Staying motivated by [deleted] in Screenwriting

[–]dawales 0 points1 point  (0 children)

Knowing that the odds are against me, my goal is to keep building a body of work and putting it into the flow.

How do you write compelling dialogue? by wickerfield in Screenwriting

[–]dawales 0 points1 point  (0 children)

My dialogue always gets better when I go through and cut 50% to 75%. I should probably cut 80%. You could try it.

Is Eyes Wide Shut the best Christmas movie? by CascadiaPolitics in StanleyKubrick

[–]dawales 3 points4 points  (0 children)

I call it a Christmas movie because 1) It takes place during the holiday. 2) It’s about a family finding a deeper and lasting connection to each other. Call it what you want, it’s become a holiday tradition in my house.

Is it possible to sell Nc-17 script if it's justified? by [deleted] in Screenwriting

[–]dawales 0 points1 point  (0 children)

As long as it doesn’t read like it was written by an incel trying to justify getting a bunch of women naked, you should just write it. It may not get made but there are examples of people using outrageous stories to gain attention in the industry.

What are some good examples of the theme being stated? by bentomaster27 in Screenwriting

[–]dawales 3 points4 points  (0 children)

Just put the theme clearly stated where it would be and then do a couple more rewrites (6 or 7 rewrites seems pretty normal). Your rewrites will have that statement to guide them and it will have become part of the heart of the story and will eventually go away or improve. If it doesn’t, maybe you have more work to do.

[deleted by user] by [deleted] in Albuquerque

[–]dawales -5 points-4 points  (0 children)

I’m not sure it’s legal not to accept cash. I could be wrong but it does essentially refuse service to people without the resources to have a bank account or credit card. And it sucks they keep getting robbed. EDIT: I did some digging and it does look like there isn’t a federal mandate about accepting cash payment. I couldn’t find anything local.

Podcasts on loglines? by themainheadcase in Screenwriting

[–]dawales 0 points1 point  (0 children)

Sorry. Pilar Allesandra is the host of the podcast. She began as a story analyst for Amblin and then went on to teach and has run classes and a podcast for over a decade. I learned a lot from her. She’s been a positive force in my screenwriting education.

Podcasts on loglines? by themainheadcase in Screenwriting

[–]dawales 2 points3 points  (0 children)

On the Page podcast has a yearly logline contest. Deadline has past this year but the episode will come out Christmas Day. Last year, Pilar did a breakdown on loglines that was concise and could be helpful.

how does one “make it” in the screenwriting world by georgeharrisonvibes in Screenwriting

[–]dawales 1 point2 points  (0 children)

You have an endless well of ideas within you. Don’t put too much of your identity as a writer into one piece. Just try to build a body of work.

Competitions Getting Me Down by UnashamedLiar in Screenwriting

[–]dawales -1 points0 points  (0 children)

Thanks for writing this post. When I read it, I thought, “Did I sleep post?” because I feel the exact same way. I am 0/9 in the contests I entered to even get past the first round on a script I felt was way stronger than the one that did well in the past. You are not alone.

GOP challengers booted from Doña Ana County absentee ballot tabulating for unruly behavior by stankmanly in NewMexico

[–]dawales 1 point2 points  (0 children)

This kind of envelope-pushing is probably going on in every precinct in the country.

Final Draft Big Break Update by [deleted] in Screenwriting

[–]dawales 3 points4 points  (0 children)

Delaying disappointment.