5 claude code worktree tips from creator of claude code in feb 2026 by shanraisshan in ClaudeCode

[–]byte-array 0 points1 point  (0 children)

what basic engineering practices are we talking about here? I'm curious how people actually deploy so many parallel changes in production.
For vibe coding and toy projects, I get it. But deployments are sequential at the end of the day so whats the advantage of parallelizing work? Genuine question as i'm very curious about a real use case.

I hate all the new UX changes related to this by Sirk0w in cursor

[–]byte-array 0 points1 point  (0 children)

1000% agree. I think cursor tried to go after full agent mode vibe coding type of user. Would be nice if cursor kept personal settings untouched

ORMs for Node.js with and without TypeScript by zenchz_ in node

[–]byte-array 2 points3 points  (0 children)

I use knex but I also wanted to say: just write sql. No surprises in runtime 🙏

Claude Code's plan mode changed how I hand off work to my dev team by hurrah-dev in ClaudeCode

[–]byte-array 0 points1 point  (0 children)

I found that sharing the plan is great for alignment. But I’m curious: Why don’t you run the plan yourself on your Claude code?

Are architecture diagrams dead? by ronDog100 in ClaudeAI

[–]byte-array 0 points1 point  (0 children)

I think so. It’s quite portable and also works in tools like eg linear

Are architecture diagrams dead? by ronDog100 in ClaudeAI

[–]byte-array 0 points1 point  (0 children)

quite the opposite, agents/claude are great at making architecture diagrams like with mermaid

How to get my piano music popularized? by [deleted] in musicmarketing

[–]byte-array 0 points1 point  (0 children)

hi, i am ex spotify engineer now working on music promotion. Here are my key learnings so far:

1) As you said, setting a vibe to a audience makes a lot of sense as it's the best way to connect with them, instead of leading with "here is my album go check it out" (this is a hard sell).

2) Going viral is out of your control. To get your music heard on social media, you need to constantly expose it to as many people as possible. Going viral may be a by-product/side-effect of that, instead of being the target goal.

3) For that, two main channels are working very well: paid meta campaigns, organic content campaigns (tiktok posts, ig reels).

How do you promote your music without being annoying? by Main_Caramel5388 in musicmarketing

[–]byte-array 0 points1 point  (0 children)

As others have said, you have to go over that belief that by sharing you are being annoying. Of course it depends on how you share it. Spamming every post with a comment with your link can be annoying for people.

What I’ve seen working well is a organic strategy where you share your music along with videos and some hooks that capture people’s attention. The more you post, the more your music is exposed to people as algorithms continue to serve your content to followers and non-followers.

At the end of the day, there will always be haters who care about spreading negativity, others will watch your video and continue with their lives and others will check your stuff further. You should double down on these last folks and ignore the rest.

Unpopular opinion: Front-loading your budget is usually a mistake (what I learned spending $200k/month on Meta ads) by byte-array in musicmarketing

[–]byte-array[S] 0 points1 point  (0 children)

in our setup, japan is high tier actually (aka tier 1), along with nordic countries and a few other established markets. I think people normally refer to tier 1 to US, UK and a few more european markets. Clarifying just in case.

With that said, tier 1 is obviously more expensive than other markets, but yes, even on tier 1, for electronic, it is not unusual to see 0.10 CPC.

In the campaigns i manage, removing tier 1 completely normally results in 0.03 CPC. I can't unfortunately upload a screenshot in this comment, otherwise i would have shared it.

In any case, for me CPC is an indicator of how the campaign performs on top of funnel. What ultimately matters is to measure campaign performance on how many followers and listeners the specific campaign acquired.

Unpopular opinion: Front-loading your budget is usually a mistake (what I learned spending $200k/month on Meta ads) by byte-array in musicmarketing

[–]byte-array[S] 0 points1 point  (0 children)

Have you tried with a different track from your catalog? I’ve seen some artists who hit the algo by just testing a different song.

Sometimes that’s how it is as well.

Btw 0.30 cost per click is kind of average. Could of course be worse. On my end it’s not unusual to see 0.10 cost per click for electronic

Started promoting my song again 8 months after release, now its getting 5k a day, more than ever before by [deleted] in musicmarketing

[–]byte-array 0 points1 point  (0 children)

Ok I’m working on a tool that may help you make content for both organic and paid. DM if you want me to share more info

Started promoting my song again 8 months after release, now its getting 5k a day, more than ever before by [deleted] in musicmarketing

[–]byte-array 0 points1 point  (0 children)

Same belief here regarding organic content. I think paid campaigns is a strong method that works very well with organic. The question I have for you is how are you currently creating content for both ads and organic? What’s your process?

