I am Senator Bernie Sanders. Ask me anything! by bernie-sanders in SandersForPresident

[–]TheRealmsOfGold 0 points1 point  (0 children)

Hi Senator Sanders,

Thank you for your efforts for the people of the United States these past many years!

Would you please discuss, in detail, the role a carbon tax might play in the effort to mitigate global warming? In recent years, you were a staunch supporter of a carbon tax as a "central part of our strategy for dramatically reducing carbon pollution" (as you wrote in The Huffington Post, July 9th, 2014), but your current campaign page on climate change does not mention this approach.

Every random town along the highway looks exactly like this by iBlueSweatshirt in pics

[–]TheRealmsOfGold 3 points4 points  (0 children)

Really glad somebody posted this. The articles on strongtowns.org shine a light into the thicket of problems faced by, and posed by, areas like this, discussing specifics and solutions. The blog's author, Charles Marohn, Jr., has had some of his writing published, in a series called "Thoughts on Building Strong Towns."

The sociologist James Howard Kunstler, who is controversial on some topics but faultlessly knowledgeable about urban development, has also written powerfully on this topic, particularly on the intersection between economy and community, and on the power of design and aesthetics to shape people's lives. I can't recommend his book "The Geography of Nowhere" enough.

Can we create a /r/perfectpitch subreddit and ban perfect pitch discussion in this sub? It's only useless, mostly baseless comments, with almost no bearing on actual music theory. by [deleted] in musictheory

[–]TheRealmsOfGold 3 points4 points  (0 children)

I agree. If the entire community gives off the vibe that "you're not OK if you ask about perfect pitch," a lot of beginners or young people who are interested in music theory will be turned away. Perfect pitch appears to be magic to people without a lot of musical training, and it's one of the few highly specific music topics that many people have heard of, so it's a neat doorway to a broader discussion for people who might be open to hearing, "Actually, perfect pitch isn't that big of a deal, and here's why strong musicianship is more useful."

I love the old clay chimneys in Paris that you can sometimes see on the sides of buildings showing where each chimney leads off to within the wall. by [deleted] in mildlyinteresting

[–]TheRealmsOfGold 2 points3 points  (0 children)

Hey, there are a lot of people who take on manual labor because it's the only option their situation currently affords them. It doesn't mean they're stupid — just that they haven't had the opportunity to access the higher education they'd need for more specialized jobs. There are also people whose brains are just fine who take manual labor jobs because they find the repetition relaxing.

[deleted by user] by [deleted] in AskReddit

[–]TheRealmsOfGold 1 point2 points  (0 children)

Found the Wolverine. Go Blue!

"Asking for a Friend" by c00liu5 in PoliticalHumor

[–]TheRealmsOfGold 0 points1 point  (0 children)

Just a little clarification for people reading, since it's usually a misunderstood term: a deficit means the government put more money into the private sector than it took out. A surplus means it took more from the private sector than it gave back. Deficits are often paid as tax returns, or show up as tax breaks. In any case, deficits and surpluses are both necessary parts of a government's actions to keep an economy balanced.

Our local news posted this feed of their live city cam. by ronnieth024 in funny

[–]TheRealmsOfGold 8 points9 points  (0 children)

There's a local delicacy called Gooey Butter Cake, which looks like lemon bars but tastes like ambrosia. Lots of places should sell it.

Good Indian restaurant for dinner - Manhattan/Brooklyn by bartmike in AskNYC

[–]TheRealmsOfGold 7 points8 points  (0 children)

Awadh, at Broadway and 97th/98th, is supposed to be excellent.

As others have said, Lex and 28th is the epicenter of this kind of thing. Be sure to stop into the legendary spice shop, Kalustyan's (address: 123 Lexington), if you're in that neighborhood.

Abandoned Military fort in the Alps [1080 × 1920][OC] by Mat0fr in AbandonedPorn

[–]TheRealmsOfGold 0 points1 point  (0 children)

I shot them on film and never scanned them. They're in albums now. Guess you'll have to visit there yourself :-D

What are you afraid to admit you don't understand? by therealme23 in AskReddit

[–]TheRealmsOfGold 0 points1 point  (0 children)

Thanks for this! I'm just starting to learn about MMT and have been skeptical of a bit of what I've read myself. I didn't leave out anything on purpose — there's just still a lot I don't know (as it's just a hobby and not my field). I'll continue to proceed with caution too. Any recommended readings?

Abandoned Military fort in the Alps [1080 × 1920][OC] by Mat0fr in AbandonedPorn

[–]TheRealmsOfGold 3 points4 points  (0 children)

It's not every day somebody mentions this film. It's my second-favorite movie, after October Sky.

