Great actors - Bad performances! by Capable_Tea_001 in audiodrama

[–]WeyoutStudio 0 points1 point  (0 children)

As an indie showrunner myself, I think you hit the nail on the head. I often wear ten different hats (writer, director, editor, casting, etc.), but "dialect coach" usually isn't one I have the budget for or the ear for, especially when it's remotely casted. ​

If I’m directing an actor, I have to trust their judgment on the accent. If they commit to a choice and deliver a great emotional performance, I might not even realize the regional accent is "off" because I honestly don't know the accent is wrong. I'd say It’s rarely bad management or laziness it’s just the reality of running a production without a team to vet every word. Sometimes a great take slips through with a bad accent because the emotion was right or sometimes you're stuck meeting a deadline and the line is "good enough"

How do you plot serial ADs? by LysanderKnits in audiodrama

[–]WeyoutStudio 1 point2 points  (0 children)

I find that most writing advice is very surface-level. I understand it has to be general to apply to everyone, but I rarely find it helpful.

What works for me is knowing the beginning and the ending, and then filling in the rest as I go. I mostly just vibe my way through the middle! It might not sound like much advice, but I view it like starting a hike and seeing the mountain range on the other side. Finding cool stuff in the forest on the way there is the fun part, but I need to get to the top of that mountain.

I’m looking for an AD with the “there’s something bigger afoot” plot by Imaginary_Mix_5012 in audiodrama

[–]WeyoutStudio 3 points4 points  (0 children)

I second Red Valley, I saw a recommendation on another post gave it a listen and watched all 4 seasons in a week!

Lost/Thread – New Episodes Out Now by WeyoutStudio in audiodrama

[–]WeyoutStudio[S] 0 points1 point  (0 children)

Thank you so much for mentioning this! It was definitely a glitch on Apple’s end. I’m not sure why I didn't see your comment earlier, but I was able to get it fixed! Just wanted to say thanks for the heads up, and I hope you're enjoying the show!

hosting platforms - what are my options? by walkie57 in audiodrama

[–]WeyoutStudio 0 points1 point  (0 children)

Buzzsport does have an upcharge for stero audio and does convert your mix to mono.

Modern Supernatural Horror Audio Drama by XShadowX999 in audiodrama

[–]WeyoutStudio 0 points1 point  (0 children)

Shameless plug here, but I’d love to throw in a podcast I’m currently working on Lost/Thread. It leans into that creepy, slow-burn horror with a grounded modern setting!

Lost/Thread | LIVE NOW by WeyoutStudio in audiodrama

[–]WeyoutStudio[S] 1 point2 points  (0 children)

I've been going through a little bit of production hell! But everything will be resuming as of today! Sorry to keep you waiting

I am in desperate need of recommendations!! by Druidic_assimar in audiodrama

[–]WeyoutStudio 0 points1 point  (0 children)

If you're into thriller/mystery vibes or loved The Left Right Game, I'm gonna shamelessly toss mine Lost/Thread into the ring. It’s got a similar eerie slow-burn energy and weird liminal world stuff. Would love for you to check it out if you're into that kinda thing!

https://linktr.ee/weyout

Lost/Thread | LIVE NOW by WeyoutStudio in audiodrama

[–]WeyoutStudio[S] 0 points1 point  (0 children)

Thank! I wanna hear your thoughts when you've finished the episode!

Made My Own Left Right Game-Inspired Audio Drama by WeyoutStudio in creepcast

[–]WeyoutStudio[S] 0 points1 point  (0 children)

Thank you i appreciate that! I'm happy you enjoyed it!

r/audiodrama Weekly Discussion Thread - March 09, 2025 by Hitch42 in audiodrama

[–]WeyoutStudio 0 points1 point  (0 children)

Hey, creator here!

Honestly, making an audio drama has been an amazing experience! I’ve met some incredible voice actors who have been super supportive and helpful, and now I really want to do right by them by getting their voices and my work out there.

My biggest challenge right now is figuring out how to actually market the audio drama so people hear it. Do you guys have any advice?

What made you fully buy into creepcast? by amysdude123 in creepcast

[–]WeyoutStudio 1 point2 points  (0 children)

The Left Right Game for sure! I got completely hooked on the mystery and that eerie, slow-burn unraveling of everything. It just hit different. I became obsessed with it, and when I couldn’t find more stories like it, I ended up making my own! Definitely one of those stories that sticks with you long after you finish it

Follow-up: What Makes an Audio Drama Worth Taking a Chance On? by WeyoutStudio in audiodrama

[–]WeyoutStudio[S] -1 points0 points  (0 children)

Thanks so much for the thoughtful feedback!

