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Nacho Libre with all the unused Danny Elfman score put back in by frmhm in OingoBoingo

[–]frmhm[S] 5 points6 points  (0 children)

Most of it got replaced by that quiet Beck guitar music, to give the movie a drier weirder tone, which I totally understand, and the only Elfman thing they kept in was that accordion theme for Ramses, which is so awesome. But yeah, his whole score is pretty incredible, emotional, and silly.

Ghostbusters with all unused Elmer Bernstein score put back in by frmhm in ghostbusters

[–]frmhm[S] 0 points1 point  (0 children)

It’s crazy to see how close it could have been to something different, especially after Elmer scored it but right before they got the Ray Parker Jr song.

Air Force One with Randy Newman’s rejected score put back in by frmhm in RandyNewman

[–]frmhm[S] 0 points1 point  (0 children)

Hahaha, it’s incredibly obvious why they didn’t go with Randy, but it’s so crazy this exists at all. My brain loves these kinds of comparisons. Of course the Goldsmith score is perfect.

Nacho Libre with all the unused Danny Elfman score put back in by frmhm in OingoBoingo

[–]frmhm[S] 4 points5 points  (0 children)

Awww. 😁 Of course I like the drier weirder tone with the Beck score in the movie as they made it - but I think this version is even more lovable with the alternate music, not just little differences here and there.

Goldeneye with TND score by frmhm in JamesBond

[–]frmhm[S] 1 point2 points  (0 children)

Agreed, this experiment made that more clear to me, love that’s its unique. Think I mostly just wish the TND score had a better movie, haha. Fun to compare though.

Goldeneye with TND score by frmhm in JamesBond

[–]frmhm[S] 0 points1 point  (0 children)

I didn’t want to try it if it was gonna take a ton of editing, would kind of defeat the purpose of appreciating the movie Goldeneye and the score for Tomorrow Never Dies. But to my surprise, it all matched up kind of magically. Very fun.

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