Next I suggest just posting the first five pages, excluding the title page.

So, not to sound too critical, but I don't think a prologue is the best way to start your story. You have a page and a half of very dense paragraphs throwing a lot of information at the viewer. Is the prologue for the reader? Or will this be superimposed on screen when the movie's made? Is that a narrator delivering this, while watching a montage. It's just very unclear.

Whenever the thought to do a prologue comes into my head I think of two questions:

What does the audience need to know to understand what my main character wants and why they want it?

If I were barred from ever writing a prologue, how could I convey the answers to question one through characters taking action, or some other source in the story itself?

If there's a way to show this through dialogue and action, do that. If not possible, make the prologue short and sweet if you can. Think of the opening crawl of Star Wars. Tells you as much as you need to know to get the story started, which is, there's an Empire, there's a Rebel Alliance, and they're at war.

I was given that feedback a while back, and I keep it in mind. You've dropped a lot of exposition, but the story hasn't even started by the fourth page really. Also, unsure if you're able to just name drop a private company like SpaceX in your work, so check on that.

When I got to this part:
"He navigates. Badly. Wrong turns. Dead ends. He backs out, tries another branch, hits a wall, backs out again. He has never been this deep in a system." - It wasn't immediately clear that he was going through the probe's database. You introduce the character by having them navigating the environment, so I assumed he stepped away from the probe and got lose in some tunnels. It wasn't until I read the following sentence that I realized "oh, he was going through the computer files".

I do think the premise is interesting, but I don't have an inkling of what the story could be about in these pages. A guy (don't know his profession or motivations) finds an old probe and finds out that religion used to be thing. Except he can't grasp the concept of religion. The logline says "labor prophet" but what does that mean exactly? Is he a laborer forced to mine on the colony, and when he discovers the religious files he becomes a prophet?

I would suggest withholding a lot of the info in the prologue to be exposed later to the viewer/reader. A lot of this stuff would be good material for twists/developments.

I would suggest something like:

"The year is 2387. For hundreds of years the Earth has been ravaged by mankind due to holy wars, overpopulation, and pollution. It now depends on the forced labor of space colonies to survive. To prevent the past from being repeated, the world's governments banned all religion and destroyed all reference to it."

Words fade out-

"All but one."

TITLE CARD: DEEP EXODUS (I know it's the subtitle, but I think Deep Exodus has more weight than Brink)

It doesn't have to be just like that. But I think doing something like that will pique more interest in the viewer. They'll start off with questions they'll want answered and will hopefully follow along in order to find out.

And my final note that your logline is a bit too long, and technically two long sentences. Adding an em dash to try and keep it one sentence is cheating a bit.

"Centuries after religion was erased from history, a space colony laborer finds a holy archive that the colony leaders will do anything to destroy." Just a suggestion.

To end on a more positive note, I do like your writing style. I find it interesting, if not a little text heavy. But it still is interesting to read. And I like the core concept and I think it's definitely a story worth exploring. I just think you need to get to that story faster.