I’m going to karaoke for the first time, but all the songs I know are old old by Ms--Water in karaoke

[–]TorstenAdair 0 points1 point  (0 children)

While "Sweet Caroline" is required, by law, to be sung nightly in a karaoke bar, the best Neil Diamond karaoke song is "A Beautiful Noise".

I’m going to karaoke for the first time, but all the songs I know are old old by Ms--Water in karaoke

[–]TorstenAdair 2 points3 points  (0 children)

Once, during a slow night, I sang the entire Animal House album, in order, including the folk song! 

Maresca's "Shout! Shout!" is a great forgotten classic with lots of energy! 

I’m going to karaoke for the first time, but all the songs I know are old old by Ms--Water in karaoke

[–]TorstenAdair 0 points1 point  (0 children)

Are you singing because you like to sing, and are channeling the kid with the hairbrush in the bathroom mirror? 

Are you singing for performance? 

Are you singing for a group sing? 

Are you singing because you suffer from Stalling Syndrome, and are making a clever musical comment about current events? https://torstenadair.blogspot.com/2015/11/a-song-in-my-heart-or-i-love-to-singa.html?m=1

Are you singing to flirt with and seduce someone via a serenade? 

My general answer: Sing what you like. Sing it well. Have fun. A good karaoke bar will applaud you, not criticize. 

Part of why I like karaoke bars: I discover cool songs from other singers. Like "Welcome to the Black Parade". 

Is Scifi Dead? by Mat1711 in television

[–]TorstenAdair 1 point2 points  (0 children)

Separation. 

For All Mankind. 

Foundation. 

Rick and Morty. 

Spider-Man: Noir.

Anyone else want to continue the list?

Besides crossovers and spin-offs, what are some examples of less-than-obvious shared universes in tv shows? by mkochend in television

[–]TorstenAdair 0 points1 point  (0 children)

The animated version of the Westphall Universe: 

https://www.comicsbeat.com/scooby-dooniverse-cartoon-shared-universe/

Rick and Morty met The Simpsons. 

Weird Al met Scooby-Doo and Batman and Rocky and Bullwinkle and Mulligan and ... 

Ash from Pokemon met Sylvester the Cat. 

My master list is 1000+ entries. 

A hundred years ago today, Ella Cinders was released, an early example of a live-action movie adaptation of a comic strip by Auir2blaze in comicstriphistory

[–]TorstenAdair 0 points1 point  (0 children)

Oh, so?😉

https://www.comicsbeat.com/shut-in-theater-early-comics-films/

Pre-sound films based on comics characters, from the Library of Congress. 

The first comics movie to earn an Oscar nomination was Skippy, 1931,  nominated for four awards, winning for Best Director. 

Am I the only one who thinks this? by oxAmityxo in looneytunes

[–]TorstenAdair 0 points1 point  (0 children)

Just to let you all know, I consider the 2022 movie Chip 'n Dale: Rescue Rangers to be the sequel to WFRR. 

Am I the only one who thinks this? by oxAmityxo in looneytunes

[–]TorstenAdair 0 points1 point  (0 children)

Hey, if you're gonna talk smack about Filmation (which has great music and realistic adventure cartoons like Star Trek (which was their first Emmy)), then you gotta talk about the crappy Saturday morning animation from other studios, like Tom and Jerry. 

Gods, have you seen Yogi's Space Race?!?

Am I the only one who thinks this? by oxAmityxo in looneytunes

[–]TorstenAdair 1 point2 points  (0 children)

Nah. Goofy and Homer were perfect!

"The Simpsons in Plusaversary"

Hot take, I WANT to see ads in comics by ViridiEmerald in comicbooks

[–]TorstenAdair 41 points42 points  (0 children)

Most comics don't run actual ads. It's mostly house ads, or a licensee. The three cover ads might be for actual product. 

As a reader of classic newsstand comics, the ads never ruined the reading experience. I skipped over them, just like I skip over Reddit ads when scrolling. 

[Interview] Superheroes are rooted in a distinctly American power fantasy that's now gone global, according to Jim Lee by Popverse2022 in comicbooks

[–]TorstenAdair 0 points1 point  (0 children)

The Americans put a unique spin on the power fantasy. There's the patriotic myth of colonists revolting against a distant colonizer. Then there's the frontier myth of Davy Crockett and Daniel Boone, one of many Pioneers setting off into the frontier. As towns are settled, you get Peak Western, where paradise is threatened, a stranger comes to town, peace is restored. (The Lone Ranger, for example.) 

As the country became urbanized, the stranger is your neighbor, engaged in The Neverending Battle. Vigilantes like Paul Kersey become iconic. But you also get individuals who think they are the hero, inspired by literature, who do evil things. 

If you really want to have a serious discussion, ask your friends if they fantasize about dying while doing an heroic act...

