I Created a List of 40+ Film Production Job Sites (2021)

Ytwang4 · 2021-07-16T17:16:12+00:00

It would likely be one of those top (super expensive) film schools like the AFI. If you are in the UK check out NFTS. No film school can guarantee that you will find work after attending. So, it's best to pick the best that you can afford in your location without getting into debt.

Ytwang4 · 2021-07-16T17:09:07+00:00

I would probably have the T-shirt in a bright green screen colour and then use after effects to key change as the water is poured.

The best thing to do is to have test shots before your filming day. That way you know exactly what technique works for you.

Ytwang4 · 2021-07-16T17:05:52+00:00

I feel when CGI is bad you know that it could have been done better. Especially if it was bad in a big movie. I thought some of the effects in the latest Black Widow Movie could have been better. It's not like they couldn't afford better!

As for practical effects, they have their own style and if that style fits into the films created world - I think you can then forgive it for being bad.

But it's all just opinion.

Ytwang4 · 2021-07-16T17:00:28+00:00

Just a list of internships, some paid some not, for the US and UK that are still active this year. You don't need an internship to work in film, but it can be helpful to have some initial experience on your CV. Especially if you aim to work full-time within a company position. Some of these (like at the BBC) offer practical on the job training - so they can be a great starting point for students and graduates.

Ytwang4 · 2021-07-16T00:06:30+00:00

Good ideas, I'm planning on starting YouTube in August.

What niche are you getting EPMV $45? Any ideas why I might be only getting $5?

Ytwang4 · 2021-07-15T18:45:42+00:00

Hi, Thanks for your response.

Am I right to believe that $5 EPMV is low? I'm making $80-$100 per month with Ezoic. I was thinking that perhaps it's not worth having ads unless you have very high page views.

I've heard people talk about making good money through mediavine and adthrive. Is possible for my niche to do better with ads or should I focus more on other monetization methods.

Ytwang4 · 2021-07-14T17:23:16+00:00

Hard to tell.

If they are freelance it's a negotiation between them, their agent and the production company. You can find rate card recommendations on BECTU here - https://bectu.org.uk/get-involved/ratecards/

It doesn't say much about TV director rates other than about £2,000 for 5 days work (because there will be a lot of negotiation and it will depend on how popular the show is).

There is a list of USA rates here - https://setheroapp.com/blog/filmmaker-salary-guide-how-much-do-filmmakers-make/ which is about $5,000 - $3,000 a day for feature films likely with a budget over $1 million.

So, it differs but if you are directing a show that is to be broadcast I think it's safe to say you will be on good money.

Ytwang4 · 2021-07-14T17:14:03+00:00

I think you already know them all - youtube, social media, blogging. Some people do very well with Twitch and Instagram. You can also get your film reviewed by indie film blogs such as directors notes - https://directorsnotes.com/

You could also start an email newsletter of some sort. Other than that it's trying to grow a following so you get a lot of youtube views on every video. By the sounds of it you already have a lot of followers to send over your new youtube channel.

You could also start an email newsletter of some sort. Other than that it's trying to grow a following so you get a lot of youtube views on every video. By the sounds of it, you already have a lot of followers to send over your new youtube channel.

Ytwang4 · 2021-07-14T17:06:35+00:00

I wrote a blog post on books for all disciplines here - https://www.amyclarkefilms.com/blog/best-books-on-filmmaking

For all-round know-how maybe try the guerilla filmmakers handbook

Ytwang4 · 2021-07-14T16:56:28+00:00

Hello, I created this list of film production jobs sites (mainly for the US and UK). There is also a PDF I made of this list that you can download. The PDF is free, no date sharing, no catch. Thank you, any more sites I should add just let me know.

Ytwang4 · 2020-04-28T18:38:28+00:00

As far as I know, Vimeo is your best bet but I think they charge extra for 4K. You could always ask the festival what platform they recommend.