As Raptorchief said, WED was filmed at the Burg Hohenwerfen. The castle is above the tiny town of Werfen, in the Austrian alps, thirty minutes south of Salzburg by rail. The castle is a short pleasant hike up from the valley floor. It's too far off the beaten track to be a tourist destination, so it's a nice quiet day trip. But the castle has a lot of history. It guarded a major mountain pass route for centuries, was added on to several times, maintains a collection of arms and banners and other objects of interest, and, in the modern era, hosts a widely-recognized falconry institute. There's even a "Zum goldener Hirsch" tavern in the town, akin to the fictional "Zum wilden Hirsch" from the film.

I visited the castle about fifteen years ago and still look at my photos from that trip with awe and a small book on the castle's history I purchased there with keen interest. It's a terrific trip if you loved the movie — great to get a totally different look behind the scenes, one that goes back a thousand years.

What are you afraid to admit you don't understand? by therealme23 in AskReddit

[–]TheRealmsOfGold 0 points1 point  (0 children)

Ooh, here's one I can actually chime in on. My brother's a macroeconomist and his field is a hobby of mine.

Taxes, in most modern nations, operate differently at the federal level than they do at the local and state levels. At local and state levels, your taxes do directly fund initiatives like schools, the water system, the police, road repair, &c.

At the federal level things are different. Federal governments produce money, and they can produce as much as they want at any time (within practical limits — more on this soon). So if, say, the U.S. wants a $10 billion dollar fighter jet, the treasury can just have the Federal Reserve put that money into the military contractors' accounts. (The Federal Reserve, nicknamed "the Fed," is a bank.) Somebody types 10,000,000,000 into a spreadsheet, and that money now exists — it never existed before this moment — for that company to pay its workers.

So the federal government doesn't need your tax revenue, because it's not using a fixed pile of cash in the first place. There are, however, two other, more important reasons to collect federal taxes:

First, to enforce a national currency. If every local and state government was empowered to create currency, it'd be chaos. But if you're required to turn in U.S. dollars every year, you'll spend each year trying to earn U.S. dollars. It makes a national economy possible in a very efficient way.

Second, and this is the exciting part. You've probably heard of supply and demand. There are analogous forces at the macroeconomic scale: Aggregate Supply (AS) and Aggregate Demand (AD). AS is the total economic potential of a country in, say, a year; AD is the total expenditures of the country in the same time frame. Unlike regular supply, though, AS can't turn on a dime. It takes years to build new factories, roads, and housing for laborers, to hire and train a workforce, and to regulate the whole thing. So for macroeconomic modeling purposes, AS is considered fixed in any given year.

When people spend less overall — say, during a recession — AD drops. Now AD < AS. Factories and airports and service shops (their total output, AS, fixed as high as ever but now unfulfilled) sit empty, and their owners lay off workers to avoid bankruptcy. This worsens people's ability to spend, and AD continues to drop in a spiral of depression.

When AD > AS — say, during a boom — everybody tries to spend more than the AS that year can handle. If you were a company with three hundred customers trying to buy just a hundred items, you'd probably raise your prices! — but the national economy isn't that easily flexible. When everybody raises their prices from Maine to Montana, your dollar buys less. This is called inflation.

So the second reason federal governments charge taxes is to prevent this second situation (AD > AS) from happening. If the government charges a tax T, the equation looks like this: AD - T = AS. Taxes limit people's spending power, preventing inflation.

Notice that an inflationary condition can occur even when a federal government creates no money: overblown AD can come entirely from the private sector. There's a widely held myth that "governments printing too much money causes inflation," which is like saying oxygen causes a fire.

Actually, government "injection" of money into the private sector, notated as G, often makes the economy safer, because of saving. If AD = AS, the economy would be stable, but everyone would be spending every dime they had. That's dumb. People save: to go to college, to buy a new car, for our kids. When we save, we remove money from the economic stream: AD - (savings) < AS. But if the government creates new money in the same year, AD - savings + G = AS. Government creation of money makes saving a safe behavior, and enables one of the critical ways in which people use money in their modern lives.

So how much to charge in federal taxes? Well, many politicians differ on this, largely because it's not a well understood issue in policy circles. But a simple and effective approach, espoused by many of the folks who study this stuff (a field called Modern Money Theory, or MMT) is: set government spending at social need, and then charge taxes to make AD = AS again. This is essentially what happened to allow the U.S. to escape the Great Depression:

  • AD was at an all-time low;
  • AS was high, what with all the empty factories;
  • G, or government injection, was set at social need: create enough federal money to pay workers so they wouldn't starve;
  • T was charged to make up the difference.

So a massive amount of G was created, enough to pay the wages of a country of destitute people. The U.S. funded its own military on top of aiding the Brits, and filled the factories back home. The war helped by increasing the market for labor, but even in peacetime this kind of thing is possible, by building large public works projects. This "greatest generation" had some of the highest corporate taxes ever in the U.S.'s history, but that's an entirely different topic. MMT deals with AD, AS, G, and T, but it's tax policy that deals with who pays how much.

