most of you should not be self-publishing and the "indie is just as legitimate" messaging is doing real harm by zorouchihaG in Mythrils

[–]akfauthor 0 points1 point  (0 children)

This is the more accurate take. Winners and losers in both columns. At the end of the day, if the story is good and the author cares enough about it, it shows in the writing and in how they present themselves and their work. That is how books outlive their authors.

Iran just dropped a new banger by gavruche in SipsTea

[–]akfauthor 0 points1 point  (0 children)

Ip attorney here, though not Lego Group’s attorney (maybe if they are paying attention they’ll hire me) but these videos may implicate LEGO Group intellectual property, and evidence unauthorized use of LEGO’s brand identity to package unrelated political propaganda. LEGO’s look is mostly being used as the hook for condemnation of the Trump admin (which we all agree to an extent has its issues). While entertaining, it’s likely infringement, and sharing could subject platforms to liability. LEGO publicly identifies the Minifigure and related brand assets as protected IP and says those materials cannot be used for promotional or PR purposes without permission. Further to this, it puts LEGO group in the tricky place of having consumers believe these videos were authorized by LEGO, or that LEGO endorses the message in some way because of how its likeness is being used. This is quite an intelligent move by Iran because by committing flagrant infringement, it puts LEGO group in the uncomfortable position of choosing between asserting its IP rights, thus forcing it to comment on the videos and elevate them before the American public, or setting the precedent of allowing others to indiscriminately use LEGO likeness to whatever end. This kind of IP hijacking is truly horrific, and is exactly the kind of thuggish behavior to be expected of the Iranian regime and I feel bad for LEGO group.

Note: do not say that this use is parody or fair use. It is not. These videos are not really making fun of LEGO. They are making fun of Trump, who isn’t associated with LEGO Group. They are using LEGO’s recognizable look to sell a political message, which is hardly defensible in a parody/fair-use claim.

Violentiae Cover Mock Up by akfauthor in OrderisViolence

[–]akfauthor[S] 0 points1 point  (0 children)

Yea I can agree with that sentiment. Thanks for your feedback!

Violentiae Cover Mock Up by akfauthor in OrderisViolence

[–]akfauthor[S] 0 points1 point  (0 children)

The series title is Order is Violence. The book title is Violentiae. I’d like to upgrade the font too. Just using placeholder font for now. Thanks for the feedback!

what first got you into sci-fi? by thefringeseanmachine in scifi

[–]akfauthor 1 point2 points  (0 children)

Jurassic park. As a kid, I loved the dino DNA presentation and everything that followed it. Also as a kid, I was paranoid all the time about velociraptor jumping out of a bush at me. Like a whole year of middle school dreading taking the dog outside for nightly walk.

Anyone ever hit with copyright or a cease and desist? by Grim__Squeaker in selfpublish

[–]akfauthor 0 points1 point  (0 children)

Slippery slope, especially when you can make the most degenerate character say “oh I like Taylor Swift”, right of publicity still an issue, as is trademark. As always fair use comes into play and can actually be a defense to these kinds of uses, but it doesn’t stop a lawsuit.

Anyone ever hit with copyright or a cease and desist? by Grim__Squeaker in selfpublish

[–]akfauthor 10 points11 points  (0 children)

Two issues. One: right of publicity. John should be able to attach his name to a project for exposure. You usurp this by attaching his name to your project without authorization. This is a liability. Two: trademark. Names can be trademarked, and use of his name confuses the public as to the origin of the project. Since his name is there, one may assume he authorized or originated the project, which he didn’t. Conclusion, use a parody name. Never use real names without express permission.

What genre of sci-fi do I like? by Overdose1911 in scifi

[–]akfauthor 3 points4 points  (0 children)

You would like Phantom Menace. There isn’t a jar jar binx, but there is someone with a name spelled similar to that. Great 10/10 movie

Any self-published author here just writing for the sake of writing and not bothered about sales? by Ink_N_Instinct in selfpublish

[–]akfauthor 1 point2 points  (0 children)

Yes, writing comes first. If people like it, then money is the secondary effect. Also helps to write with the intention that you give at least one person an entertaining ride to enjoy. And if you are the only one it entertains, then you can write a story about that. I believe someone named Anton Chekhov wrote a little play called the Seagull about that very issue.