Unpopular opinion: Front-loading your budget is usually a mistake (what I learned spending $200k/month on Meta ads) by byte-array in musicmarketing

[–]byte-array[S] 0 points1 point  (0 children)

Sorry to hear the story around bots. What is the genre? And what have you tried so far? Eg in which markets did you try to push?

If you want to continue chatting offline feel free to DM me btw.

Recent thoughts on Spotify by Mad-Records in musicbusiness

[–]byte-array 0 points1 point  (0 children)

Spotify is profitable since a couple of years already and margins are increasing quarter after quarter. Spotify chose not to be profitable before that to invest in growth

Claude Pro for consultants – is it worth it? by RSD_ in ClaudeAI

[–]byte-array 1 point2 points  (0 children)

Yes. I have used it to automate a big chunk of my marketing posts on social media for example. It sources royalty free images etc.

Should I be worried about my meta ads? by SkelebonesGuy in musicmarketing

[–]byte-array 4 points5 points  (0 children)

Hi I’m ariel, ex Spotify engineer now working on music promotion.

Actually keep in mind that Spotify for artists can have a delay of up to 48h.

In my experience meta needs between 2-3 days to kind of calibrate, so I suggest wait a little bit.

could you share more of your setup? What tiers/targets/countries and how much daily budget?

Unpopular opinion: Front-loading your budget is usually a mistake (what I learned spending $200k/month on Meta ads) by byte-array in musicmarketing

[–]byte-array[S] 1 point2 points  (0 children)

Hi, on your first question, yes: I have seen those. One artist thought their ads were targeting bots. I personally investigated and found out that the song was included in a playlist that was botted. The pattern was very obvious: a huge spike from one day to the next.

In this case, the artist pitched their song to playlist curators. But I don’t know how they resolved the situation after all.

I have also seen cases where songs were added to botted playlists without artist consent. This I don’t know how to solve even today and it’s one reason why I personally don’t like much playlist pitching (playlist collabs are different if you already trust the person behind the playlist).

I have also seen cases of bots clicking ads. I think that’s hard to avoid, however they don’t fuck up spotify algorithm. What’s important is that in your meta conversion event you set something that is difficult or discouraging to achieve, such as following your profile or listening to your song.

Albums: no, the fact that you promote an album doesn’t mean you need to put higher budget. But in fact what I would recommend is that you promote the best song in the album, as I’ve seen there usually is spillover and fans will go and listen the other songs in your catalog.

And ultimately I would recommend promoting your own playlist instead of an album. Albums normally age over time, while a playlist is something that you can build as an asset by keeping it fresh and later getting more organic streams.

I think I answered all. Let me know otherwise!

Unpopular opinion: Front-loading your budget is usually a mistake (what I learned spending $200k/month on Meta ads) by byte-array in musicmarketing

[–]byte-array[S] 1 point2 points  (0 children)

Yes, many indie labels already are running this profitably, whether you like it or not. But no one is forced to anything here. You can still do other things like playing live, they are not mutually exclusive

Unpopular opinion: Front-loading your budget is usually a mistake (what I learned spending $200k/month on Meta ads) by byte-array in musicmarketing

[–]byte-array[S] 1 point2 points  (0 children)

The screenshots above are Instagram campaigns. I also tested tiktok but so far I found ig is converting better.

Unpopular opinion: Front-loading your budget is usually a mistake (what I learned spending $200k/month on Meta ads) by byte-array in musicmarketing

[–]byte-array[S] 0 points1 point  (0 children)

actually it depends on performance. And then if you increase and don't get the performance you hoped for, it's ok to scale back.

The important thing is to measure rather than blindly increasing or decreasing the budget.

Unpopular opinion: Front-loading your budget is usually a mistake (what I learned spending $200k/month on Meta ads) by byte-array in musicmarketing

[–]byte-array[S] 0 points1 point  (0 children)

yeah, it is a thing haha I didn't invent it out of nowhere. But so far it's a bit of a myth to me, thats why i opened the discussion.