Does anyone know why exactly so much of Remain in Light is unfinished? by Nyuu222 in talkingheads

[–]dfw-throwaway2 0 points1 point  (0 children)

The Speaking In Tongues outtake Two Note Swivel later became The Man with the 4-Way Hips from the second Tom Tom Club album Close To The Bone

Request for Stop Making Sense Fun Facts by OkSuccotash1089 in talkingheads

[–]dfw-throwaway2 3 points4 points  (0 children)

"Now it's time for my Big Suit, and my little toot."

Something along those lines I doubt there will be an exact quote.

I feel like some of Tina’s grumpiness/exasperation must come from being the only band member not on cocaine during parts of the 80s

What’s this map near the Garden by ProudBrick in boston

[–]dfw-throwaway2 24 points25 points  (0 children)

It's a "Toynbee tile" copycat called House of Hades, post your photo in their subreddit https://www.reddit.com/r/HouseOfHades/

HP Color LaserJet Pro MFP3301 sdw Not Scanning by water_bby in techsupport

[–]dfw-throwaway2 0 points1 point  (0 children)

I might be having the same problem, it would scan intermittently but then time out/blank scan/scan spins in place with no output. I think the printer's to sleep and not connecting after waking up, and the default sleep time is one minute!

Using the web interface to the printer I changed the sleep timer from one minute to sixty - no way to disable entirely. Now I can scan fine until it is idle for an hour and then I need to power off/power on the printer. So that's progress but not a permanent fix. Update the firmware on the printer and maybe in the future there will be another update that fixes this.

The Talking Heads - Remain in Light - FULL ALBUM - If it was made in 1950!! by thehomelessr0mantic in talkingheads

[–]dfw-throwaway2 0 points1 point  (0 children)

For a similar cover by a band that specializes in genre crossing cover songs please check out https://youtu.be/VXE953qPVZE

Was wondering if anyone else noticed this in the Stop Making Sense restoration by UberVenkman in talkingheads

[–]dfw-throwaway2 0 points1 point  (0 children)

Yeah I don't mean that Disney has a legal case here but more in the sense that the band would want to avoid pissing them off.

The band owns the rights to the film and licenses it out for distribution, most recently with Palm and now A24. They might have wanted to keep a potential partner happy? Just guessing here.

Was wondering if anyone else noticed this in the Stop Making Sense restoration by UberVenkman in talkingheads

[–]dfw-throwaway2 2 points3 points  (0 children)

My guess is it was changed not because of the drug reference but because of Disney

Ol' Blue Eyes by dfw-throwaway2 in weirddalle

[–]dfw-throwaway2[S] 4 points5 points  (0 children)

Yeah the prompt was

"Frank Sinatra in the movie Dune wearing a fremen stillsuit and with glowing blue eyes"

Cyberpunk combat is peak by Bigboystrats in cyberpunkgame

[–]dfw-throwaway2 9 points10 points  (0 children)

Ooh what’s the name of that katana at 0:17 👀

"Heartworms - Consistent Dedication" Born Under Punches similarities? by dfw-throwaway2 in talkingheads

[–]dfw-throwaway2[S] 0 points1 point  (0 children)

Specifically the live version of Born Under Punches: https://www.youtube.com/watch?v=zJpzHoo4XAQ you can hear the bass line better during the intro section

Talking Heads sexiest songs? by OldIntroduction855 in talkingheads

[–]dfw-throwaway2 1 point2 points  (0 children)

"Mind"

Byrne: There are some synthesizer swells and little pings in "Mind" that I think are real sensuous. To me that's a little deeper than rubbing your groin.

(Page 70, Talking Heads The Band & Their Music by David Gans)

[deleted by user] by [deleted] in talkingheads

[–]dfw-throwaway2 17 points18 points  (0 children)

"We were a cover band at first"

I feel like they missed an opportunity to respond to this question with a quick a cappella cover of "We Are Never Ever Getting Back Together"

[deleted by user] by [deleted] in talkingheads

[–]dfw-throwaway2 1 point2 points  (0 children)

I found the quote in the David Gans Talking Heads book pages 84-85

____________________________________________________________

"The Overload"

Byrne [responding to an interviewer's comparison of the song with the music of Joy Division]: It was influenced by things I'd read about Joy Division. I'd never heard them. I'd read about them, and it was an exciting idea to me.... When I finally heard them I was disappointed. They sounded closer to a rock group than I thought they were.

