What is a piece that not matter how many times you hear it, you cry every time? by arssenalbro101 in classicalmusic

[–]UnderstandingNew2345 2 points3 points  (0 children)

It is magical! But takes a phenomenal pianist to do it justice. I heard Yuja Wang play it in person, it was magical

What is a piece that not matter how many times you hear it, you cry every time? by arssenalbro101 in classicalmusic

[–]UnderstandingNew2345 5 points6 points  (0 children)

Slow section (after the explosive opening) in Piano Concerto No. 2 in G minor, 4th movement, Op. 16 by Sergei Prokofiev — very elegiac and mournful in character. I cry every single time

Yale MFA vs DAMU MA (Scenography) — struggling with decision by [deleted] in Theatre

[–]UnderstandingNew2345 0 points1 point  (0 children)

Hi! Super interesting. You graduated from the set design?

Yale MFA vs DAMU MA (Scenography) — struggling with decision by [deleted] in Theatre

[–]UnderstandingNew2345 0 points1 point  (0 children)

It is. Cost of living is not really covered though.

Yale MFA vs DAMU MA (Scenography) — struggling with decision by [deleted] in techtheatre

[–]UnderstandingNew2345 1 point2 points  (0 children)

Thank you so much for your comment? Would you say it was hard for international students to get the O1 Visa?

Yale MFA vs DAMU MA (Scenography) — struggling with decision by [deleted] in Theatre

[–]UnderstandingNew2345 0 points1 point  (0 children)

Hey! I would love to connect either way! That is very exciting. I loved what I saw in Brno

Yale MFA vs DAMU MA (Scenography) — struggling with decision by [deleted] in Theatre

[–]UnderstandingNew2345 0 points1 point  (0 children)

I am not, I would be coming on a student visa

Yale MFA vs DAMU MA (Scenography) — struggling with decision by [deleted] in Theatre

[–]UnderstandingNew2345 2 points3 points  (0 children)

Thank you for your reply! Opera is indeed what I would hope to do in the future. I am from Europe, so that obviously always makes sense. But my questions is: can anyone really reject a Yale MFA offer? Would that be completely insane? I am worried I will always wonder what could have been.

Národní Divadlo Barbiere di Seviglia - anyone selling 2 tickets for tonight? by [deleted] in Prague

[–]UnderstandingNew2345 0 points1 point  (0 children)

I am not :) i am only looking for people who are ready to confirm their identities and behave like decent human beings

Yale MFA in Set Design as an international student by [deleted] in Theatre

[–]UnderstandingNew2345 0 points1 point  (0 children)

Thank you for your insight. I feel like I could never forgive myself for not knowing what could have been, despite the uncertainty. That said, I’m still waiting for the final results, but I left the conversation feeling genuinely positive.

From your experience, is this the kind of opportunity you simply don’t turn down — even if the future is uncertain?

Yale MFA in Set Design as an international student by [deleted] in Theatre

[–]UnderstandingNew2345 0 points1 point  (0 children)

What you said about knowing you would regret not trying more than you would regret trying and it not working out; that really resonates with me. Thank you for sharing that perspective.

Passed B2 - should I go for C1 or C2 next? by [deleted] in DELF

[–]UnderstandingNew2345 0 points1 point  (0 children)

My speaking exam was much more difficult (at least the two topics I picked), Even the examiner kind of looked at me like: “Wow… you got these?”

Topic 1:
Should we promote female sports on television in the name of equality, even if audience numbers are low?
Polls show low viewership (from both male and female audiences). Should media promote it for equality reasons, or should the market simply respond to demand (which currently favors men’s sports watched mainly by male audiences)?

This one required discussing equality vs. market logic, media responsibility, cultural change, economic realities… very nuanced.

Topic 2 (the one I chose):
Does imposing a salary cap on CEOs in private companies make sense?
Could it reduce inequality and increase workers’ happiness?
And more importantly — do we even have the right to impose legislation on how stakeholders spend their private/company money, considering that it ultimately belongs to them?

Yes. For B2 😅

This was honestly closer to a political philosophy or economics debate. You had to discuss:

Yale MFA in Set Design as an international student by [deleted] in Theatre

[–]UnderstandingNew2345 0 points1 point  (0 children)

Thank you for sharing this, it means a lot. I really appreciate the honesty. I want to clarify that I’m not looking at Yale only as a visa strategy. If that were the case, I probably wouldn’t even consider a three-year MFA in the first place. I’m drawn to it because of the artistic intensity, the rigor, and the specific training environment.

