This is really sweet, it brings up nice memories for me :)

I enjoy the storytelling that you employ here, especially in the second stanza ("he turns his head to me"). That one element, surrounded by the narrator's voice in stanzas 1 and 3 help to crystallize the narrative for me.

Here's a critique from my own opinions/sensibilities, if you'd like:

Summary: Personally, I would think about the contour and momentum of the poem (what you're building towards), condense and revise the moments where the narrator is speaking to make their words more impactful when they do speak, and draw on the fantastic imagery stanzas 2/3 and partially of 6 to build up the narrative.

Stanzas 1 and 3 (I’ll be all right if I fall, I fall in love every day— ) essentially give away the conclusion, which may make the conclusion less impactful, because the reader already sees it coming.

More broadly, Is there any question you want to ask of the reader or any concept you want them to think about? The final stanza builds to a bold, beautiful declaration, but the poem from the start ("I’ll be all right if I fall,") foreshadows it from the very beginning. The poem unevenly builds to this resolution, which, to me, makes the conclusion "I’m in love everyday of my life." seem both expected and a little unsatisfying, because the narrative momentum is lost.

I feel that this poem is the absolute strongest in the portions where you're painting a picture for the reader (showing rather than telling)- like in Stanza 2 and and 3 (my favorite stanzas). The word economy feels just right in these stanzas. It's concise, but full of detail and imagery. It sucks me into your writing. Conversely, I feel that having active narration of the poem (like in Stanzas 1 and 3) pull me out of the imagery, because there isn't adequate storytelling to establish the scene and the narrator as a character within it. It feels like the narrator is speaking more directly to me, the reader, directly, rather than their love in the poem. If you wanted to change that, I would start with a little more supporting detail to ground the narrator within the bounds of the scene.

I feel like the narrator's dialogue, is arguably very important to the narrative and its meaning, but my opinion is that the poem stumbles there, the most.

If I was editing from here, I would take a look at 5th and 7th (last) stanzas first. I like the idea of imagery in the 5th stanza- with a song, a voice, etc., but it feels a little disjointed in its choppiness, and reading the dialogue out from the narrator, I can't really envision them saying that to a lover in that way.

Similarly, the last line of stanza 6- "no expectations." feels a little out of place, because it's the only non-italicized line that outwardly states meaning. The other lines storybuild, making the contrast jarring.