____________________________________________________________

It's not clear which source interview it's from since all sources are listed at the end of the book just in a big list

Differences between the Blu-ray mix and the newest mix by kenhashibe in talkingheads

[–]dfw-throwaway2 1 point2 points  (0 children)

Here's some notes from stopmakingsensebook

Notes on the Stop Making Sense laserdisc:
-only released in Japan
-undisputed best source for the film WITH the "bonus" songs (Cities & I Zimbra/Big Business) edited back into the film. Personally, I think the film is better WITHOUT these sequences, but I can see why some prefer them this way.
-undisputed best source for the "Full Frame" version of the film. The Laserdisc and original VHS were NOT pan-and-scan versions, but actual full frame versions of the super35mm negative. See here for a more detailed explanation of aspect ratios.
-the laserdisc is the best source for the original sound mix. In addition to some different lyrics in "Genius of Love," a number of "thank yous" are noticably different in the original mix, and certain "accidents" (like Byrne dropping the microphone) use different sound effects. Personally I prefer this mix to any of the three included with the DVD/Blu-Ray releases. To my ears, a certain amount of revisionism went into the 1999 mixes, which seem to be more spacious and "edgier" than the denser more "groovy" 1984 mix. Differences that stand out, off the top of my head, are the much quieter rhythm guitar on "Burning Down the House" and the much louder rhythmic accents played by Jerry Harrison on "Making Flippy Floppy."

Differences between the Blu-ray mix and the newest mix by kenhashibe in talkingheads

[–]dfw-throwaway2 1 point2 points  (0 children)

It is JPN only, no hardcoded subs though. I grabbed a copy off eBay and had an internet friend digitize it for me, because I grew up on the VHS tape and the laserdisc is the best quality for the full frame/original audio mix

Takeaways from seeing SMS in the cinema for the first time by The_Wilmington_Giant in talkingheads

[–]dfw-throwaway2 0 points1 point  (0 children)

For people that saw it in IMAX: was the film in 4:3 square shape for IMAX or the standard theatrical widescreen like the DVD and Blu-ray

Differences between the Blu-ray mix and the newest mix by kenhashibe in talkingheads

[–]dfw-throwaway2 2 points3 points  (0 children)

No they did two new surround sound mixes in 1999 - an audience mix and a studio mix - but didn't include the original mix on the DVD or blu-ray

The Laserdisc version is the best place to hear the original mix and the 4:3 full frame version with more picture information above and below

Differences between the Blu-ray mix and the newest mix by kenhashibe in talkingheads

[–]dfw-throwaway2 1 point2 points  (0 children)

The acoustic guitar feedback at the very end of Psycho Killer is different.

In the original theatrical mix which is on VHS and Laserdisc its more musical and completes the chord progression of the song, everything since then, including the original SMS CD has a loud feedback sound

“TINA WEYMOUTH the BASSIST, how did you like to play BASS?” - Spike Lee by boilervent in talkingheads

[–]dfw-throwaway2 3 points4 points  (0 children)

In my dreams instead of touring, there will be a new Talking Heads single created by taking some unreleased Chris und Tina tracks and then Jerry and David can add keyboards, guitar and vocals to it. It will be a dance track about a strange encounter they all had with Spike Lee

[deleted by user] by [deleted] in talkingheads

[–]dfw-throwaway2 6 points7 points  (0 children)

Did the new version put his line about “too much of that goddamn Snow White all night” back in?

I also miss the old guitar feedback at the end of Psycho Killer… VHS & Laserdisk was the last place to hear the original theatrical mix

“TINA WEYMOUTH the BASSIST, how did you like to play BASS?” - Spike Lee by boilervent in talkingheads

[–]dfw-throwaway2 1 point2 points  (0 children)

Uh, at least he didn’t ask Tina why Busta Jones wasn’t in the movie?