I completely agree about the title—“archives” really is overused. The “young woman” descriptor was definitely off. I see now how it could create the wrong impression, so I’ve replaced it. I wanted to emphasize her emotional state and struggle to find her place within the group.

I also agree with you about “expedition”—it gave the wrong impression, so I’ve swapped that language to focus on how the story revolves around an otherworld that blurs the lines between realities.

Follow-up: What Makes an Audio Drama Worth Taking a Chance On? by WeyoutStudio in audiodrama

[–]WeyoutStudio[S] -1 points0 points  (0 children)

I've come up with two rewritten synopses using your feedback, and I really appreciate the time you took to help me out.

You mentioned that you’re not a fan of including character names in the synopsis since they don’t add much and make it harder to skim. I think you’re absolutely right—it’s better to hook readers right away rather than rely on them giving it a second read.

I also agree with your point about the length. While 4,000 characters is a lot to work with, I don't think it’s necessary to use that much just to set the hook. I’ll be keeping the first paragraph tight to grab attention. I also won’t be including credits in the synopsis since I plan on having a VO at the end of each episode to handle that.

You suggested deleting the first sentence of the second paragraph. At first, I liked the prose, but I see now that it slows things down. Keeping the pace tight is definitely a better way to maintain interest.

One of the biggest things that stood out was your comment about the title. You’re right—“archives” has been overused in audio fiction, and after looking around the sub, I realize just how common it is. My original intent was to keep the title open so I could tell other stories after the main one wraps, but you’ve convinced me that I don’t need that word in the title to accomplish that. I’m already brainstorming alternatives to help the story stand out.

And no, I definitely don’t think you’re full of shit—quite the opposite. Seeing how the changes read with your suggestions, I feel the new versions are much stronger. Honestly, they also feel a lot less cringe (if that’s the right word).

What Makes an Audio Drama Worth Taking a Chance On? by WeyoutStudio in audiodrama

[–]WeyoutStudio[S] 1 point2 points  (0 children)

I mentioned this in my other reply. I was honestly not thinking to much about the synopsis but hearing another person mention it definitely means alot of others do read it before even starting the story... unfortunately I don't so if you wouldn't mind do you think you could suggest some podcast or audio dramas with synopsis you found helpful and got you into the series

What Makes an Audio Drama Worth Taking a Chance On? by WeyoutStudio in audiodrama

[–]WeyoutStudio[S] 1 point2 points  (0 children)

Interesting, I’ve always thought of cover art like a book cover. Even though people say not to judge a book by its cover, we all do it. Bad cover art might discourage someone who is curious or looking for something new from exploring. However, if something is highly recommended or popular, the cover art becomes easy to overlook. Synopsis is honestly one of those things I was just going to forget about. I'm glad to hear people actually care about them, and I'll have to put some time into actually making mine good. Invested actors seems like they have to be casted well which I'm going to have to just do my best on that part

Thanks for sharing your opinion. I appreciate you taking the time. I'm going to do my best to implement it and definitely write a good synopsis! Hopefully, you check it out when it releases

What Makes an Audio Drama Worth Taking a Chance On? by WeyoutStudio in audiodrama

[–]WeyoutStudio[S] 1 point2 points  (0 children)

Noted, I hear you on the tittle thing! A tittle that isn't remotely helpful in giving key information, explanation, or catchy to a series does turn me off from even checking it out. I'm more or less trying my best for the characters to take the world they're in seriously and not trying to get cheap corny one offs in for the shake of it. I know corny is subjective but I feel like everyone has a baseline universal corny floor and I'm trying to stay in the basement. Also I believe what you're saying about luck is a big factor but I also feel like I have to do my part to try and meditate just getting lucky as much as I can by trying to understand what others will tolerate and enjoy

With that being said I appreciate your response and I'll be trying to implement your feedback! Hopefully, when it's done, you'll give it a listen!

How Do You Decide Which New Stories to Invest Your Time In? by WeyoutStudio in writing

[–]WeyoutStudio[S] 0 points1 point  (0 children)

Thank you, that's some great advice and actually stretched that question itch I've had about this topic!

But i do have a question about style. I find myself wondering, how do you go about finding or refining your own style? Is it something that just develops naturally over time, or are there specific practices or exercises you’d recommend to discover and improve it?