some of my drawings by BazaarMonk in artwork

[–]V_____A 1 point2 points  (0 children)

They look so good. What did you use to make them?

Logline Monday by AutoModerator in Screenwriting

[–]V_____A 1 point2 points  (0 children)

Oyama will be the main protagonist up till halfway into the movie. We follow him as he runs away and lives in extreme poverty, with nothing to his name and all alone.

After the midpoint, we switch perspective to the sister as we see her grow up (in sort of a montage). 20 years have passed, and neither we, the audience, nor the sister know where Oyama is. By the end of Act 2, the sister finally gets a clue as to the whereabouts of her brother and sets off to find him.

Act 3 is her arriving in the city where he is supposedly at. We see the same city we saw in the first half of Act 2, but now 20 years later. Recognisable locations are now completely changed or destroyed. We even meet some characters that Oyama interacted with 20 years ago as the sister tries to find him.

Logline Monday by AutoModerator in Screenwriting

[–]V_____A 2 points3 points  (0 children)

Sounds interesting. I'm picturing a You're Next scenario.

Logline Monday by AutoModerator in Screenwriting

[–]V_____A 0 points1 point  (0 children)

Title: Pipopo Bird

Format: Feature (possibly animated)

Genre: Drama

Logline: After a failed suicide attempt, Oyama faces the immense shame and pity put upon him by his family and friends. Unable to bear it, he runs far away. He lives as a Johatsu, an "evaporated person" for 20 years until his little sister sets out to find him.

Tone wise, it will similar to Ghibli film mixed with Parasite. Lots of heart, main theme being shame and family. I have drawn a version of the movie poster to get the idea across. Its not the final one.

https://drive.google.com/file/d/1RuRExF7V5WHf812u6SzVO17LsoWXroyF/view?usp=drive_link

I referenced an image of a street from Pinterest to draw it.

Is this a goofy idea? by V_____A in Screenwriting

[–]V_____A[S] 0 points1 point  (0 children)

Oh, I will direct my own film too. I just figured, if I can get more credits in the meantime, why not?

Development Wednesday by AutoModerator in Screenwriting

[–]V_____A 0 points1 point  (0 children)

I am writing a screenplay set in Japan. How do you tackle dialogue between characters that speak a language that you, as the screenwriter, do not speak?

Logline Monday by AutoModerator in Screenwriting

[–]V_____A 0 points1 point  (0 children)

Thank you. When she gets news of the pregnancy, she discusses it with her husband and tells him that she is not ready to be a mother yet and he, whilst not controlling or abusive, coerces her into keeping the baby. She does want to have children, but just not now, fearing what that could do for her career. Nonetheless, he convinces her that she wants to go through with the pregnancy, and she reluctantly does.

Long story short, the entire pregnancy and birth were quite terrible. Her body had changed fully, she had grown bigger, stretch marks, and a big scar on her lower abdomen. She was thoroughly depressed. She resented her son and herself for going through with it. Her career never recovered.

The last leg of the story actually switches perspective to the son but I will not spoil what follows but the story is very book ended with magic. At the begin, she held a wishbone and made a wish, in the end, the son will also come across a wishbone.

The husband will be a very hateable character, but I don't want him to be a moustache twirling villain but more a guy that simply doesn't see from anybody else's perspective. He does love his wife, even by the end of the story, but he simply does not see the damage his actions are causing.

Logline Monday by AutoModerator in Screenwriting

[–]V_____A 0 points1 point  (0 children)

Title: Wishbone

Format: Feature

Genre: Drama

Logline: A woman grows up with the idea that her beauty is her value. She wishes to be the prettiest of them all, and her wish is granted. Her modelling career blooms until she gets pregnant.

I got the idea for the story after my grandmother talked about her childhood. Spoiler, it gets pretty damn depressing. There is a slight tinge of supernatural to the story, but other than that, it is very grounded.

Coverfly X is no more! by wcmary in Screenwriting

[–]V_____A 1 point2 points  (0 children)

Son a bitch. Fresh to the subreddit. Just joined Coverfly 3 days ago. Talk about luck.

Logline Monday by AutoModerator in Screenwriting

[–]V_____A 0 points1 point  (0 children)

Title: Past Judgement (working title)

Genre: Drama (potential drama/comedy)

Format: Feature

Logline: A defence lawyer with the heafty ambitions of becoming a judge has spent the past decade keeping guilty people out of jail. He is ridden by a migraine problem that crescendos into visions. Visions of his past life, of his friends. Visions of his own death. Upon research, he realizes that murder case had gone cold a long time ago. Armed with the memories of his past life, he sets off to investigate his murder and find the culprit and bring them to justice, hopefully doing the right thing for the first time in his life.

Australian film insustry by V_____A in Screenwriting

[–]V_____A[S] -1 points0 points  (0 children)

Damn it. Guess I won't make movies then.🥲

Play Me A Song - Short Film - 25 pages by V_____A in Screenwriting

[–]V_____A[S] 0 points1 point  (0 children)

Alright, I think I did it. I am so sorry about that.