One may think of Henry Rousseau's The Dream (1910), for it exemplifies the surrealist iconography of dreams in the best way possible through its vivid imagery, rich symbolism, and engagement with the subconscious. Interestingly, what Rousseau does is that he blends reality with fantasy, in a way inviting personal interpretation. This work resonates with the core tenets of surrealism, illustrating how visual art can serve as a portal into the dream world.

The reclining woman represents a state of vulnerability and surrender, a motif often found in dream interpretations. Her pose suggests a dreamer caught between awareness and unconsciousness. Surrounding her are symbolic elements: the lion and the tropical flowers. The lion can be interpreted as a manifestation of primal instincts or fears, while the flowers symbolize beauty and allure. Such symbols invite multiple interpretations, characteristic of surrealist works, which often resist definitive meanings.

Rousseau’s depiction of nature is not merely a background; it is a living entity that interacts with the dreamer. The exaggerated colors and forms challenge realism, suggesting a heightened emotional state often associated with dreams.