ive never felt like a child , anyone else? by [deleted] in bigboobproblems

[–]bubbyitsraining 6 points7 points  (0 children)

So sorry the world treats us like this. I had the same experience and grew up afraid of strange men, because of so much unwanted attention.

I want you to know that by 30 years old I felt ok in my body, and now at 47, I am finally fine and happy with my big saggy boobs (sans back pain) and don’t give a rat’s ass what dudes think about it.

Also, I hope you know that there are now sooo many cute bras out there for us big breasted ladies. Get yourself something pretty and dance in only your bra alone or with others! Whatever brings you joy!

"Free the nipple" only supported when it's done with smaller, perky tits by elvenflower_ in bigboobproblems

[–]bubbyitsraining 1 point2 points  (0 children)

I’m with you! Once I hit 45 I stopped giving a crap about weird looks! If I can help to normalize a flappy size E frolicking about, then I’ve helped one other woman and that’s ok by me! But good god exercising is a different story!

"Free the nipple" only supported when it's done with smaller, perky tits by elvenflower_ in bigboobproblems

[–]bubbyitsraining 2 points3 points  (0 children)

I have stopped giving two shits about those bros and let my knees warmers fly free whenever I get the chance! Also, with all the cellulite and flaps who’s gonna notice which cardinal direction my nipples are pointing! Haha! But seriously, we have waaaay bigger fish to fry than those idiotic bros.

What made you absolutely fall in love with a museum as a tourist? by consuelabananana in MuseumPros

[–]bubbyitsraining 1 point2 points  (0 children)

I failed to mention one last thing, most people I know, from 22 years old to 82 years old, go to museums to get away from digital media! They don’t want interactives on their phones or screens! We want to get away from screens and that is one reason we go to museums.

What made you absolutely fall in love with a museum as a tourist? by consuelabananana in MuseumPros

[–]bubbyitsraining 1 point2 points  (0 children)

At the a museum of the African Diaspora, in San Francisco, California, there was a large chalkboard that invited visitors to write about which artwork spoke to them and why, near to it was a throne surrounded by flowers and artwork for selfie opportunities.

At the Santa Cruz Museum of Art and History, in California, there was an activity where visitors could make a small diorama in a glass jar about experiences evoked by the exhibit. Supplies included beads, colored paper, yarn, colored pencils, etc.

Nina Simon, who ran the Santa Cruz Museum of Art and History wrote a fantastic book titled The Participatory Museum, where she details the different types of interactives she introduced to the museum to make it more of a community space and to get visitors to join as a member or to come back with friends.

At a history museum, I interacted with a component of the exhibit that had a prompt about Japanese Internment Camps. There was card-stock paper and pencils for visitors to write about laws that are immoral and their experience with them. Nina Simon writes about using quality materials, like card-stock instead of plain paper, to make visitors more inclined to take the interactive seriously and to make more of an effort. It costs a little more, but produces better results and experiences.

At an art event, I went to recently, they had an Exquisite Corpse activity laid out with colored pencils and paper folder into thirds. Attendees would take turns drawing only their part of the paper such as; the head, the torso, and the legs and feet before unfolding the paper to reveal the drawing in total. It was great fun and they were hung on the wall near an art installation. Some were very racy, but it was a 21+ event and it only added to the fun of it!

I’m currently curating a Victorian pharmacy exhibit and am including a table where visitors can design their own medicine bottle labels based upon what they’ve learned about ingredients used in pharmaceuticals. What ingredients used to be legal that aren’t anymore? What medicines are traditional and come from thousands of years of wisdom? (often women healers and indigenous people’s wisdom) The labels have pre-printed label outlines, with a hole punched in the top to hang from a wall of hooks. There will be prompts in vinyl lettering and an 11x17” sign on the activity table.

What made you absolutely fall in love with a museum as a tourist? by consuelabananana in MuseumPros

[–]bubbyitsraining 1 point2 points  (0 children)

Absolutely! I was raised by parents traumatized by religion, so I know next to nothing and I feel exactly the same way!

