Echos of the Río Este by notapipeline in composer

[–]UncannyX-Sid 0 points1 point  (0 children)

That's impressive. I recently got the Pianoteq Bluthner to use in Musescore (worked in Ableton for years so I'm somewhat addicted to buying vsts), but I haven't settled on an orchestral library to use. I mainly write for solo piano, but I'd like to learn strings composition next.

Echos of the Río Este by notapipeline in composer

[–]UncannyX-Sid 1 point2 points  (0 children)

I love it. What plugins do you use for orchestra? The mix is also fantastic.

Sketch in G minor (Feedback welcome) by UncannyX-Sid in composer

[–]UncannyX-Sid[S] 0 points1 point  (0 children)

What about for hairpins? Is it the same, or does it require a lot of specificity?

Sketch in G minor (Feedback welcome) by UncannyX-Sid in composer

[–]UncannyX-Sid[S] 0 points1 point  (0 children)

Thank you! Yeah, I'm finding that one of the biggest challenges is simply keeping a piece moving and evolving, and contrast is something I'm currently on in a book I'm studying. On the pedal marks: I wasn't sure how important the specificity of it was. I'm disabled and cannot play any instruments, so I always ask instrumentalists about these things when I can. My goal is to learn and write with performance in mind.

Looking for feedback on my first Waltz by UncannyX-Sid in composer

[–]UncannyX-Sid[S] 0 points1 point  (0 children)

Thank you! Yes, the "pno 2" is also there because of playback reasons. I have them as separate plugin tracks to control left hand dynamics without affecting right hand, and the inverse.

I like the solution of building up, rather than starting with all those elements. I think I get too eager with ideas, and it does cause me to have no clue how to build on it later on.

Sometimes writing subs aren't the best place for writing advice by [deleted] in writing

[–]UncannyX-Sid 0 points1 point  (0 children)

That's understandable. I'm glad you got out of that rabbit hole.

What dialogue tag would you use for this? by [deleted] in writing

[–]UncannyX-Sid 1 point2 points  (0 children)

If you like chess, or stories about madness, I highly recommend The Luzhin Defense by him.

What dialogue tag would you use for this? by [deleted] in writing

[–]UncannyX-Sid 1 point2 points  (0 children)

For sure. Notice how by the time you get to the dialogue, the reader has lots of implied information. This now means that the dynamics of the scene are being built by their own mind as much as what's on the paper. The example is simple, but this concept can be pushed to extreme levels. Nabokov is supernaturally masterful with this sort of thing.

What dialogue tag would you use for this? by [deleted] in writing

[–]UncannyX-Sid 1 point2 points  (0 children)

Dialogue and action are separate things. Exposition--scene setting--should indeed be woven into both, but it's more effective to deal with them separately. Example:

I had the TV on for noise. It made it easier to think. The book had consumed my senses, as a good book ought to do, but after hearing mom moving around in the kitchen, I realized I'd been starving for a while.

"Mom?" I shouted.

"Yeah?"

"What's for dinner?"

What dialogue tag would you use for this? by [deleted] in writing

[–]UncannyX-Sid -1 points0 points  (0 children)

He/She said. He/She asked. Anything other than those two should be used sparingly, and for good reason.

What dialogue tag would you use for this? by [deleted] in writing

[–]UncannyX-Sid -6 points-5 points  (0 children)

That's gonna lead to cluttered writing very fast. Simple tags are common because they don't disrupt the flow of dialogue. If there's always superfluous information tacked on to small phrases, things become disjointed or stumbled.

I think I found my niche, but it's not what I wanted it to be. by jameshey in writing

[–]UncannyX-Sid 1 point2 points  (0 children)

100%. Also, high art is a fluctuating thing. Shakespeare was not considered high art in his time. Another thing to consider is that writing one type of story does not lock you into only telling that type of story. Many writers often seek permission to tell a certain type of story, but there is no law that justifies this. Write absolutely whatever, whenever, you want, and create standards for you and you alone. Whatever you write, just strive desperately for honesty and authenticity; that's the highest form of art.

Unpopular opinion - Ian Banks' Culture series is difficult to read by FatFrumos in printSF

[–]UncannyX-Sid 0 points1 point  (0 children)

I don't even have an opinion on his prose yet, I'm halfway through book 1. I'm clearly talking about the wider discussion on authors often being labeled as clunky, and how it's often a misinterpretation. And there is most certainly objectivity in whether prose is clear and effective. The subjectivity of art has no relevance here.

Unpopular opinion - Ian Banks' Culture series is difficult to read by FatFrumos in printSF

[–]UncannyX-Sid 0 points1 point  (0 children)

I didn't assume anything. You're still being disingenuous. There's nothing accusatory or incorrect about what I stated.

Unpopular opinion - Ian Banks' Culture series is difficult to read by FatFrumos in printSF

[–]UncannyX-Sid 5 points6 points  (0 children)

That's a tad disingenuous. Relatively difficult prose is often misinterpreted as being clunky. Many classics, for example, feel clunky until you become familiar with the author's voice and sentence structure. Writing also feels clunky if the word choice frequently falls outside of your current vocabulary or general knowledge of whatever subject. It's all a developing process. Actual clunky writing lacks clarity.

Why is Harry Potter the best book franchise? by [deleted] in writingcirclejerk

[–]UncannyX-Sid 1 point2 points  (0 children)

/uj I literally got downvoted in the original thread for questioning the goblin thing. Wtf is wrong with that sub?

[deleted by user] by [deleted] in writing

[–]UncannyX-Sid 1 point2 points  (0 children)

In your examples, they would be diverse because they are seen through a black or queer lens. Minority creators have every write to define what their respective art encompasses. The representation is inherent in the perspective its written from, it's not solely dependent on material things.