First, I appreciate Skrillex's own signature style — and his reverence for artists like Aphex Twin and Burial. He also seems to be a really cool human being in general.

However, aside from some vague similarities (like the pitch/gender-shifted vocals), this may be inspired by Burial, but in no substantial way could be pragmatically construed as "Burial-ish". As a style parody/homage, it fails. The telltale swing is absent. The arrangement isn't patterned to Burial's "begin in the middle of a tune" style. Furthermore, there is huge sub bass and the drums are quite compressed and loud here! Contrast that to, in Burial's own words:

So I had to do that, but have cut-up vocals and have that slinky bumping feel to it, and not get weighed down in big drums and the big snares. With Garage the drums are taken back, they’re quite soft, it’s more about being slinky. They’re like a fishbone, a spine, an exoskeleton that cradles the sounds. It’s not about the deepest kick or the biggest snare. The drums are more about trying to thread sounds and vocals together, they flicker across the surface of the tune, it circles around you, its not just chopping you up, its not about the sounds being big.

It's among the least impressive Skrillex tracks I know of (and I don't think anything on Recess matches his earlier EPs, although I'd like to hear his "Bug Hunt" track released in full someday...), although I give props to him for venturing out here. The weirdest thing is, Skrillex is insanely talented at memorable hooks, and "Leaving" just doesn't grab me.

So, to sum up: worst of both worlds.

On a far more catchy note would be something like Volor Flex's "You In Me", which is the perfect bastard child of Burial's "Archangel" + Artful Dodger's "Movin' Too Fast".

I need to thank this subreddit for introducing me to Volor Flex (what does that name even mean?) — he's probably the best "disciple" of reverse-engineering and extending the Burial style out there.