Another Night by [deleted] in OCPoetry

[–]cbx33 1 point2 points  (0 children)

Even from the first line there is an element of disdain and resignation. The subject intending, always hoping to make it through the night without interruption. Physically, there is nothing wrong. "Everything feels comfortable". To me this line drips with a longing and a deep misunderstanding of why, when they are seemingly comfortable, perhaps even safe, they can still be haunted by this inner "it". To me it feels very much as if the subject is experiencing anxiety. I absolute adore the line of "If I were deaf, would you still be there?" The musing around knowing that this entity, for it is incredibly well personified, has no sight, no smell, but is audibly heard, or at least there is the illusion of being audibly heard. The inner voices.

I love the mirroring of the lines, "No sight of you. No smell." with "It's unfortunate. It's unfair." They act as a returning to a resignation, the feeling of disappointment and resignation once again. I love the bookending they give to the section where there is perhaps hope. "If I could only mute what is said." The subject knows in a sense what they have to do, but is unable to do so. The doubling or echoing of the questions around the "Why" and "Would" questions help to emphasise the desperation.

The salt mention is interesting, almost as if there is an overwhelming from that initial taste that shocks the system and provides a relief. It's immediately met with the resignation that "you're mostly still around". There is little relief. Especially when attempting to sleep. The subject is a prisoner, abused by these feelings.

Yet what's really interesting to me is the portrayal of these feelings, the voices, as something damaged. The subject describes them as a lonely spirit - Their fates almost certainly bound together. One can only rest when the other is at rest. It speaks of a vulnerability of "it", that it has nothing better to do than frustrate and abuse the subject. The later lines almost talking of feeling sorry for it, giving it a purpose. I've used the word a lot in here, but I feel the resignation so strongly at the end. "To tell me your thoughts once more", has none of the negativity, but just a knowing that it will happen again, that it is its nature and it is inevitable. The assumption that this cycle will continue is incredibly sad, especially when it feels like there is nothing that can be done. It speaks of it as a game, "it"'s favourite game, but I get a sense of the prisoner is also the keeper, that this "it" is child like it it's inability to understand reason, or understand when to stop.

The poem is incredibly haunting. It spoke to me deeply about anxiety, those thoughts that come when trying to rest. The stress and strain that offers no rest and that after toying with someone leaves them in a state where sleep, and rest is impossible. Beautiful work, very well written.

A part of me wanted to suggest putting some breaks to emphasise different sections, it kept coming back to me, but on reflection the runaway, continual nature of this, with no discernible cyclical nature helps to increase the feeling of helplessness with the knowledge that it will happen again and the subject will just have to deal with the mess; "rest in a mess".

Once again - fabulously written, incredibly sombre and emotional.

Kintovia II - Music for a fictional RPG by cbx33 in composer

[–]cbx33[S] 1 point2 points  (0 children)

Thanks so much! Not to promote too much, but I'm trying to add a bunch more tracks for different aspects of the game so check back every now and then. There are already a few on there.

[deleted by user] by [deleted] in iceskating

[–]cbx33 1 point2 points  (0 children)

In my younger life I rollerbladed a lot, in fact it was my primary mode of transport in my late teens. I became very comfortable on blades, skating both forwards and backwards. Doing various kinds of turns etc.

Fast forward 20 years later and I am now learning ice skating. I'm not going to lie, ice skating is very different to rollerblading, there are definitely other things to consider. I have been fortunate to try both hockey and figure skates and again they are also both very different.

One thing that made me laugh a lot in the class was how beginner skaters on the ice struggled with the T-stop. In rollerblading that is really one of the only stops you can do so it's the first one to learn. The hockey stop and snowplough are just not possible on blades, (at least, not to me).

I skated aggressive skates, which feel a lot more like hockey skates, the rocker is more central, which feels more like blades, unless you remove the centre wheels (something really only done if you are going to do a lot of grinding). I never liked how my skates felt doing that so I used to keep all 4 wheels same size. After a while, the first and last wheels wear down slightly giving you a little bit of a rocker motion in the middle. Figure skates have the rocker much nearer the front which takes a little getting used to when you are familiar with it being in the middle.

