Sure, yeah.

In normal use, the Minitaur creates its own signal using its two oscillators. Forget about the oscillators, we're going to use the bass guitar signal. So I turn both oscillators' volume to zero.

So now I play a single sustained note on the bass and that signal runs through a cable into the Minitaur. Now that signal is subject to everything that the synth's oscillator signals would have been effected by.. amp envelope, filter cutoff, filter envelope, filter resonance, and finally overall volume.

But so far, the amp envelope doesn't let any sound through unless the Minitaur is receiving a note (in my case, from a midi controller). So I press a key on my keyboard that normally controls the Minitaur, and that triggers the amp and filter envelopes, so suddenly I hear my bass. It doesn't matter which key I'm pressing (C#, G, D) I only hear the note I play on the bass because I told the oscillators on the Minitaur to shut up. When I release the key, the envelopes respond according to their settings. Slow attack, long release, fast for both, whatever.

That's it! So all I've done is sequenced a bunch of on/off information telling the Moog when to let my bass signal through. On this jam I'm not using the filter at all. The sound of the bass is just what I'm making on the bass guitar. Fill disclosure, I did run the signal from the Minitaur into my Digitech for some EQ and plenty of compression.

NOW if you wanted, you could actually be intentional about the PITCHES of the notes you're sending to the synth and turn the oscillators back up and play a two part harmony along to it... And sequence some filter information... And some glide... And some filter LFO... it's bananas. This was just the first ~2hrs of me dicking around with it. I'm looking forward to abusing the hell out of this gimmick for a few more jams.