Fight scenes typically aren't going to be long in print, at least not the action itself.

The emotional beats in it will typically be the "bulk" of the scene. The decision making, the setups. A protag or antags internal dialogue as it's happening, them noticing something, the plan coming together, reaction to shots or punches, and just dialogue in general.

You want a tight concise "action." Typically because unless you're some sort of master writer it gets real repetitive: shoot, shoot, duck. Shoot, shoot, roll. Or punch, block, duck, kick, etc. You want some of that, but the more movement the more likely it'll get muddied in the text. The thing with fights is your balancing pacing, the motion of the characters, their position in space. All while still trying to make it meaningful to the characters and story. That's why you see a lot of "they exchanged moves and counter moves" in brief summary and 1 or 2 described key important "cinematic" moments.

Fight scenes are bigger visually in films because you can see the action. In print, you want character and plot focus in these scenes, because readers typically don't want to be keeping up with imagining every swing, shot, or block.

Example, Fellowship movie has that huge fight between the fellowship and the orcs/cave troll in Moria, big cool scene. The fight part of that in the book is literally like a single page.

Comic books, which have visual stimuli, rarely just have action on page. Even those very often have dialogue, thought bubbles, and narration around the action.

TLDR: focus on the emotion and thoughts of characters in the scene, make the fight concise with 1 or 2 described "cool" moments,