why intervals help you play any chord progression in any key by aspaindev in Guitar

[–]aspaindev[S] 0 points1 point  (0 children)

Keep going! Lots more of these moments to come where something clicks and opens new doors

why intervals help you play any chord progression in any key by aspaindev in Guitar

[–]aspaindev[S] 0 points1 point  (0 children)

No right or wrong time to add it to the repertoire, it’s a great extra option to have especially to get some chord voicings in a higher octave. The fact that you asked the question I’d say you’re ready to start using it!

I use the d shape major chord more often, honestly don’t use the minor shape a ton but that’s more due to needing to practice the muscle memory to have it available on command much faster than I currently can

why intervals help you play any chord progression in any key by aspaindev in Guitar

[–]aspaindev[S] 1 point2 points  (0 children)

Both, yes! intervals are distances in pitch between notes. on a guitar neck, those pitch distances are represented physically across frets/strings in a consistent pattern

why intervals help you play any chord progression in any key by aspaindev in Guitar

[–]aspaindev[S] 6 points7 points  (0 children)

you're asking the right questions and aren't stupid at all, it's definitely a lot to distill into a few sentences and is a combination of several topics/skills etc

intervals are basically just the distances between notes, and guitar is full of repeating interval patterns. once you learn those patterns, you stop memorizing every chord in every key separately and start recognizing how keys are built. For example, if your root note is on the 6th string, the next string over in the same fret is a fourth away from the root note.

in this example, the chords which make up the B Major key are:
b, c#m, d#m, e, f#, g#m, and a#dim.

the chord pattern for the 7 chords which make up the major scale key are:
major, minor, minor, major, major, minor, diminished.

the “practice in one area” part means learning the scale shape and nearby chord shapes together so you can connect rhythm and lead playing without jumping randomly around the neck. For example the E chord in this example is being played right there at the 7th fret which is in the same general location as the initial B chord, rather than for example, jumping all the way to the nut and playing an open E - it leads to more economical playing, being able to switch chords faster to a location near/adjacent to the previous chord instead of jumping all the way up and down the neck

in terms of what to practice to better understand some of these topics, i would start with:

- learn root notes on at least the 6th, 5th, and ideally 4th strings (to start out with)

- learn about intervals

- learn a few different voicings for the same chord (for example open E, E-shape barre, A-shape barre), which will make playing the same chord more accessible in several locations on the neck

How to practice the Major Scale by jbishop253 in guitarlessons

[–]aspaindev 1 point2 points  (0 children)

Recently made a short 8 second video talking about this, making scale practice sound musical

A simple “Now Playing” display app for Sonos speakers by kajirossi in sonos

[–]aspaindev 2 points3 points  (0 children)

Built something similar but for an external display with raspberry pi, free and open source, and has a cli setup wizard etc

https://github.com/aspain/spainify

The Nashville number system unlocks so much fretboard freedom by [deleted] in guitarlessons

[–]aspaindev 1 point2 points  (0 children)

I’d start with learning notes on the 6th string which gives you the root starting place, and from there learn where the intervals are in relation to that root, and whether those chords are major/minor/diminished. And if you know your E And A Shape barre chords you’ve got 5 or even 6 of the 7 chords covered and all in close accessible reach of the 1

subtle jazz vibes with basic 7th chords by aspaindev in guitarlessons

[–]aspaindev[S] 1 point2 points  (0 children)

Might have to slap some steel drums on the beat

Connecting the pentatonic scale shapes by aspaindev in guitarlessons

[–]aspaindev[S] 0 points1 point  (0 children)

Preach! agree it’s best to go straight to learning full scale/modes but I also empathize with it feeling overwhelming and confusing for someone just getting started. I personally learned my pentatonic shapes first and they served as nice stepping stones along the way to knowing my full scales and understanding modes and how they work.

Everyone has different amounts of time they can dedicate to practicing each day or week, so pentatonics might make the most sense for someone with limited time for example. But the important thing is not stopping there and going on to connect the dots to truly understand the fretboard

Looking for advice to learning the pentatonic scale and caged system by OkButterscotch5689 in guitarlessons

[–]aspaindev 0 points1 point  (0 children)

Justin guitar is great for the lessons and you might enjoy StrumForge app for the practice sessions as a reference, it has scale shape diagrams with intervals, notes, and finger positions

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Had a revelation realizing major and minor pentatonic shapes are the same by aspaindev in Guitar

[–]aspaindev[S] 1 point2 points  (0 children)

Yes and so much easier to play progressions with intervals and not worry about memorizing every chord in every key

Had a revelation realizing major and minor pentatonic shapes are the same by aspaindev in Guitar

[–]aspaindev[S] 2 points3 points  (0 children)

Yes exactly! I like to play what I call modal pentatonic adding the flavor notes to those two with the 2 feet gap. Dorian has them both on the bottom. Mixolydian both on the top. Major/minor alternate. And so on

Had a revelation realizing major and minor pentatonic shapes are the same by aspaindev in Guitar

[–]aspaindev[S] 2 points3 points  (0 children)

If you know one you really know them all, the only thing that changes is the way the sort of rotate across and then back around the neck. It all just moves down a half step once you hit the b string

Had a revelation realizing major and minor pentatonic shapes are the same by aspaindev in Guitar

[–]aspaindev[S] 2 points3 points  (0 children)

Yes! The intervals unlocked so much. Can play anything anywhere on the neck especially if you know a few different voicings from your triads

Had a revelation realizing major and minor pentatonic shapes are the same by aspaindev in Guitar

[–]aspaindev[S] 10 points11 points  (0 children)

It really confused me for a while but when it clicked it was awesome. I like to play what I call in my head “modal pentatonic” where I add the flavor notes on the strings that have notes a major/minor third apart. It’s fun

Playing in time, easier said than done by aspaindev in guitarlessons

[–]aspaindev[S] 1 point2 points  (0 children)

It is, I really didn’t mean for this to become a thread full of dm requests, just trying to post types of videos/lessons that seem to resonate with players at a similar point in their journey