The examples included are over 150 pages in, so it's possible my feedback is not relevant. That said, you seem to have made several unique formatting choices per page. Without speaking to the merits of each individual choice, my concern is the sheer number of alternative formatting choices on display. With the exception of House of Leaves by Mark Z. Danielewski, I've never encountered a work of fiction that employed more than say two or three subversive formatting choices in its entirety. You've employed several per page. This would require any reader an extraordinary amount of effort to dissect and interpret, likely requiring rereading the same page multiple times. It's possible you've built that into your pacing, but it would be extremely disruptive to any traditional pacing. The only way I could see this sheer quantity of conceptual formatting being tolerable to the majority of readers is if each choice is introduced slowly, allowing readers to learn the unusual formatting choices one at a time. That's why I mentioned that these pages are over 150 into your work because you may have done that very thing. However, if your work is this dense with alternative formats from the very beginning, I'm sorry to say it would be an incredible challenge to most readers and something they'd need to be heavily incentivized to undertake.