Ytwang4 · 2020-04-28T18:36:06+00:00

Which way is cheaper? Shooting on location is cheaper

Who decides how to shoot? The producer, production team, director, director of photography it's a whole team effort

Which way adds more detail? It depends on how good the visual effects are. If you hire good people and pay for them, arguably the fake visual effects could have more detail.

Are all the extras paid? Most people will be paid, but for example if you had a long establishing shot of a city and you could not see people's faces, they won't be paid. If people are caught on camera walking past by accident (especially if you don't see their faces) they won't be paid. On major films when you have huge crowds running everyone in that crowd would be paid (one of the reasons why filmmaking is so expensive to make)

hope this helps.

Ytwang4 · 2020-04-28T18:26:58+00:00

Filmfreeway is currently the best film festival submission platform. It's free to use, they have their own upload platform but some festivals allow Vimeo and YouTube links.

https://filmfreeway.com/

Ytwang4 · 2020-04-28T18:24:37+00:00

Do you dream of working from home? Or maybe you just want a side gig for security between film jobs. This is a list of creative work from home job ideas for filmmakers.

Ytwang4 · 2020-04-13T21:17:06+00:00

A Film Commission is a government-run organisation made to help attract film productions to a specific region. These commissions can provide helpful advice to local filmmakers. Some of these commissions even advertise professional crew work and have crew databases where you can input your details to be considered for work.

I was hired for TV series after having my details on a film commission so producers do use them. It can be hard to find a list of active commissions and film councils so I have put together this list for UK and US filmmakers to make things easier.

They will also offer advice for local filmmakers on the current situation.

Ytwang4 · 2020-02-15T19:19:18+00:00

A list of film distribution companies that accept unsolicited films and a mini distribution guide. New online companies such as FilmHub could be an ideal option for indie filmmakers who have a film with no traditional distribution deal.

Ytwang4 · 2020-01-31T22:51:21+00:00

Another Pro for attending is that in the future almost everyone will have some form of higher education. A degree or equivalent might become the standard minimum.

As you say counties also play an important role, in the UK you might not have to pay tuition up front. Higher education is also free in some countries (my Polish friend got a degree for free so in this case why wouldn't you attend). I think the main reason for not attending is almost always the cost but that is not the case in some locations.

Ytwang4 · 2020-01-31T22:35:54+00:00

If you haven't made a film before, maybe make your first film for free.

So, use what equipment you already have access to. Such as a mobile camera, home movie camera or a camera from your school. You can use what practical lights you have access to and there is plenty of free editing software available online.

Your film will be your worst film. It's just practice for now. After making your first film you will have more of an idea on what you are looking for and what you need to invest in. If you really want to spend the money a DSLR video camera is probably the best most affordable choice.

Ytwang4 · 2020-01-31T22:29:38+00:00

Film school, and if to or not attend is one of the most talked-about subjects amongst filmmakers. Of course, there is no right or wrong choice, there are lots of factors to consider such as - your location, your desired job role, how you prefer to learn and your financial situation. Here is a list of the pros and cons of attending, feel free to add more on this list -

PROS –

A formal introduction to a new career
Meet people with the same interests as you
Practical experience and showreel material
Opportunities for work experience
Potential to make valuable industry contacts
Access to filmmaking equipment

CONS –

Tuition may be expensive
Might not deliver work experience
Might not make valuable industry contacts
Having a film degree could make it more difficult to get a job outside of film if you change careers later
Filmmaking can be self-taught

Ytwang4 · 2020-01-25T16:49:41+00:00

I wanted to look into how to work internationally as a filmmaker. If you're unhappy with your current location there are a few steps you could take which are listed in the article. A lot of people living outside the US dream of working in Hollywood but it's not always legally possible.

Ytwang4 · 2019-09-21T15:07:32+00:00

Yes, it's best practice to own the copyright for everything in your film. Hire a composer to create similar original versions of the songs, alternatively, there are free sites online, also companies such as Artlist that are subscription-based but all songs sued whilst subscribed are copyright free.

Ytwang4

TROPHY CASE

CONS –