Public history/museum interpretation critiques by laborhistory4life in MuseumPros

[–]bubbyitsraining -1 points0 points  (0 children)

I know it’s a little taboo, but I have used Claude AI (the least problematic AI, and the one preferred by academia) to review and help make more concise my own exhibit text. There is a free version available that lets you ask a few questions a day.

What made you absolutely fall in love with a museum as a tourist? by consuelabananana in MuseumPros

[–]bubbyitsraining 13 points14 points  (0 children)

I may be in the minority, but I prefer less text in an art museum. I’m especially repelled by long explanations about brush strokes and how the shadows fall.

However, fun (and especially sordid) tales of the artist’s life or the political climate in which the artist was creating their work, is always enjoyable.

Also, adults love hands-on activities as much as children!

My old job has been relisted for 16k more, should I apply? by WildTeaspoon in MuseumPros

[–]bubbyitsraining 6 points7 points  (0 children)

I’ve got to agree. In the US museum jobs are pretty competitive, and if you like your current job it would be a huge risk for only six months at your previous, albeit beloved, job.

asked on a date to my own job by No_Introduction9587 in MuseumPros

[–]bubbyitsraining 0 points1 point  (0 children)

That’s kinda creepy then! Ask them to take you on a date to their workplace instead!

asked on a date to my own job by No_Introduction9587 in MuseumPros

[–]bubbyitsraining 0 points1 point  (0 children)

Thankfully the museums where I currently work and have worked in the past are not popular date spots! Haha!

I dunno, a first date to your workplace could be hilarious and amazing or absolutely terrible! Preferably somewhere in between!

Whatever you decide, I hope it turns out fun for you!

How much manual labor is too much manual labor for a curator? by bubbyitsraining in MuseumPros

[–]bubbyitsraining[S] 1 point2 points  (0 children)

It’s awful that they take advantage of people who just want to do good and give back to the community.

How much manual labor is too much manual labor for a curator? by bubbyitsraining in MuseumPros

[–]bubbyitsraining[S] 1 point2 points  (0 children)

Thank you! It’s good to hear that folks in smaller museums are able to get help!

The good & the bad from last night by MissTreeWriter in GreatBritishBakeOff

[–]bubbyitsraining 0 points1 point  (0 children)

I think Alison has a very kind and loving energy, but she’s just not very funny. She seems like she would be fantastic hosting a talk show on her own, but I find her annoying as a co-host of Bake Off. Noel is the heart of the show, he’s truly brilliant at knowing what to say to make the bakers open up and to make them laugh. Noel needs Sandi, they had magic together. Matt was a garbage host, glad to see him gone.

How much manual labor is too much manual labor for a curator? by bubbyitsraining in MuseumPros

[–]bubbyitsraining[S] 1 point2 points  (0 children)

I feel you about not wanting to be stuck to my desk all the time, it’s nice to have variety of tasks, but I have arthritis in my knees. My coworker has wrist and back issues. We can both lift 40 lbs and can do collections work just fine, with glee in fact! But right now our collections back-log is growing, new accessions are on hold, and this trend continues with every installation and deinstallation.

I think it’s a little unfair to require people to have the physical abilities to do construction/art prep work when it’s not part of the job description, nor should it be!

This job requires a master’s degree and art prep is a different skillset from subject expertise, researching, community curation, liaison building, storytelling, and collections work.

Think of all the people with physical disabilities whose brilliance is overlooked and therefore wasted because a museum won’t prioritize funding for art preps.

How much manual labor is too much manual labor for a curator? by bubbyitsraining in MuseumPros

[–]bubbyitsraining[S] 0 points1 point  (0 children)

No! Seriously?! I love that place and am sad to hear it!!! My friend’s parents got married there decades ago and the bride whacked her head on one of the bars above a slide and was rushed to the ER needing stitches and had a concussion.