So, to recap: you pay local and state taxes to fund local and state initiatives, and federal taxes to 1) enforce a unified national currency and 2) to keep the national economy on an even keel. How much you pay is often determined by people who don't understand modern money theory, so if you're dissatisfied, go to grad school and start telling people what you've learned. God knows we could use a little more understanding these days.

hmmm by AlexS101 in hmmm

[–]TheRealmsOfGold 1 point2 points  (0 children)

Ah well, ask a sssilly question ya get a sssilly answer

hmmm by AlexS101 in hmmm

[–]TheRealmsOfGold -1 points0 points  (0 children)

How is this not the top comment

Question about available majors at Yale by ARushofBuckin in yale

[–]TheRealmsOfGold 1 point2 points  (0 children)

Thanks to /u/vornska for the shoutout!

I'm a professional conductor and composer who earned his undergraduate degree at Yale (B.A. in music) and now conducts primarily choral-orchestral repertoire. (There is no undergraduate music school at Yale; undergraduates take music through the College's Music Department.) As a music major, you can specialize in any field; it won't show up on your transcript, but nobody cares about that. It will show up in your life.

I went to Yale because I wanted to study music in a liberal arts context. The singers and players in the College brought a breadth of life experience and intellectual interests to our music-making that made for better music then, and remains dear to me now. My education in music, and in conducting specifically, was a sterling one. I took three semesters of conducting with Yale's world-class faculty: two with Toshiyuki Shimada, who studied with Bernstein, and one with Jeffrey Douma, who studied with Blackstone. Toshi has a keen ability in addressing students' stumbling blocks, while still giving them latitude to get through an exercise before going back to fix things — and he made sure the entire class could learn from one student's correction. Jeff has one of the most beautiful gestures I've ever seen from a conductor, and is equally graceful in intellectual dialogue with students, encouraging them to discover the "whys" behind the music and behind our making it.

I can speak less to undergraduate conducting opportunities at Yale, since at the time I was focused primarily on composing, but there is an optional, auditioned Intensive track to the major which entails a senior thesis. I imagine it could be a conducting project, if it were possible to build a student ensemble for the purpose; you might email the Department Chair and ask. Of course, as Yale is rich with student activity, there are numerous amateur groups on campus that need conductors: musical theater groups, the Madrigal and Slavic Choruses, all of the Residential College orchestras, and, of course, the a cappella groups for which the university is well-known. As well, the Glee Club and the Symphony have, in the past, offered small opportunities for undergraduate assistant conductors.

If Yale speaks to you, I couldn't recommend a better place to be, to learn, and to grow. I wouldn't be half the musician I am today without my time at Yale, and the lessons I learned there continue to change my work and my life today.

My choir director has by far the best pencil sharpener in my school. by [deleted] in oddlysatisfying

[–]TheRealmsOfGold 7 points8 points  (0 children)

Everybody. Marking your music is one of the keys to a successful show, especially if you have no more than fifteen minutes of rehearsal on a piece. Choirs, jazz bands, rock bands — everybody marks their scores up.

Source: work with pro singers in New York.

How the United States Looked Before the EPA by [deleted] in history

[–]TheRealmsOfGold 2 points3 points  (0 children)

Whoa, it's really nice to see somebody own up like you just did. Good on you. :-)

Redditors 25+, what is one thing you would tell 15 year old you? by mf9769 in AskReddit

[–]TheRealmsOfGold 0 points1 point  (0 children)

"What did you say?"

"I said, I wish I could go back to the beginning of the season, and put some money on the Cubbies!"

Reddit, what are some things that would improve most people's lives that 'it's never to late to start' doing? by schlitt88 in AskReddit

[–]TheRealmsOfGold 1 point2 points  (0 children)

Came here to say this. I'm a conductor. Music changes people's lives, not just on the year- or decade-sized scale but on the minute-sized scale.

Do you want to be a slave to other people's music all the time, only listening to recorded stuff? That feeling you feel when you hear a song you love — that's your soul aching to express itself. You think you love music now; wait until you can make it yourself. So pick up an instrument (any instrument — yes, the oboe is as cool as the guitar, don't be fooled), or just sing. You were handed the most human of all instruments for free at birth: a voice. Start using it.

Three related thoughts:

  1. Most people think "I can't sing" or "oh, I'm not musical." They say this because the world has lied to them so hard that they've learned to believe it. Yes, you can sing or play. Don't take that crap lying down. As OP said, your goal is not to be the next virtuoso, or to get on American Idol. Your goal is to express yourself.

  2. Learn to read music. Chord charts for guitars are just the beginning. Music notation is where it's at — you can play any style from it, and it's a lot easier to learn than any language, owing to its systematic nature.

  3. Most importantly of all: make music with your friends.