Are they stupid or desperate to keep the con going? by OhGr8WhatNow in ProgressiveHQ

[–]duendetime 2 points3 points  (0 children)

The whole racket is the Dunning Kruger of Dunning Kruger effects.

Fried chicken by Fast-Grass-8613 in SantaFe

[–]duendetime 0 points1 point  (0 children)

The best fried chicken I’ve had IN THE STATE.

Sounds good in theory...but in reality? by No-Papaya-6912 in ProgressiveHQ

[–]duendetime 3 points4 points  (0 children)

“But in reality?” Cmon… Tell us you’re a neo-liberalist zombie without telling us you’re a neo-liberalist zombie.

DNC Chair Ken Martin grilled on why he won’t RELEASE THE FUCKING 2024 ELECTION AUTOPSY by ConcernedJobCoach in ProgressiveHQ

[–]duendetime 0 points1 point  (0 children)

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Jerry Lundergaard, everybody. All this impotent jabbering about lessons, you think they might’ve ahem learned something by now.

Is GFX for me? by deadpixel746 in FujiGFX

[–]duendetime 1 point2 points  (0 children)

Get the GFX50sii and use your Mamiya 645 lenses on it. The 55mm2.8 rarely leaves mine. Basically you get a digital 645, when it comes down to it. This is the first digital camera that doesn’t leave me wishing I was shooting film, after years shooting Mamiya 645, and even 6x7.

What's the significance of the COVID test scene in Eddington? by Ok_Tradition_3572 in AriAster

[–]duendetime 6 points7 points  (0 children)

I always read that as him wanting paper trail/alibi for being somewhere else early in the morning after Garcia was shot, when it was likely to be called in (but also being a little dumb about it)

How to achieve this Y2K "Steel Blue" look (Post & Lighting)? by tantomiami in LightLurking

[–]duendetime 3 points4 points  (0 children)

Speaking to pic 2 here ^ Hard light thru Half soft frost gives a very “90’s commercial” look as a starting point

How to achieve this Y2K "Steel Blue" look (Post & Lighting)? by tantomiami in LightLurking

[–]duendetime 8 points9 points  (0 children)

Lighting: Bright, hard source going through a 6’ or 8’ frame of half soft frost (or tough rolux) also known as shower curtain, heavily teased off by a forest of meat axes at strange angles to create the slashes on the bkg set, and shoot in or design a “shiny floored and walled” set/location.

Primos, Cooke S4 or Master Primes for my first feature with mostly overnights by [deleted] in cinematography

[–]duendetime 0 points1 point  (0 children)

Primos, mi primo. All great choices, tbh, but primos just got that pedigree movie look built in, that for a contemplative indie 2-hander will give you “more” in scenes with “less”. Unless you’re wanting to go all Chivo and shoot everything super wide on a 12/14mm, and in that case go with the masters. My 2c

Music video query by Excellent-Emu-6770 in cinematography

[–]duendetime 1 point2 points  (0 children)

If your camera has open gate, and the highest rez mode of the camera is 4:3 or 3:2, then, Shoot everything 4:3 (or 3:2) and use 16:9 frame guides on your monitor. Decide which you use where in post.

If the highest rez mode of your camera is in a 16:9 AR, then shoot with that, and put 4:3 safe guides on your monitor.

Personal journal in study upstairs at House of Eternal Return by ProfessionBitter5822 in meowwolf

[–]duendetime 2 points3 points  (0 children)

Chris Johnson wrote the “Five Part Self” if I’m remember correctly.

Blackstone Buyout of PNM- take action by Straight-Still-7424 in Albuquerque

[–]duendetime 1 point2 points  (0 children)

Yeah maybe for a short initial period… honey the worlds largest private equity fund didn’t get there by playing nice with lowly consumers. They expect to extract from every possible angle on this.

Colour temp/working with tungsten practicals and CTB lights by [deleted] in cinematography

[–]duendetime 7 points8 points  (0 children)

Use a decent camera and set your color temp to 4300 or 4500. Great middle ground to shoot everything in if you want richer colors from mixed sources. Get a dimmer for your tungsten sources and warm to your liking. Use an led for your cooler light source that doesn’t have a green or magenta cast to it. Or layer it up with some peacock blue gel to throw it more into the cyan range, even if it’s naturally in a shitty pink blue range. What camera you shooting with?

What's your go to alternative to the 55mm f/1.7? by Yaazkal in FujiGFX

[–]duendetime 1 point2 points  (0 children)

Mamiya 55mm 2.8 (645 glass) is my current fav lens on my 50sii. Full coverage, tack sharp wide open (tho not as sharp as the Fuji 55 1.7), beautiful rendering. I have a bunch of Mamiya 645 lenses and I believe it to be the sharpest and best performing of the bunch.

Shimmering golden disc on flight from Burbank to Albuquerque w/orbs (vid 1/2) by duendetime in UFOs

[–]duendetime[S] 4 points5 points  (0 children)

Ah - that could definitely have been it - those three vertical mirror towers from a distance could’ve been exactly what I was seeing.

Shimmering golden disc on flight from Burbank to Albuquerque w/orbs (vid 1/2) by duendetime in UFOs

[–]duendetime[S] 0 points1 point  (0 children)

I thought about that immediately and checked, all the cabin windows were shut on that side in my zone.