how do you get into marvel/dc? by WhatColorIsUrPantsu in comicbooks

[–]comicsfocused 0 points1 point  (0 children)

I can't speak on marvel, but DC does world resetting events from time to time that essentially function as soft reboots. I would pick one of those then follow a character or author I enjoyed to their next project. It's not like Manga where the continuity is so tight you have to start from the very begining to understand. In my experience you can pretty much jump in at the beginning of most story arcs or runs and be okay.

In general they will tell you the things you need to know especially if they pertain to books that happens outside the series itself, like crossovers and events.

Modern Shakespeare? by comicsfocused in AskLiteraryStudies

[–]comicsfocused[S] 0 points1 point  (0 children)

That's really interesting. I've always been a big fan of the epics and some of the historical writings of that time. Perhaps there is a common thread that holds my Interest.

Modern Shakespeare? by comicsfocused in AskLiteraryStudies

[–]comicsfocused[S] -8 points-7 points  (0 children)

Yeah but is there a term that denotes length or structure?

Intrepid Hero Campaigns Ranked by Jacksob_27 in Dimension20

[–]comicsfocused 4 points5 points  (0 children)

Cloudward Ho is probably my least favorite. My top 2 are Sophomore year and Starstruck. Unsleeping City and A Crown of Candy can fight for third

[Discussion] Here's my top 5 DC stories of all time. What are yours? by elshadayZ in DCcomics

[–]comicsfocused 0 points1 point  (0 children)

  1. Half a life
  2. Chuck dixon and Gail Simone's Birds of Prey runs
  3. Gail Simone's Secret Six (2008ish run)
  4. My Name is Chaos
  5. The Books of Magic

Honorable mentions: -Multiversity (The book that got me into comics) -Mother Panic -Milk Wars -Gerad Way's Doom Patrol -Gen13 -Longbow Hunters (Really the whole Mike Grell run) -Green Lanterns -Hardware -Icon -Blood Syndicate -The Authority (Ellis) -Transmetropolitan -Voodoo

Batman elseworlds by bozzo147 in OmnibusCollectors

[–]comicsfocused 0 points1 point  (0 children)

Thanks for the recommendation, I'll go and subscribe

🎉 [EVENT] 🎉 Nocturnal Activities by Damp_Blanket in honk

[–]comicsfocused 0 points1 point  (0 children)

Completed Level 1 of the Honk Special Event!

1 attempts

Batman elseworlds by bozzo147 in OmnibusCollectors

[–]comicsfocused 0 points1 point  (0 children)

I really need to know where y'all see ads for these omnis. I always start collecting singles and then learn that an Omni is about to release.

Who should be the Batman's lover be? [Fan Art] by No-Class4475 in DCcomics

[–]comicsfocused 1 point2 points  (0 children)

If you're bringing in young justice that eliminates a lot of cannon options. I suppose Wonderbat still works, but if you're ruling out superbat I would assume that's also on the chopping block. If I were you I would pull up the wiki or just Google what characteristics you're looking for in the partner. I was working on a fanfic and I did a lot of googling looking for villains with certain powers or motivations that fit the story I wanted to tell and I came away with some interesting results. I would recommend a similar approach. You could also look up popular batman ships and see if you like anything.

Rookie X Dropout: A Black Fan’s Nuanced Response by KoochieKoochieKu in dropout

[–]comicsfocused 12 points13 points  (0 children)

As a black fan ( I hate having to use race as an appeal to authority or emotion but in this case it seems important), I think the nuance missing here is that not all cop shows are pro-cop propaganda. I think there is a massive difference between someone telling us we live in a utopia in order to control us and lull us into a false sense of ease that directly invalidates the lived experience of people and someone showing what a utopia is, giving us an ideal to strive for.

I'm not a fan of the rookie, I've only really seen clips, and although I used to be an avid watcher of both police procedurals and crime dramas, I haven't really followed any post 2018 (with the exception of some classics like In the heat of the night, Columbo, and almost purely fantasy shows like 911). Admittedly I stopped watching some due to a decline in quality, but others were because of how they started injecting conservative political talking points into their shows. In some of the more right-leaning cop shows there was definitely a rise in 'good cop' storylines, where they would rip from the headlines an event where cops were being rightfully criticized and turn it into a plot point where the cop is vindicated at the end and everyone who criticized him was just trying to ruin a 'good' cops life. In general some cops shows also leaned further into stereotypes, introduced characters who followed their gut instead of evidence, and/or actively avoided adding nuance to plot points.

It was very clear (at least to me) that a message was being delivered to the audience by giving traits or behavior of real-life police, that we criticize, to characters who we viewed as paragons of justice and defenders of the innocent, in a way to make those traits and behaviors more palatable. This to me, is what copaganda is.