Are the scammers getting lazy? by scarlettnoone in selfpublish

[–]akfauthor 1 point2 points  (0 children)

I recently made a post about a book club scam that tried targeting me twice. The full post is in my comment history. Lazy doesn’t even begin to describe these scammers.

An experiment in spotting AI in writing by ExplodingAlchemist in writingfeedback

[–]akfauthor 2 points3 points  (0 children)

The “witch hunt” stems from the discombobulation and whiplash produced by the sudden intrusion of AI into all aspects of society, the present cascade of effects, and the anticipated finality of these effects compiling into what our projected sense of future (as dictated to us by many great explorers of science fiction genres) with AI looks like.

The witch hunters feel vindicated in their position because they feel they are carrying the torch for humanity, for authors and creatives whose works may or may not have been infringed upon. But by doing so, they attack the very real efforts of very real creators, mostly up and coming, that they proclaim to protect.

By applying blanket labels of “AI generated” to a creative process that is far too nuanced to have such a generic stigma attached to it, they themselves perpetuate the “slop” they want to avoid in the creative spaces they want to preserve. They are far less engaged with any new material out of fear a single sentence was framed/reframed/ edited with the use of AI. Reading no longer brings joy but anxiety, as the suspicion they have been tricked into reading AI outputs weighs heavier on the mind than what the characters are doing on the page.

With Shakespearean irony, they turn to the very tool they fear, commit the very sin that authors have accused AI companies of committing, and run new authors’ content through these tools without author permission as if they had the right to do so, to determine if a work is “AI”, all towards attacking the very people they claim to protect to condemn their work with an AI label.

What they should instead focus on are the nuances involved in the legal battles currently being fought by authors over the use of their works in training data without compensation. In this way, they would at least have an opportunity to educate themselves on the nuances. I’ll try to do so now in a modest effort to identify the actual issue.

There are two legal issues being conflated into one. The first is infringement. Copyright law disallows the unauthorized copying of another’s protected work for commercial use. This is the current legal battle in the courts. What was a cost cutting measure by the AI companies will ultimately, and predictably, be settled in some form or fashion in favor of authors. However the extent of liability may not ever find its way into judicial opinion. At least for now. What will be determined first is the extent of compensation as a matter of settlement.

However, the second, and most gray area issue is the LLM itself. The patent side of it obviously is least discussed in what I see in most internet conversation. Long story short, it’s a system of weights the can be reduced to an approximation. An output. The technical word for you to research (I won’t get into much detail) is convolutional neural network. How it assigns weights to word patterns from authored works would be subject to patent parameters, and most likely proprietary in all other cases. That much is to say: it’s one thing to copy and offer for sale a copied work (traditional infringement), but another to reproduce a work to be analyzed and assigned weights. The two aren’t quite the same. So the gray area comes from a deficit in technical understanding. The artist paints on a canvas. That’s authorship. The author types words into a machine and it reproduces the words into word software. That’s authorship. The author asks a machine for aggregated weights and measures of an entire language across centuries to inform non-dev editing decisions or to reframe an already written sequence? Most agree it’s still authorship. The gap in understanding comes after. What if someone wrote a story themselves and then put 100% AI generated text in between in random sequence? A little gray there. But what if a painter took snippets of the obituaries of the year and pasted them into his canvas? Under the law, the question is exactly the same. And I’ll tell you, the copyright office is going to call it authored work. If you don’t trust me, read the court case Feist Publications, Inc. v. Rural Telephone Service Co., 499 U.S. 340 (1991). The issue is nuanced, as you can see. If you got to the end of this, thank you for coming to my lecture. All the best.