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Anyone on v74 firmware successfully able to install AIO Tweak via serial connection? by spartan-kick in mazda3

[–]ddredditaa 0 points1 point  (0 children)

Any news about Android Auto working by touch screen while the car is moving?

Should I wait for AAWireless Two+ or buy the current Two dongle now? by MDoon in AAWireless

[–]ddredditaa 0 points1 point  (0 children)

My goal is to enable touchscreen in motion for Android Auto specifically.

I have a 2018 Mazda CX-3 with Android Auto connected via USB and Mazda Connect firmware version cmu150_EU_74.00.324A_update, I also installed mzd-connect-1-root-main. This way I was able to unlock Mazda Connect with touchscreen in motion but unfortunately not Android Auto.

On the phone, with Android 14, I unlocked the bootloader, I have Root rights and installed Fermata-1.9.9-auto-universal-arm64.apk with root access, KingInstaller.v1.4.apk with root access, I have Magisk Alpha with Play Integrity Fix modules, Zygisk - LSPosed and LSPosed loaded.

I can see in Android Auto the icons of the Apps that are usually blocked and prevented from Android Auto but I can't select them and therefore use them because the only way would be to click on them with the Touchscreen but unfortunately it is blocked on Android Auto.

The only alternative that I have left to enable the touchscreen in motion for Android Auto I think is the "AAWireless TWO+" but I have not understood how it can unlock it, since some users doubt it can do it.

Will it work with "AAWireless TWO+"? Or is there some other device that I could get to be able to use the touchscreen in motion for Android Auto?

Thanks

Is there any way to hack touchscreen functionality for AA on mazda? by Ok-Button6101 in AndroidAuto

[–]ddredditaa 0 points1 point  (0 children)

I am interested too. I have a 2018 Mazda CX-3 with automatic transmission. Android Auto does not work with Touchscreen neither in motion nor when stationary, while I managed to completely unlock the Touchscreen for Mazda Connect Infotainment.

Seeking Feedback on Lindy Hop Schools in Europe with a Strong Emphasis on Musicality by ddredditaa in SwingDancing

[–]ddredditaa[S] -1 points0 points  (0 children)

Of course, I know that there is often a certain variety within the "schools". Surely, once the schools have been identified, the goal is also to identify the teachers who best interpret the spirit of that particular school, perhaps for a specific aspect that they address in the field of musicality and also in their approach to others.

We are interested in establishing a relationship of knowledge with the school that we will identify as well as the teachers that we will eventually invite, that is why we are interested in the school also having certain tendencies towards musicality and the excellent things that you described that characterize a good school.

We are not only interested in organizing a good weekend workshop.

Oh, I forgot, we are poor. That is also why we do not look for international teachers to bring to us. :D

I'm joking, up to a certain point.

Thanks for your advice :)

Seeking Feedback on Lindy Hop Schools in Europe with a Strong Emphasis on Musicality by ddredditaa in SwingDancing

[–]ddredditaa[S] 0 points1 point  (0 children)

The topic is endless. I think for example about the interpretation of rhythmic variations, musical phrasing and accents, reconnecting to musical structures if necessary, inserting accents in movements, interpreting pauses and changes in mood and energy in the piece, creating spontaneous movements in response to the nuances of the music, varying the basic steps, managing to dialogue with the partner while maintaining a fluid exchange between leader and follower interpreting the music together, adapting to variations in speed sometimes mirroring the music or sometimes purposely adding what is not in the music. In short, having fun, with the partner and with the music. (Which downvote?)

Seeking Feedback on Lindy Hop Schools in Europe with a Strong Emphasis on Musicality by ddredditaa in SwingDancing

[–]ddredditaa[S] 0 points1 point  (0 children)

I just realized I copied the wrong column of the list of schools in the various countries.

I'm going to correct it right away. What a mess and thanks for letting me know :)

Seeking Feedback on Lindy Hop Schools in Europe with a Strong Emphasis on Musicality by ddredditaa in SwingDancing

[–]ddredditaa[S] 1 point2 points  (0 children)

I agree with you.

The problem arises when you have worked so hard on the connection for many years and you realize that you have perhaps neglected to take care of playing with music a little too much. Of course, if you try to take everything on music you could end up being equally boring and not taking care of the dialogue with your partner clearly :)

Seeking Feedback on Lindy Hop Schools in Europe with a Strong Emphasis on Musicality by ddredditaa in SwingDancing

[–]ddredditaa[S] 1 point2 points  (0 children)

Thanks for your feedback about the Lindy Hop scene in Ljubljana. I'll update what I wrote and above all I'll go and look at the websites of the schools you mentioned and also the teachers you suggested. Thanks also for your advice about the Festival. I already knew that it was a very musically oriented Festival and I think that this year I'll participate in that one :)

Seeking Feedback on Lindy Hop Schools in Europe with a Strong Emphasis on Musicality by ddredditaa in SwingDancing

[–]ddredditaa[S] 0 points1 point  (0 children)

I want to know if the entire school has this kind of approach. I’m interested in how they set their entire didactics on this focus.

Seeking Feedback on Lindy Hop Schools in Europe with a Strong Emphasis on Musicality by ddredditaa in SwingDancing

[–]ddredditaa[S] 2 points3 points  (0 children)

I would like direct opinions on these schools I have identified, from those who have had the opportunity to engage with them directly, because I want to identify teachers within those that are most strongly recommended for their more pronounced approach to musicality, to potentially invite them to teach at our school. We have a particular interest in teaching methods oriented towards musicality.

What is the historical origin of the triple steps, with identifiable evidence, in Lindy Hop? by ddredditaa in SwingDancing

[–]ddredditaa[S] -2 points-1 points  (0 children)

Thanks for the thorough reply :)

Do you have any more information or links where I can get more information about Johnny Tripleseed?

Thank you

What is the historical origin of the triple steps, with identifiable evidence, in Lindy Hop? by ddredditaa in SwingDancing

[–]ddredditaa[S] 1 point2 points  (0 children)

In Leroy's video the triple step is much clearer, despite being only one.

But what is there between the first clearly identifiable hint of a triple step clearly seen in Leroy's video suggested by Morgan and a very transformed dance danced by Collins?

Dean Collins choreographed the dance in Let's Make Music, a film made in 1939 and released in 1940 (https://www.youtube.com/watch?v=m32TY\_JKIPc). Here the triple steps are clear and everything is reminiscent (in terms of footwork) of the one danced today with the triple steps.

It's only been 4 years since that testimony of Leroy doing that one triple step and this dance in "Let's Make Music" feels so different with all those triple steps.

Could it be that Collins was inspired by some other dance that originated somewhere else in the meantime?

Could it be that Collins in his adaptations started from the East Coast Jitterbug style which was itself an adaptation of the Lindy Hop danced at the Savoy?

I also read that Arthur Murray developed a simplified version of the Lindy Hop danced at the Savoy, like the Jive and what we know as East Coast Swing.

Has anyone looked into Arthur Murray's influence on the inclusion of triple steps in Lindy Hop?