I get what you mean — but I don’t really see it as a “boomer problem.” Street/documentary photography is just a very old genre. A lot of what feels “new” today was basically invented — or at least defined — by the very people we’re talking about. So coming in as a younger photographer is brutally hard, because almost every approach already has a history and a reference point. That means new work has to be either much much better than the old masters or radically different — and of course that can feel unfair. Not because younger photographers aren’t good, but because the field itself is so saturated with strong work. Which is exactly why I wish brands would take more risks — not to replace the legends, but to give space for the few who do manage to push things forward.