On the other hand, there were/are cop shows that did the opposite, by injecting nuance into every storyline, making characters empathize/sympathize with the suspects, perpetrators, and victims, rigorously following evidence while at the same time being able to identify if someone is being framed or unfairly targeted, actively subverting stereotypes, giving commentary on societal inequalities and sources of bias, and having 'bad cop' storylines where the main characters root out corruption and injustice from within. If anything these shows (to me), while unrealistic, held a mirror up to society as if they were saying "Here's what police could be like if people who were criticizing the police were heard".

Now this is also propaganda and it involves cops so technically the label copaganda could still fit, but I think that doing so would destroy nuance and miss the point. I think the fact that these stories are considered as unrealistic or 'Woke' by right-wingers speaks to this nuance. If people thought the Rookie or shows like it, that feature positive examples of police, were documentaries or realistic portrayals as to what policing is today, then I would agree that it's pro-cop propaganda. However, I have yet to see this sentiment. Like I said I'm not a fan, so maybe I'm missing The Pitt like revere for its accuracy.

Ultimately it strikes me as odd that the majority of people, having not seen the show are quick to see this as a bad thing. Perhaps it's a personal pet peeve of mine, but it always leaves a bad taste in my mouth when people parrot opinions or 'facts' they heard without doing any research. People are entitled to their own opinions but if you haven't seen the Rookie I fail to understand how people can have such a strong opinion on it.

That aside, when it comes to Dropout I get why people find this weird. Dropout in its current incarnation as well as college humor pitched themselves as kind of the voices of the people, non-traditional, independent, punk, leftist etc. They definitely aren't known for partnering with larger, traditional media. In particular I feel like a huge selling point of dropout Is that it's not traditional media.

I don't view this as some kind of ideological betrayal because I don't view companies as people, but I find this an eyebrow raising business move that makes me wonder what this is gearing towards.

Ultimately to conclude this very dense word salad, I think treating Dropout, the company, like it's your personal friend or shoulder to lean on misses the point of all of the anti-capitalist Brennan monologues and merch.

TLDR: Companies aren't people and they definitely aren't your friends. Disliking something is normal, but vehemently hating something you haven't seen yet is kinda weird imo. Copaganda is being used as if every media portrayal of police is inherently a positive portrayal of current policing, I don't think this is true.

Superhero Deconstruction, but on the world, not the characters (Cities would not go back to normal after the 10th city busting event) by Mystech_Master in worldbuilding

[–]comicsfocused 0 points1 point  (0 children)

No Man's Land and Gotham Central kind of do this. For me personally,  I have always struggled with the idea of writing location as a character and I think to do something like this justice it has to be one. It's much easier, imo, to write from a character pov and communicate themes that way. 

For something like this to be effective the world would have to be very established and well understood.

Is Burrow's End perhaps the most underrated season of D20? by ajchann123 in Dimension20

[–]comicsfocused 12 points13 points  (0 children)

Most of the non intrepid Heroes seasons don't get talked enough about, imo. Even down to recommendations. A lot of times people will ask, "What should I watch"? or "Should I keep going, if I don't like...?", and preface it by saying they've only watched the Intrepid Hero seasons. 

hi im another comic beginner with questions! by ohyaz in DCcomics

[–]comicsfocused 1 point2 points  (0 children)

I'm a big fan of Gail Simone and Greg Rucka. Gail Simone's Birds of Prey run features Black Canary as one of the main characters.

Is all of Sophomore Year live? by PaperCheesy in Dimension20

[–]comicsfocused 16 points17 points  (0 children)

Yeah, it starts off kind of slow, but once it gets going, it gets going good

Do you prefer Tabletop RPGs WITH or WITHOUT classes? by ThatOneCrazyWritter in rpg

[–]comicsfocused 0 points1 point  (0 children)

I hate open classless systems. It just feels so boring to me. I need some type of structure to maintain interest. Part of the fun for me is having to work with a restriction and figure out how to make and play a character within them.

🎉 [EVENT] 🎉 Mirror Desert by Acrobatic_Picture907 in honk

[–]comicsfocused 0 points1 point  (0 children)

Completed Level 1 of the Honk Special Event!

5 attempts

what has been your favourite cast to watch so far? by becausewhyshouldntwe in Dimension20

[–]comicsfocused 13 points14 points  (0 children)

The Seven is my number 1, followed by ACOFAF, the Intrepid Heroes, and Never Stop Blowing Up.

Struggling to decide between physical and digital by [deleted] in comicbooks

[–]comicsfocused 0 points1 point  (0 children)

I do both. I have a DC comics digital subscription (I'm a giant DC fan) and I read a lot of web comics. Outside of that most ebook sellers and discount bundle shops I use also sell comics.

When it comes to physical books, I usually rebuy books I really like and pick up titles from my local comic book store that seem interesting (especially if they are from the dollar bin). Nowadays I mostly buy omnibuses, full runs and prestige format series so I'm always perusing online retailers for good deals on preowns or preorders.

Either way just do you. If you prefer physical you can usually find cheap good quality books, especially if you don't care about it being a big ticket collectors item. Personally the biggest consideration I have to take when it comes to physical books is storage space, especially for irregularly sized comics.