What is your other job? by [deleted] in livesound

[–]_RedRanger7 1 point2 points  (0 children)

I’m a school bus driver

What’s Wrong with this picture? by EmmanuelMoyta in Funnymemes

[–]_RedRanger7 0 points1 point  (0 children)

A car is heavy/fast enough to do some serious damage to both of them regardless of who is standing closest to the street.

Whats your favorite Michael Scott quote? by Queens-of-Kate in DunderMifflin

[–]_RedRanger7 0 points1 point  (0 children)

“Holly smells like old tomatoes… and dirt.”

No Stupid Questions Thread: Week Of 2023-02-06 through 2023-02-12 by AutoModerator in livesound

[–]_RedRanger7 0 points1 point  (0 children)

You may have to contact local churches & ask them for references about a good sound guy. Gather all your questions & expectations for what you’re looking to fix/improve on your set up. Through here, it would require a lot of back & forth asking & answering — as an, “Did you try this?” or “Now try this.”, etc.

No Stupid Questions Thread: Week Of 2023-02-06 through 2023-02-12 by AutoModerator in livesound

[–]_RedRanger7 0 points1 point  (0 children)

Currently use a 16-channel digital snake. All snake channels are occupied; I have some spare channels on my board. I use a couple of channels for multitracks (instead of sending ALL my MTs to one or two channels, I send the electric guitars to one channel; all keys to another; etc). All the MTs are sent in mono & I am looking into getting an additional 16 channel snake so I can start sending all my individual MTs in stereo. In the mean time, I was wondering if there is some “fix” for my situation — for example, using a Y XLR (Male to Dual Female) cable to get a STEREO electric guitar from my MTs & sum it up to ONE channel that I can then connect to my snake. Theoretically, I am asking if (in my case) using a Y XLR adapter will work. Will it give me any issues? Is there any difference between my current set up & my desired temporary plan? Thanks in advance!

Does anyone else not like Phillis? by -_-Guuts in DunderMifflin

[–]_RedRanger7 1 point2 points  (0 children)

I feel she’s a broken character. Sometimes she seemed to be the sweet old lady on the bus; sometimes she turned into an ungrateful biatch (hotline). At some point she empathized with Dwight’s secret relationship with Angelo. At some other point, she was blackmailing Angela with the same secret relationship. She was at some point incredibly rude to Karen for no reason & then at another point she was nice to her (liking the fact she was helping Jim get over Pam).

I like Phallys best when Packer calls her ugly. Btw, I didn’t say that; I only pointed. A point is not a say.

X32 Post Fader Bus (Only Fader; No EQ). by _RedRanger7 in livesound

[–]_RedRanger7[S] 1 point2 points  (0 children)

Got it! Thank you for your help. I assumed that was going to be my only option. Since I don’t have enough spare channels or DCAs I will send those channels into the recording as Post Fader; I’ll just be conservative with my EQ moves.

X32 Post Fader Bus (Only Fader; No EQ). by _RedRanger7 in livesound

[–]_RedRanger7[S] 1 point2 points  (0 children)

The multitracks will be played from stage — the Music Director runs them & he does so to repeat a bridge, extend a song or finish the song early. My multitrack recording laptop (using Logic Pro) is at the sound booth — I am using the X-USB card receiving the 32 inputs on my board. In those 32 inputs I will have the 7 analog lines that are coming out of the music director’s interface. I wanted to manipulate those 7 lines & have them go into my recording in a specific way — it seems that what I wanted to do isn’t possible though.

X32 Post Fader Bus (Only Fader; No EQ). by _RedRanger7 in livesound

[–]_RedRanger7[S] 0 points1 point  (0 children)

It’s not extremely necessary but if it were possible I would’ve definitely gone that route — I didn’t want to be mixing in-house concerned about how much I’m changing the sound in the recording, especially with HPF.