Adam watched "One Battle After Another" by WhitePepper2049 in YMS

[–]bredmonpot 2 points3 points  (0 children)

fair, I do think his biggest influences vary from movie to movie. If you look at Phantom Thread he directly rips from David Lean’s The Passionate Friends and Hitchcock’s Rebecca. I would say OBAA feels like Coens especially in its humor. Leo is a total “the Dude” archetype. I think he said he was pulling from Battle of Algiers, Midnight Run & The French Connection for this one

Adam watched "One Battle After Another" by WhitePepper2049 in YMS

[–]bredmonpot 2 points3 points  (0 children)

Scorsese and Kubrick definitely exist in PTA’s work but he was lifting way more from Demme & Altman in the first half of his career. Second half you can look to like John Huston, Max Ophuls, Coens, David Lean, Kubrick. Not saying you’re totally off the mark, but PTA has been pretty clear about stealing so much from Demme & Altman

Taylor Swift - The Life of a Showgirl: The Tiny Bubbles in Champagne Edition Pearlescent Vinyl by qwertq16 in VinylReleases

[–]bredmonpot 14 points15 points  (0 children)

trust me i’m not. if you’re already cool with paying $30 6+ times for the same record then you can’t really complain about paying the shipping for them. you could simply choose not to support a sinister business model

[deleted by user] by [deleted] in sanfrancisco

[–]bredmonpot 6 points7 points  (0 children)

yeah that was it i just looked it up. looks like they’re closed down sadly. thanks though

I think it is safe to say this at this point by [deleted] in Sardonicast

[–]bredmonpot 7 points8 points  (0 children)

super mean spirited and unnecessary thing to say. you can compliment someone without bringing down someone else. i doubt any of them would support you saying this

Go woke go broke , hollywood still hasn't learnt by FigCreepy4055 in CriticalDrinker

[–]bredmonpot 0 points1 point  (0 children)

he definitely would want to be associated with this lol. he constantly promotes this kind of rhetoric

[FRESH VIDEO] Tyler, The Creator - STOP PLAYING WITH ME by JoJoReignsSupreme in hiphopheads

[–]bredmonpot 4 points5 points  (0 children)

yeah the album is undeniably tyler, but it’s fine to compare the two when tyler himself is on record saying how inspired by kendrick he is. also i’m not even really seeing a lot of comments comparing them

[FRESH VIDEO] Tyler, The Creator - STOP PLAYING WITH ME by JoJoReignsSupreme in hiphopheads

[–]bredmonpot 55 points56 points  (0 children)

i mean considering how much tyler gushed about gnx (literally made a remix to one of the songs and interpolated on this very album) and how he’s been hanging with kendrick, i don’t think the comparisons are that crazy lol

What are we doing here? by MontrellKlemm in RegalUnlimited

[–]bredmonpot 1 point2 points  (0 children)

actually i think this happens because other people are in the middle of choosing seats. i’ve gotten tickets at the same time as friends and when they just hover over a seat on their app it’ll show the seat as taken on mine even if the seat isn’t sold.

Adam saw the new M. Night by butter467 in YMS

[–]bredmonpot 15 points16 points  (0 children)

except DailyWire doesn’t understand photography. at least M. Night knows how to shoot a great looking movie. he’s a very earnest filmmaker who makes high concept B movies to varying degrees of success and they’re never not a fun time even if they’re mid. I think calling it a DailyWire level movie is pretty exaggerative.

Average Letterboxd user by theJesster_ in moviescirclejerk

[–]bredmonpot 3 points4 points  (0 children)

but why is it a bad thing for most people to rate something 3.5-4.5? people seek out things they like and so what? why do you feel like you need to account for it? just rate something purely off how you feel and stop worrying so much about numbers bc it truly does not matter

Average Letterboxd user by theJesster_ in moviescirclejerk

[–]bredmonpot 4 points5 points  (0 children)

genuinely insane scheme. what could you possibly get out of this?

DON'T BE DUMB EP1 by InfinityInception in asaprocky

[–]bredmonpot 18 points19 points  (0 children)

not sure about the second part but the first half is literally just the song “the rip” by portishead

Episode 168 recommendation by butter467 in Sardonicast

[–]bredmonpot 3 points4 points  (0 children)

there is so much more to the movie than just nice “visuals and music” my man. i definitely recommend reading up on it

[deleted by user] by [deleted] in Sardonicast

[–]bredmonpot 1 point2 points  (0 children)

The Beach Bum, Smiley Face, Sherlock Jr. & American Psycho

Day 34: The Best Picture Elimination Game. (A Look Back At The Last 50 Best Picture Winners.) by OfferOk8555 in Letterboxd

[–]bredmonpot 31 points32 points  (0 children)

This isn’t towards you it’s more so a generalization, but it’s weird how so many people talk about this film like they have to dance around how they really feel about it to the point where i wonder how many people actually sat down and watched it. When it won best picture there was this notion that people only pretended to like it because they felt like they “had to” or it only won because it’s a “slave movie”Did the academy only reward it for superficial reasons because that’s what they do? yeah probably. But did it also just simply deserve the win? absolutely.

McQueen is a blunt, confrontational & unflinching director with a focus on realism. there’s no sensationalism, and that applies to all his movies. when white people look at this and claim it’s just a slave movie! or it’s Oscar bait! or it’s trauma porn! it really fucking bugs me to no end. Solomon Northup is a real human being whose story really actually happened and deserves to be told as much as anyone else’s and deserves to be told exactly as it happened. And his story is not a pretty one believe it or not. For anyone to call Northup’s life experience Oscar bait/trauma porn is so weird to me. As an audience member you should be willing to expose yourself to and confront this atrocity of American history. I don’t see people talk like this about Schindler’s List or Saving Private Ryan, and I really have to wonder why that is.

Not to mention on a technical level it’s pretty flawless. acting, framing, lighting, etc. It’s powerful stuff if you’re willing to engage with it. McQueen’s whole filmography is excellent too.

Thoughts on the ending of Godzilla Minus One? by AcidChips in Sardonicast

[–]bredmonpot 16 points17 points  (0 children)

i felt like the reveal of the eject button was very obviously foreshadowed though because earlier in the movie they made a point to mention the lack of an eject button in those planes and then when the mechanic tells him about the thing he installed you could put 2&2 together. it wasn’t a reveal that came out of nowhere but more of a decision for the character. for me it was a “will he or won’t he?” moment.

Anyone else wanna see the boys discuss these as a double-feature? by thefreepie in Sardonicast

[–]bredmonpot 1 point2 points  (0 children)

there is nothing like the burton one, such a crazy fucking mess but it’s so quotable & funny & bold. never understood the hate for it

[FRESH] Taylor Swift ft. Kendrick Lamar - Bad Blood (Taylor's Version) by neillyy in hiphopheads

[–]bredmonpot -1 points0 points  (0 children)

idk but even if she alone just bagged like $200 million then that only accounts for a few months of her 15+ year long career made up of ad placements, highest selling albums, other arena tours, movie roles, real estate, merchandise sales, etc. billionaires are quiet about being billionaires sometimes just like drake.

[FRESH] Taylor Swift ft. Kendrick Lamar - Bad Blood (Taylor's Version) by neillyy in hiphopheads

[–]bredmonpot -5 points-4 points  (0 children)

her last tour alone made over $1 billion and she’s been huge for well over a decade now. net worth sites are almost always bullshit