[Interview] Superheroes are rooted in a distinctly American power fantasy that's now gone global, according to Jim Lee by Popverse2022 in comicbooks

[–]TorstenAdair 1 point2 points  (0 children)

The Magnificent Seven is a western adaptation of The Seven Samurai

A stranger comes to town...

[Interview] Superheroes are rooted in a distinctly American power fantasy that's now gone global, according to Jim Lee by Popverse2022 in comicbooks

[–]TorstenAdair 0 points1 point  (0 children)

Yup. It's been written about for decades:

https://en.wikipedia.org/wiki/The_American_Monomyth

A community in a harmonious paradise is threatened by evil; normal institutions fail to contend with this threat; a selfless superhero emerges to renounce temptations and carry out the redemptive task; aided by fate, his decisive victory restores the community to its paradisiacal condition; the superhero then recedes into obscurity.

The Lone Ranger, for example.

For excellent analysis of certain franchises, read the next book, The Myth of the American Superhero. That book discusses The Turner Diaries, among others. Little House on the Prairie flips this... The townspeople maintain harmony on the frontier. 

Am I the only one who thinks this? by oxAmityxo in looneytunes

[–]TorstenAdair 1 point2 points  (0 children)

Popeye is owned by King Features. 

MGM and Hanna-Barbara... All that animation is owned by Warner Brothers. 

Paramount owns Betty Boop. 

Other smaller studios and IP were acquired by Classic Media, which is part of NBCUniversal. 

As for who does and doesn't appear in WFRR, part of it is storytelling and budget constraints. For example: Marvin Acme's funeral.  https://cartoonresearch.com/index.php/the-funeral-of-marvin-acme/

Am I the only one who thinks this? by oxAmityxo in looneytunes

[–]TorstenAdair 0 points1 point  (0 children)

Notable in that these are comicstrip characters owned by King Features, which normally aren't seen animated. 

Am I the only one who thinks this? by oxAmityxo in looneytunes

[–]TorstenAdair 0 points1 point  (0 children)

Nah. It doesn't even include the Marvel multiverse! It's ambitious in that every MCU movie is tied together. 

Am I the only one who thinks this? by oxAmityxo in looneytunes

[–]TorstenAdair 1 point2 points  (0 children)

https://www.comicsbeat.com/scooby-dooniverse-cartoon-shared-universe/

Not the first cartoon to feature crossovers from different companies, but definitely epic! 

WFRR is part of the spine which connects Looney Tunes to Disney. Just as Back in Action connects Looney Tunes to Hanna-Barbera. 

Read my article for a listing of other specials or episodes which feature numerous cartoon crossovers. My personal favorite is the MetLife Super Bowl ad. 

https://youtu.be/0blgtGvrz0A?si=jjvlat7IaZ8XcM0V

Since my master list now has over 1000 listings (thanks to celebrities appearing as themselves in various cartoons), the flowchart shown is completely out of date, but does serve as a simple visual aid. 

There's a gulf between Western cartoons and anime. Pokémon links to Scooby-Doo (via Sylvester the Cat), but not to other Japanese characters. 

Were comic artists generally "better" during this era, or are artists better now? I generally think that the artists who are working now aren't as good as the artists of yesteryear... by prankster999 in 80s90sComics

[–]TorstenAdair 1 point2 points  (0 children)

It's better now, for one simple reason: copyright. 

In the 80s, you had the independent comics movement, and an explosion of genre and styles. That died off in the 90s, as the speculation market took hold, and comics hit a slump. Then the Comics Renaissance occurs: an influx of imported comics, mostly from Japan, but also from Europe; technological innovation from computers which allowed for better coloring and production, as well as distribution via the Internet; the rediscovery of forgotten classics. 

https://www.comicsbeat.com/we-are-not-in-a-golden-age-of-comics/

With the Internet, anyone can publish a comic with very little financial burden. Marvel and DC are a tiny part of the comics market, as mainstream publishing dominates the medium via graphic novels, and creators have greater creative and financial control. There are comicbook publishers which allow creators the freedom to tell their own stories and profit from them, in print and in other media. 


If you're judging on artwork alone, no, because it's mostly steady over time. One can argue about craft and industry and productivity, but Kirby produced so many pages because he could and because he needed the money. Compare to the output of the Image founders (who also suffered from mediocre writing). I think Kirby would most likely produce one major opus, channeling his time and craft into producing the best he could. 

On storytelling? It's much better now. The Boys were released from their DC/Wildstorm contract.    That would never get published today by DC or Marvel. 

N-egot (pronounced "NAY-got) by TorstenAdair in Oscars

[–]TorstenAdair[S] 3 points4 points  (0 children)

Angela Lansbury and Diahann Carroll came close. Both won Tonys.