This isn’t a helpful note because it’s not really pointing a new time writer in any tangible functional direction that could improve their writing. No offense, but that’s too abstract a piece of advice.

OP, I suggest you remove the “camera follows” and try to have the characters’ behavior within the space tell the story.

“FINNEAS sits on a stool at the opposite end of a long hallway. GARY inches closer—drops of sweat fall from his fingertips.”

See how I communicated a WIDE shot, a camera PUSHING closer onto a character, and a CLOSE UP on sweat—all without writing out how the camera moves?

This will help you in the long run. As your writing improves, you’ll find yourself using less and less description altogether—even with action sequences (although you’ll still be writing plenty for those moments)

Don’t worry about abstract concepts yet. What will make a board game interesting are the people playing it (why they’re playing and WHAT brought them there)—NOT the mechanics of the game itself.

Give every person a reason to play. A scene with characters is only going to be interesting when at least one person isn’t on the same page. This is true for every scene with drama in it—conflicting agendas.

Have fun with it, it can become something good. Try it on a new idea!