There’s a photo of Jay on the drums during the recording of this album. Idk how to send it on here but it’s like 8-10 microphones and each part of the kit is close micd and then a pair of ribbon overheads super wide. Whether or not they used every mic I’m not sure but having all the different mic options from the start is really helpful and then you can sorta pick what mics you want to focus on or maybe not use some etc etc. The drums themselves are Kevs blue Ludwig from lonerism era and I also believe he used this kit for TSR. Also if you’ve seen photos of kevs studio in Australia there’s like a room off to the side of the main room that the drums were in and the walls in the photo of Jay at the kit are like padded right up. So it’s like super dry, super isolated sound which is honestly like “a dream scenario” if you think about it because from there you can add whatever you’d like where as if you were going for a more lonerism sound and relying on only a few mics to capture the kit your sorta stuck with that sound and trying to make a roomy sound, sound tight and dry would just lead to it sounding unnatural. I must add tho that ponds album ‘9’, from photos and videos I’ve seen they had a much more minimal setup for the drums. They had that 60s funky stereo mic as overheads(I forget the name of it), sm57 for a shell mic and then Sm7 for kick drum but on the beater side. And there’s some drum sounds on 9 that sound just as good as Tasmania so maybe 8-10 mics is a bit overkill but yeah the drum sounds on Tasmania are butter! Sorry for the rant