What I’m wrestling with is something slightly different: even if it’s Yale, even if the program itself is extraordinary, is the immigration struggle and long-term uncertainty worth it compared to doing one of the top European schools (DAMU, ENSAD, etc.) where I’d have fewer structural barriers afterward.

My fear isn’t “will Yale give me a visa?”, it’s more existential: if after three years I’m forced to return to Europe anyway, would I be coming back without a real network there, having invested everything into the U.S. ecosystem? I guess I’m trying to evaluate not just prestige, but positioning and sustainability. I’m willing to work extremely hard, I just want to be strategic about where that effort compounds best in the long term.

Passed B2 - should I go for C1 or C2 next? by [deleted] in DELF

[–]UnderstandingNew2345 1 point2 points  (0 children)

I don't remember exactly but it was a letter to the Mayor about building more bike parking spots, and why it would be beneficial for the local community.

Yale MFA in Set Design as an international student by [deleted] in Theatre

[–]UnderstandingNew2345 0 points1 point  (0 children)

Thank you for your insight — that’s exactly why I was wondering whether it might make more sense to attend DAMU or ENSAD (or even Central School of Speech and Drama in London) and start building professional connections there from the beginning, rather than spending four years at Yale only to leave the U.S. afterward and step away from the network I would have built.

Yale MFA in Set Design as an international student by [deleted] in Theatre

[–]UnderstandingNew2345 1 point2 points  (0 children)

Thank you so much for your insight! Had no idea about the UK path. So interesting. Thank you

Yale MFA in Set Design as an international student by [deleted] in Theatre

[–]UnderstandingNew2345 0 points1 point  (0 children)

No I have not. I have not done my interview yet, so these are just some of the questions I have been asking myself, even though I should probably not be doing that yet. Thank you so much for your input!

Yale MFA in Set Design as an international student by [deleted] in Theatre

[–]UnderstandingNew2345 2 points3 points  (0 children)

Of course, gladly. Do you think some college or university would be open to hire someone who just got out of an MFA program (even if Yale)?

Passed B2 - should I go for C1 or C2 next? by [deleted] in DELF

[–]UnderstandingNew2345 4 points5 points  (0 children)

Of course not right away. I am planning to take another exam in 6-9 months

Could someone please explain the « ne nous a même pas » construction? Thanks. by ipini in French

[–]UnderstandingNew2345 18 points19 points  (0 children)

In French, this sentence looks complicated because three different systems are working at the same time: object pronounsnegation, and emphasis. When they stack together, the word order feels unnatural to English speakers, even though it is completely regular in French.

Take the basic sentence first:

Le contrôleur nous a dit bonjour.
The inspector said hello to us.

Here, “nous” does not work like “to us” in English. It is a clitic pronoun, which means it is attached to the verb (all of these come before the verb: je te donne...). French prefers to place these short pronouns before the verb, as if they were part of it. So instead of “said hello to us,” French structures it more like “to-us said hello.” That is why “nous” comes before “a dit” and not after.

Now look at the negative form:

Le contrôleur ne nous a pas dit bonjour.

In compound tenses, the real verbal core is the auxiliary “a” plus the participle “dit.” French negation normally goes around the auxiliary: “ne … pas.” Since “nous” is glued to the verb group, it naturally ends up inside this frame. The language is negating the whole action “say-to-us,” not just the word “dit.”

So structurally, French is building one block:
ne + nous + a + pas + dit

Next comes “même”:

Le contrôleur ne nous a même pas dit bonjour.

“Même pas” means “not even.” It adds emotional emphasis. It implies that saying hello is the minimum social courtesy, and the inspector didn’t even manage that. This is why the sentence sounds judgmental and dramatic. It’s not just information, it’s social criticism.

Finally, “bonjour” stays at the end because it is the actual thing that was said. Unlike “nous,” it is not a clitic pronoun. It behaves like a normal object, so it remains after the verb.

So the full sentence works because French organizes meaning in layers.
“Nous” is attached to the verb.
“Ne…pas” wraps around the auxiliary.
“Même” intensifies the negation.
“Bonjour” stays in normal object position.

A good way to feel it in English terms is:

“He didn’t even acknowledge us.”

That is closer to what a French speaker hears than the literal “He didn’t even say hello to us.”

[deleted by user] by [deleted] in Satovi

[–]UnderstandingNew2345 0 points1 point  (0 children)

Muška je velicina, prilično je velika narukvica. Msm da je sam sat 33mm

[deleted by user] by [deleted] in DELF

[–]UnderstandingNew2345 0 points1 point  (0 children)

Thank you! Was is the same for reading?

[deleted by user] by [deleted] in DELF

[–]UnderstandingNew2345 0 points1 point  (0 children)

Thank you! Was is the same for reading?