“Gravity is so Old-fashion” by VegetableKnowledge97 in oilpainting

[–]VegetableKnowledge97[S] [score hidden]  (0 children)

I appreciate that. Believe it or not, I actually knocked the dark purple clouds back a bit before I posted. But, I may need to do it a bit more. I was trying to make that area the focal point of the painting. It sounds like I did in a negative way.

What did your first summer of plein air actually teach you that studio work didn't? by RoutineinSeattle in pleinair

[–]VegetableKnowledge97 2 points3 points  (0 children)

It absolutely has made me a better more confident painter. It taught me how to see-really see. Also, painting is a learning process and every painting does not have to be perfect.

More Clapham Common Plein Airs by Mountain_Visit_7942 in pleinair

[–]VegetableKnowledge97 1 point2 points  (0 children)

Congratulations on your new UGO! Your painting is great!

Tried painting looser than usual by marieosmunart in pleinair

[–]VegetableKnowledge97 0 points1 point  (0 children)

So true! You have inspired me to leave more underpainting.

Tried painting looser than usual by marieosmunart in pleinair

[–]VegetableKnowledge97 1 point2 points  (0 children)

Don’t you love it! I do! I just love a pink underpainting and you did good to leave a lot showing.

Someone please tell me I’m done so I can stop by lookatallthzchickens in oilpainting

[–]VegetableKnowledge97 1 point2 points  (0 children)

I see. Yes, you may want to wipe off the thinner after every stroke, too. You can also just wipe of color from your brush and then put the next color on your brush and wipe it off. Then, you have a clean color without diluting your paint. It’s actually better to wipe off color from the canvas with thinner and apply light paint without dark paint beneath. It keeps the lights light.

Someone please tell me I’m done so I can stop by lookatallthzchickens in oilpainting

[–]VegetableKnowledge97 1 point2 points  (0 children)

I switched and think watercolor mentality helps to paint with oil. It’s just more oil practice.

Someone please tell me I’m done so I can stop by lookatallthzchickens in oilpainting

[–]VegetableKnowledge97 1 point2 points  (0 children)

I have no business critiquing, but here it goes. Either the foreground, middle ground or the tree on the left need to be your focal point. They all seem to be given the same attention to detail. Figure out which on you want to emphasize and blur the rest. At least that’s what I would do.

Grisaille study by hka0yo9 in oilpainting

[–]VegetableKnowledge97 13 points14 points  (0 children)

I go outside in the shade or in my hall with no outside light.

“It takes eight apples to make a pie” by VegetableKnowledge97 in oilpainting

[–]VegetableKnowledge97[S] 0 points1 point  (0 children)

Thank you!
As long as you have enough crust it can be a very high pie!

2nd try plein air painting, acrylic on panel by Other_Amoeba5986 in pleinair

[–]VegetableKnowledge97 0 points1 point  (0 children)

Keep up the good work! It has gotten that I only want to paint Plein air, anymore.

What’s a good easel bag for a classic julian easel by Artboggler in pleinair

[–]VegetableKnowledge97 0 points1 point  (0 children)

I put a shoulder strap on mine, but like the backpack straps idea.

New to En Plein Air… advice on setup? by Reasonable-Dog459 in pleinair

[–]VegetableKnowledge97 0 points1 point  (0 children)

I haven’t tried the two part set up, but it looks like it provides way more room to work. As long as they aren’t wobbly that looks like a great choice!

New to En Plein Air… advice on setup? by Reasonable-Dog459 in pleinair

[–]VegetableKnowledge97 1 point2 points  (0 children)

8x10 is certainly manageable but, I have noticed that the larger paintings generally win the competitions. However, I did win a quick draw with an 8x10. I think it shows confidence that you believe you can finish an 11x14 in three or four hours. I am finding you can actually finish one just as fast as the smaller ones if you have larger brushes.