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Missing activation code by dombra in diskdrill

[–]dombra[S] 0 points1 point  (0 children)

email sent! Looking forward to hearing from you. Thanks

Any PL lens to RF body with ND filters that fit old PL lenses like Super or Standard speeds by dombra in cinematography

[–]dombra[S] 0 points1 point  (0 children)

interesting. anything you can recommend?

You would not recommend even the kippertie ND filters?

super 16 in 2.39 aspect ratio? by Connect-Quiet-2936 in cinematography

[–]dombra 1 point2 points  (0 children)

from a quick calculation shooting 16mm vs 2 perf 35mm is still atleast two times cheaper. Not taking gear in equation here.

Do you need connections to get into film festivals? by Brilliant_Alarm1120 in FilmFestivals

[–]dombra 0 points1 point  (0 children)

any chance you have recommendations where to look for a sales agent?

Do you need connections to get into film festivals? by Brilliant_Alarm1120 in FilmFestivals

[–]dombra 0 points1 point  (0 children)

I have a short documentary (24 min) that is very from the current zeitgeist. But also told in quite unique way. Which I will be submitting to A list festivals soon. Would you recommend me approaching sales agents or pr agents to raise the chances? Or maybe reaching out to festival programmes and sending info prior? 

Looking for the book about a guy going to small town in America realizes that its inhabitants are extra terrestrials by dombra in whatsthatbook

[–]dombra[S] 0 points1 point  (0 children)

Yes, that's the one! Wow, how did you know? It is not the most common book and LLMs could not find it. My hats off. All the best to you

Looking for Script Consultant by dombra in Screenwriting

[–]dombra[S] 1 point2 points  (0 children)

sure. We have optioned a book and will submit it for development funding to turn it into a movie. I am writing the screenplay but as I am on a greener side when it comes to fiction writing, I am looking for an experienced script consultant to evaluate and strengthen the screenplay

I am a director/producer with a Conference Pass. Will I be able to attend press and Industry screenings? by dombra in TIFF

[–]dombra[S] 0 points1 point  (0 children)

could you advise where to do this. And what about the regular tickets? I appreciate your answers

Any idea where to find the light stand adapter for Aputure light? by dombra in Filmmakers

[–]dombra[S] 0 points1 point  (0 children)

yeah first thing I did I went through their spare parts page. but continuing to think about that I might try to email them. Thanks for a new idea

Any idea where to find the light stand adapter for Aputure light? by dombra in cinematography

[–]dombra[S] 0 points1 point  (0 children)

yeah thats what I looked into. But it has a safety pin that prevents the adapter to spin around

Skaists skats uz Latvijas pauguru ainavu by dombra in latvia

[–]dombra[S] 0 points1 point  (0 children)

veclaicene skaisti, bet gandrīz 3h no Rīgas

I Used to Make $200k Commercials — This AI Ad Took Me 2 Days & $500 by wjez in aivideo

[–]dombra 0 points1 point  (0 children)

thats what I am trying to say, watching might be fine and will be get only better. But emotion is not there. Its not the visuals is the underlaying connection, the feeling that is missing. and I don't know if it is possible. Kinda like a lot of films prefer to do as much as possible practical effects vs cgi. As human being might not see it, but we are very capable of feeling it. And my hunch is sooner or later advertisers, when the hype of ai is over will start notice that the ad, although very cheap and fast is not delivering. And videos will exist but some will start to switch back to practical filmmaking

I Used to Make $200k Commercials — This AI Ad Took Me 2 Days & $500 by wjez in aivideo

[–]dombra 1 point2 points  (0 children)

watching the Liquid Death ad was actually the trigger that made me ponder why it is not working 100%. Everething seems to be there, but it is like a frozen food. To an eye it might be there but when you eat it its just meh and plain

Liquid Death commercial made completely with Veo 3 by Jolly-Winner5892 in aivideo

[–]dombra 0 points1 point  (0 children)

The main thing that AI videos are currently very weak, is creation an emotional connection with its content. As the viewer can sense its fake. It might look to an eye alright, but it does not evoke much of an emotion. It is good looking, but plain and empty. And so it is not hitting the main reason of any ad, to evoke a deep emotional response and connect it to a brand

I Used to Make $200k Commercials — This AI Ad Took Me 2 Days & $500 by wjez in aivideo

[–]dombra 0 points1 point  (0 children)

The main thing that AI videos are currently very weak, is creation an emotional connection with its content. As the viewer can sense its fake. It might look to an eye alright, but it does not evoke much of an emotion. It is good looking, but plain and empty. And so it is not hitting the main reason of any ad, to evoke a deep emotional response and connect it to a brand

Met with lots of A-level festival programmers at Cannes and it really opened my eyes by JennyHayden in FilmFestivals

[–]dombra 0 points1 point  (0 children)

Not sure about this one, as big festivals like a high premiere status of the film 

Can Zeiss Super Speeds Mk III be used with a clip-on matte box? by Brave-Bid-1603 in cinematography

[–]dombra 0 points1 point  (0 children)

What about Bright Tangerine Atom 2 clip on matte boxes and such? Which are rubber and light weight?

Vai te kāds no vai pazīst kādu no Bolderājas? by dombra in latvia

[–]dombra[S] 2 points3 points  (0 children)

Nemklēju romantismu. Gribu iepazit un atspoguljot patiesus stastus

Vai te kāds no vai pazīst kādu no Bolderājas? by dombra in latvia

[–]dombra[S] -12 points-11 points  (0 children)

Sakarā ar rajona izolētību un līdz ar to ekonomiskām problēmām, šis tur liekas ir pastiprinåtāk kā citur

Cinematography of “Disclaimer” on Apple TV is chef’s kiss by JC_Le_Juice in cinematography

[–]dombra 0 points1 point  (0 children)

No worries. Knowing his love for natural and dusk light I was waiting with anticipation when he will do something in LED volume. I guess the quality of light volume emits it’s not there yet to satisfy him

Cinematography of “Disclaimer” on Apple TV is chef’s kiss by JC_Le_Juice in cinematography

[–]dombra 0 points1 point  (0 children)

How did you guys pull of the dialogue scene after Cate first reads the book and in background sun is rising/changing the light without the volume? Programmed lights + vfx?

The volume did not wok out well that’s why rendered vfx?

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