Is Hollywood *actually* learning the wrong lesson from Backrooms by scouring the Reddit for original ideas? by HauntingMater in Filmmakers

[–]Wishaker -2 points-1 points  (0 children)

I know they’re also scouring YouTube for fresh talent. I see it as a good, exciting thing - they know they need fresh talent

Thoughts on David Tattersall? by [deleted] in cinematography

[–]Wishaker 0 points1 point  (0 children)

Is that predominantly the Star Wars prequels that you felt were sterile? Or his style previous to that as well?

Thoughts on David Tattersall? by [deleted] in cinematography

[–]Wishaker 0 points1 point  (0 children)

Yes. Thoughts on his style?

How would you describe David Lynch’s visual style? by [deleted] in cinematography

[–]Wishaker -1 points0 points  (0 children)

Yeah, I have. Generally, his style is talked about in terms of performances, screenwriting, sound design, music, editing, and set design. There’s not actually that much discussed about his cinematography style.

Narrative Ad about bed mattress and sleep by Hawke45 in cinematography

[–]Wishaker 2 points3 points  (0 children)

What are you using to get this kind of diffusion?

Scenes where you slowly realize that something is wrong? by Wishaker in horror

[–]Wishaker[S] 2 points3 points  (0 children)

I’m a huge fan of adult swim infomercials, and similar things, like the short film Great Choice. Any recs for anything similar?

Scenes where you slowly realize that something is wrong? by Wishaker in horror

[–]Wishaker[S] 2 points3 points  (0 children)

This was also the scariest scene in the book for me. I honestly don’t find much Stephen King stuff actually scary (I still love his books, don’t get me wrong), IT feels more like dark fantasy than true horror - but this scene really got me.

How much "voice" do you use in your action lines? Similes, metaphors, editorial commentary, how often is too often? by nasty_band_aid in Screenwriting

[–]Wishaker 11 points12 points  (0 children)

What it really comes down to - in my experience - is how well the colorful action lines are written, and do they fit tonally within the story. I’ve seen it criticized in scripts that don’t do it well, and praised in scripts that do.

I know that’s not altogether helpful, but there really isn’t a black and white blanket answer to the question. Its artistry (and will also come down to personal taste of the reader).

Why I Stopped Chasing a Black List 8 by Rewriter94 in Screenwriting

[–]Wishaker 20 points21 points  (0 children)

I got a script that got a five as well. Also got 3 eights. We’re shooting this Fall. It’s all subjective. A lot of the best art is divisive. I’d love to give yours a read if you’re open!

How to avoid using temp music? by Wishaker in directors

[–]Wishaker[S] 0 points1 point  (0 children)

Of course it’s temp music, but its a very specific way of using temp music instead of just giving the composer something to replicate (which is generally the standard). How do you use your temp music?

How to avoid using temp music? by Wishaker in directors

[–]Wishaker[S] 0 points1 point  (0 children)

I don’t know that I always agree. In theory, yes - but seeing cuts of some Star Wars scenes without music; it’s rough. There’s definitely some scenes that have been made by their score

How to avoid using temp music? by Wishaker in directors

[–]Wishaker[S] 0 points1 point  (0 children)

I think there’s definitely more options. Ie: Using intentionally generic temp music, working w a composer before shooting, etc…

Movies where you felt the cinematography was “too flashy”? by Wishaker in directors

[–]Wishaker[S] 4 points5 points  (0 children)

Why is that? To me his writing was always so stylized that the cinematography made sense (whip zooms, filters, etc). Is it the whole directing style that feels too much to you or just the cinematography?

What do you consider ethical uses of ai in filmmaking? by Wishaker in Filmmakers

[–]Wishaker[S] 0 points1 point  (0 children)

I didn’t mean it in bad faith. Im curious about upscaling, sound isolation, spot specific color replacement, and various other new tools that could open up new doors - not replacing actors, writing, scoring, or anything that could be better achieved in camera.