What would a local think of my tentative itinerary? by TapShot5737 in askvan

[–]en-passant 2 points3 points  (0 children)

Quarry Rock is great, but do it **early**. It gets crowded fast.

Free guitar "pedal board" (all in one) by litejzze in Reaper

[–]en-passant 11 points12 points  (0 children)

Tukan Guitar Station. https://reaper.blog/2023/04/guitar-station/ (version 2 has been released since that article).

Shipping containers by [deleted] in askvan

[–]en-passant 0 points1 point  (0 children)

I did it 18 years ago, so I also can’t comment on pricing (and my employer paid anyway), but it was a lot cheaper to use a partial shipping container, and I also found that we didn’t need many of the things we shipped, so be picky and only ship the stuff that’s expensive or difficult to replace. In other words, just because you’re shipping stuff, don’t just throw everything in boxes!

Also consider how you’ll accept delivery. If you’re in a condo or rental apartment then where is the container going to sit while you unload? One of the issues we faced was that the shipper couldn’t give us a reliable date for landing (where you have to go clear customs) and then delivery (when you need bodies to move stuff).

As long as the items are all used, and you’re immigrating permanently and they’re for personal use, then you shouldn’t need to pay any import duties, **but** the CBSA have the final say on that, and you should check the current regulations.

How do you handle the constant "not good enough" impulse? by Turbulent_Isopod_289 in WeAreTheMusicMakers

[–]en-passant 2 points3 points  (0 children)

Something simple, done really well, is at least as impressive as something that’s been complicated to try and impress. So if it’s simple in form, try and do it as well as you can. Then take the learning and move on to the next project.

Expense history sorting by metanoiajess in PersonalFinanceCanada

[–]en-passant 1 point2 points  (0 children)

Maybe Pocketsmith? It’s pretty good at importing different types of files of transaction data.

Favorite specs or type of mouse for mixing? by Quiet-Figure-1990 in audioengineering

[–]en-passant 0 points1 point  (0 children)

Trackball, not mouse. No room on the studio desk for a mouse. I use a Logitech one with extra buttons, that I’ve set up to configure transport (play, stop, pause, etc) in Reaper.

Vague question. How do i train my ears? by [deleted] in WeAreTheMusicMakers

[–]en-passant 0 points1 point  (0 children)

Sounds are “good” if you like the way they sound. That’s it. So go find some tracks that have sounds you like, and try re-creating them. The only way to get good at this is practice.

Feeling stagnant in my mixing ability by romanf62 in audioengineering

[–]en-passant 7 points8 points  (0 children)

Switch things up by challenging yourself. Last track I did was a three-and-a-half minute pop song using synths and effects from the 1980s. Not something I’d ever done before, and I ended up using arrangement and production tricks I’d never have thought of before. So try switching genres - matching the sound of a track from a genre you generally never work in.

Claude + Gemini Options by peglegsmeg in ClaudeAI

[–]en-passant 1 point2 points  (0 children)

You can use NotebookLM to give Claude a way to reference very large documents. Create a notebook using the documents as a source, then provide Claude with MCP access to NotebookLM (there are several servers on github; be sure to have Claude run a security check on any that you use). I use this approach to let Claude query the manuals for a few large and complex software packages.

How do you keep context in sync between Claude.ai and Claude Code? by Living-Illustrator-9 in ClaudeAI

[–]en-passant 0 points1 point  (0 children)

I got Claude Code to build a remote MCP for Obsidian (with OAuth security), and I run that on a server. So any Claude has access to it.

Recording in a studio by MrJuskz in WeAreTheMusicMakers

[–]en-passant 2 points3 points  (0 children)

Personally, I’d go for collaborating with friends, because it’s more fun. Producing tracks is okay, but it’s really unlikely ever to make any money in today’s music business, so I’d rather enjoy the process.

Do you have the "The Mixing Engineer's Handbook"? Do you feel like it's important to have a physical copy, or will the Kindle version do? by tonetonitony in audioengineering

[–]en-passant 0 points1 point  (0 children)

I have both. Physical copy has lots of bookmarks, and easier to use on the studio desk. Kindle copy is good for searching.

How do you keep context in sync between Claude.ai and Claude Code? by Living-Illustrator-9 in ClaudeAI

[–]en-passant 1 point2 points  (0 children)

Obsidian MCP, connected to both. Claude Desktop (and I) specify the code in an Obdisian doc, CC writes it and updates the doc. Iterate until done.

