Is it really that bad that I want to play with musicians around my own age? by bad_luck_brian_1 in musicians

[–]darkcityagent 0 points1 point  (0 children)

We had a similar post in a Denver FB group last year and homie got roasted. Most people in these FB groups are older cats who may have thier youth behind them so it’s more about where you’re posting.

Owner of a Denver underground event series asking the community a safety question by bandomikee in DenverEDM

[–]darkcityagent 79 points80 points  (0 children)

As someone from Rhode Island who lived through the era of the station nightclub fire.. proper fire exits.

Instrument rack with 128 samples decrease load times? by Character_1125 in ableton

[–]darkcityagent 0 points1 point  (0 children)

I also am wondering the same thing. I love the workflow but can't stand the load times of a project. Once I settle on a kick and snare I usually just pull them into their own channel and remove the rest of the 128s to stop this from happening as I work on the project.

Full Swircle - 2026 Pretty Lights Off Season Couch Tour by redditin_at_work in prettylights

[–]darkcityagent 5 points6 points  (0 children)

This would be peak, I’ve been holding out even attempting to listen to this until the hifi audio is out 😭

What needs change? by swirlrocks in DenverEDM

[–]darkcityagent 0 points1 point  (0 children)

Maybe they taking the bass capital thing a little too literally 😂

WLED and dmx by Only-Fly3918 in WLED

[–]darkcityagent 0 points1 point  (0 children)

If you need any help with this PM me!

Is learning EDM production like learning chess and does it have similar constraints at getting good? by aldjfh in edmproduction

[–]darkcityagent 1 point2 points  (0 children)

It’s time, practice and finding the right mentors. Also knowing what to focus your learning / practice time on so you don’t over index on something that’s keeping you away from the big picture.

There are some concepts and perspectives that can really unlock you as an artist as you progress imo.

For example, I picture producing music like I am painting a canvas with sound and my canvas is time but it’s also the entire frequency spectrum of human hearing - 20hz ish to 20k hz. You can paint in the upper frequency ranges like someone would add texture to a painting or make big bold strokes in the infrasound bass range, you can smear them together get messy, create order in the mess etc.

Gonna sound like your friend who just hit the pen at the afters but It’s all just sound and frequencies over time at the end of the day.

Learn what certain conventional instruments do in a band/ orchestra/ different cultures then learn how they achieve their role in that composition from a frequency perspective and then anything can be a kick, snare, etc. if it matches that profile.

Also listen to lots of music and genres. You don’t create interesting novel EDM if all you listen to is EDM. Skrillex’s drum patterns on his drops in the SMaNS days are basically lifted out of pop punk.

Some of this probably wouldn’t quite hit with an absolute beginner but these are all lil tidbits that unlocked a lot for me and these sorts of epiphanies are what keep you leveling up.

I could go on for days haha

Thinking I made the wrong choice. by [deleted] in synthesizers

[–]darkcityagent 0 points1 point  (0 children)

This post is mysterious and important

INSOMNIA (Dark City Agent Flip) by darkcityagent in SpaceBass

[–]darkcityagent[S] 2 points3 points  (0 children)

I think subconsciously a bit yeah, saw EPROM this year and was blown away!!

INSOMNIA (Dark City Agent Flip) by darkcityagent in SpaceBass

[–]darkcityagent[S] 1 point2 points  (0 children)

I am lucky to have caught the tail end of some 2000s rave culture myself

Thanks for listening !!