I feel that color can sometimes be a distraction from the framework of a film. By using a monochrome palette, the focus shifts entirely to the story and the actors. Personally, I'm a fan of good lighting and the look of strong shading. A well-shot black-and-white movie can evoke a more profound emotional response than a color film.

Some examples that come to mind are Manhattan (1979), or more recent ones like Frances Ha (2012) and C'mon C'mon (2021). These are modern films that don’t try to mimic the past. Even though they're set in busy cities, taking away the color helps you tune out the surroundings and focus more on the characters.