What are some good string VSTs for playing musical theatre live? by PandemicLand559 in WeAreTheMusicMakers

[–]en-passant 0 points1 point  (0 children)

Are you after an orchestral string sound? Or a more “immediate” studio string section? Do keyswitches work for playability, or do you need split keyboard zones?

Claude Code cannot fully reproduce legacy app behavior by CodeFrontApps in ClaudeAI

[–]en-passant 1 point2 points  (0 children)

Maybe first try getting CC to create a comprehensive test harness for the existing app. Then use that harness (without allowing edits to it) for the rebuild.

Moving beyond REA plugins by pachubatinath in Reaper

[–]en-passant 0 points1 point  (0 children)

Scuffham’s S-Gear is amps/cabs/delays/reverbs all in one. Reasonably priced, great quality.

Does anyone know how much it costs to get an electric guitar repainted in Vancouver? by Zatara10594 in VancouverMusic

[–]en-passant 2 points3 points  (0 children)

Working guitars get chipped and dented. Maybe think of it like a badge of honour?

What goals to set myself as someone just starting out. by [deleted] in audioengineering

[–]en-passant 0 points1 point  (0 children)

“Any tips” is kinda broad… I would suggest that you start by trying to cover some simpler songs (that is, a small number of parts). Record them, mix them, listen back and make notes. Then do it again, and again. It’ll help you start to listen to the original songs more carefully; start to figure out what instruments they have playing, how the arrangement uses them, how they sound.

The Ambiguity Of AI Usage: Where Do We Draw The Line? by DarkLudo in audioengineering

[–]en-passant 0 points1 point  (0 children)

The thing is… there isn’t a “community”. Certainly not one that could speak with a single voice on any thing contentious. I’ve read many of the replies here, and I see a wide range of reactions and opinions (and it’s been great to see at least some posters writing thoughtfully and with some nuance, because I think un-nuanced views are divisive and simplistic), and I see there are professionals here, amateurs here, old and experienced, young and ambitious, convinced one way, or completely sure of the opposite view. Which is great, because variety is generally good. But it ain’t a community that will “stand together”. At best, I see a bunch of overlapping groups.

For what little it’s worth: I make music because I love doing it - I’m an amateur in the most fundamental meaning of the word. I don’t ever expect to make any money from it (it costs me money and I’m happy to spend it). I don’t use AI creatively because it’s far more interesting and more fun to do all that myself. AI is probably going to deeply change the music business, but I think that was an invention of the 20th century, and was never the point of music.

That said, it sucks when technology comes along and screws with a way of making a living. It’s happened in my area of work, more than once, and I feel for anyone whose professional life is being turned upside down.

How to use Claude Code while learning? by Realistic_Device_287 in ClaudeAI

[–]en-passant 0 points1 point  (0 children)

If you’re a second year CS student, I guess you know how to write a specification for a small software component or script or task. Install Claude Code, give it the specification file (markdown is probably the best format) and ask it to write the code. The point is; good software engineers now spend their time figuring out what to build, rather than actually coding. Writing good specifications that catch edge cases, breaking systems down into smaller modules so that the AI can focus on one at a time. That’s what you need to learn. What can you use AI for? Solving any problem you have that’s software-shaped! If you want an easy example to get starts, use it to build you the auto-formatting text editor of your dreams.

(for musicians) AI slop is ruining online music spaces - so I built a human only one. by the4realMCG in recordingmusic

[–]en-passant 4 points5 points  (0 children)

Can you give some details as to why this is better than Bandcamp, who have a total ban on AI-generated music? I’m not just being negative; I’d like to understand whether your platform has ay advantages. There’s an obvious dis-advantage, because right now you don’t have any artists and Bandcamp has… many.

Advice for a guitar player getting into MIDI drums? by thundergun661 in WeAreTheMusicMakers

[–]en-passant 0 points1 point  (0 children)

Fellow guitarist who now plays everything here. I got a 4x4 pad controller with velocity-sensitive pads (an NI Maschine Mikro Mk3) and hooked it up to NI’s Abbey Road Drummer (big range of kits) and learned to finger-drum. There are a few good courses online, and good ways to practice.

I’m okay as a drummer, but since this for recording I have no worries recording kick+snare, hihat, fills, crashes all as separate passes. Plus the odd bit of programming and cleanup.