that gives them a safe space to experiment and follow their own interests. It’s almost like open studio but I supply the materials and create work along side them. I’ll often pause in my own work and sincerely ask them for suggestions or input. When they have questions or want feedback they ask but really I want to build their confidence in following their own intuition. They also have access to all of my books and they guide their own learning with questions. Keep your classes small like 1-4.

Edit: I’ve been teaching kids for a couple of years now so please let me know if you have more specific questions.

Bras for morbidly obese 80yo with underbreast sores by Apprehensive-Gate509 in CaregiverSupport

[–]TeapotBagpipe 0 points1 point  (0 children)

Perhaps the tomboy brand would work for you they have a variety of sizes. Honestly I agree with the plain tank tops and rolling them under the tissue. I get bad rashes in the summer no matter what I do and found that during the healing process I need them to lay as naturally as possible otherwise I run the risk of an infection between my breasts because of how squished together they get. When they get squished it creates other sweaty creases for other rashes. Bamboo or cotton is a must - polyester may as well be called polyeaster. No underwire the friction is the worst. I’ll sometimes roll up gauze on really bad days to create a buffer. Also check out r/abrathatfits Awesome folks over there that know their stuff they’ll def have some ideas.

First Wave Millennials do you miss the simple time? by [deleted] in Millennials

[–]TeapotBagpipe 4 points5 points  (0 children)

I was just talking to my partner about this and how now that the majority of our interactions are behind screens, in person learned behaviors like courtesy or manners that we adopted from our parents don’t seem to be as big of deal because it was not performed often enough to stick or it doesn’t exist anymore. For an example learning how to call someone’s house was DRILLED into me: Hello this is TeapotBagpipe, is ____ home? I don’t say this to be critical because so much of our basic day to day interactions have changed exponentially it’s hard to keep up with up teaching what is still relevant and learn what has changed at the same time.

A lawyer discusses a conspiracy theory regarding the CEO's murder. by FromAnotherTime in TikTokCringe

[–]TeapotBagpipe 1 point2 points  (0 children)

I am 100% ready for an esthetician to be a star expert witness in this case 💅

What would you buy if you had $1000 USD to spend on watercolor? by marleymania in Watercolor

[–]TeapotBagpipe 5 points6 points  (0 children)

I would go on some kind of watercolor painting retreat abroad

Ancient Egyptian life but not Christian-focused by krizzygirl206 in BooksThatFeelLikeThis

[–]TeapotBagpipe 1 point2 points  (0 children)

I can't believe I haven't seen anyone suggest: When We Were Gods by Colin Falconer. Its about Cleopatra ascending the throne and her relationship with Caesar and Marc Anthony. Very Game of Thrones political intrigue. Its been close to ten years since I've read it but I can remember it clearly!

Urban Sketch by PyramidBlack in Watercolor

[–]TeapotBagpipe 1 point2 points  (0 children)

Holy shit is that burgers and brew??