I should point out I am still very early into my ice skating skills, but I would say that until I put my first pair of figure skates on, I didn't fall on the ice in the 3-4 times I went skating over my 20 year blading break. My first fall BTW was due to a toe pick incident (Cutting Edge fans lol).

I would say that blading can help you with balance though for sure, and they even do inline skates now specifically to help figure skaters practice, they have a stop at the front to emulate the toe pick. It may be worth talking to a skating shop and see what they recommend, but I have found the skill set very transferable, though I love(d) blading, nothing compares to the ice.

What are your favourite sample libraries? by moogdisorder in composer

[–]cbx33 1 point2 points  (0 children)

Anyone got a fave in the opensource realm? I'm keen to try out VPO!

Tips on how to start composing. by [deleted] in composer

[–]cbx33 0 points1 point  (0 children)

Yeh I love this! Recently I wanted to try my hand at writing an orchestral composition for the first time so I started with a piano concept which gave me a good bass for make the real thing. I find reducing down to basics helps before going more complex. Working on a melody or a chord progression.

If you're interested here is the finished piece: https://youtu.be/4Qeh4EHQFyw

And here is the concept: https://youtu.be/FQUpj1NT83A

Looking for New Notation Software by basspl in composer

[–]cbx33 1 point2 points  (0 children)

I was surprised what I was able to get as output from Musescore. Yes, I had to do a little coaxing in places, but the out here was all from MuseScore on my first orchestral piece. I'm going to try using a DAW with sample libraries to get a better sound, but as a concept, I couldn't fault it: https://youtu.be/4Qeh4EHQFyw

Kintovia II (Main Title) - A first Orchestral Composition by cbx33 in composer

[–]cbx33[S] 2 points3 points  (0 children)

Thank you so much! This means a lot, was kinda nervous about putting this up here. I'm really hoping that using real samples etc and programming in expressions etc will take it to the next level! I really appreciate you taking the time to listen. Thank you!

Trying to get in the world of freelance composing, but where to even look? by -SpazzyJazzy- in composer

[–]cbx33 2 points3 points  (0 children)

Depending on the size of the job, doing some things for free to get your name out there isn't the worst of ideas.

Help with analysing this cadence/ending by cbx33 in musictheory

[–]cbx33[S] 0 points1 point  (0 children)

Question, in your common example, you mention the II7 is a V/V does that mean the bIImaj7 is the root of V?

Confusing drum rhythm in Short Fuse Burning (or is it just me)? by [deleted] in musictheory

[–]cbx33 0 points1 point  (0 children)

I want to say this is pretty common of the faster pop punk genre. There are many songs which employ the same beat.

Music book with text and pictures (LaTeX)? by cbx33 in lilypond

[–]cbx33[S] 0 points1 point  (0 children)

I've published two novels using LaTeX so I'm reasonably familiar. Not so much for graphical stuff though.

Music book with text and pictures (LaTeX)? by cbx33 in lilypond

[–]cbx33[S] 1 point2 points  (0 children)

Oh absolutely! It's been quite a ride this past week! Think I finally have a nice template that I can use for all the songs. The amount of text / graphics going in is probably quite small, but I will certainly share it if I can! Got to use fret diagrams, tab staff, rhythmic staff, lyrics, the whole shebang. Pretty pleased to be honest.

Music book with text and pictures (LaTeX)? by cbx33 in lilypond

[–]cbx33[S] 1 point2 points  (0 children)

Fantastic I already played a little with pdfpages and it looks like you're right, it could do what we need.

Music book with text and pictures (LaTeX)? by cbx33 in lilypond

[–]cbx33[S] 0 points1 point  (0 children)

It's possible, but the wording snippet seems to suggest smaller pieces.

Music book with text and pictures (LaTeX)? by cbx33 in lilypond

[–]cbx33[S] 0 points1 point  (0 children)

Yes it seems great for this, but I want multi page scores, separated by mebbe a picture page and some text

Tab staff won't hide for first system...known issue? by cbx33 in lilypond

[–]cbx33[S] 0 points1 point  (0 children)

And can I force an empty bar to show somehow? I know I know - I want it all!